i must have seen a different film!!

As Good As It Gets

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

The film makes a home in your brain and the only cure is to see it again.

****SPOILERS*** Story of the 3rd armored division in it's battles from the breakout from Saint Lo in Northern France to the teeth of the what was called impregnable 350 mile Siegfried Line. That's on the German Belgium & French border with tough and indestructible , he never as much got a scratch during entire movie, Staff Sgt. Francis Aloysius, or just "Sully" to his fellow GI's, Sullivan played by the ruggedly handsome Steve Cochran. It's Sully's leadership and determination that in fact has his tank unit breach the Sigfried Line and make possible the invasion of Germany in late 1944 but it came at a steep price. With just the US Military, not including the British Canadian & French allies, suffering well over 200,000 casualties, with some 50,000 KIA, in the process.Hated by his men at first for driving them for days without sleep against the far less in number but more superior in experience and firepower & experience German Panzer units who's kill ratio was something like 10 to 1 against US armor. Never the less the spearhead 3rd armored reached the Sigfried Line with it's massive tank traps bunkers and honeycombed with underground tunnels way ahead of schedule just before the winter set in. And for some five months fought a seesaw and stalemate battle with the German forces that cost it the loss of some 75% of it's men and almost all its tanks that were quickly replaced which the German losses weren't. During that time it was "Sully" who kept his unit, the 3rd armored, together by leading from the front, not the back, in his lead tank that really inspired his men. The one person who hated "Sully's" guts the most Pvt. Danny Klowicz, Paul Picerni,soon realized what a real fine "Joe" he really was by giving credit to his battle hardened men. That in a letter to his CO. the Sleeping, whom "Sully woke up with a stiff kick in the butt, Capt. Bob Horner played by Robert Horton, who at age 91 is still round with us today, giving them all the glory in his drive to Siegfried Line without once mentioning himself. There's also in "Sully's unit German born American GI Heinrich "Heinie" Weinburger, Robert Boon, who's main reason for being in the US Army is to free his grandparents from living under the Nazi dictatorship. It was when "Heinie's" grandparents were freed that the stone faced and unfeeling Sgt. "Sully" broke down for the first and only time in the movie and showed, what seemed to be almost impossible for him, genuine emotion even though after all they were Germans. The screenplay was partly written by Samual "Sam" Fuller who some 30 years later wrote and directed a very similar film, this time in living color not black and white, about the 1944-45 war in Western Europe "the Big Red One" that in real life back in WWII he was an actual member of.

While this movie was a fairly non-objectionable way to kill 90 minutes since nothing else was really on, I have to say that most of the acting was pure HAM! I was even laughing out-loud as Marconi was gasping and wheezing (for dramatic effect, I suppose) during the radioing-in of the coordinate information for the artillery barrage. Then there was Sullivan's on then off again hayseed accent and mispronunciation of words. There's the fact that MAJORITY of the equipment (tanks and assorted vehicles) that are period incorrect. The blatant insubordination of just about everybody to their superiors. The miraculous overnight (literally) transformation of Sgt. Sullivan from reckless and abusive horse's arse to everyone's buddy and "stand-up" tank commander. Let's not forget the clips of actual scratched and grainy WWII battle footage that was spliced (without ANY attempt of matching whatsoever) together with the newly filmed footage. The terrain of Fort Knox and surrounding areas of Kentucky used as various locations in Germany again without any serious attempt of blending/matching to real European terrain. There was even a bright and sparkly 1950's style concrete and steel overpass in one shot. And the list just goes on. Now.... like I said, It wasn't a hideous movie. At least there were cool tank battles to watch but the acting! Eeeegads!!! Overall I'd say this reminded me of a cheesy 1950's B-grade sci-fi movie (fun but unbelievable) except the subject was American WWII tankers. Anyway...... that's just one guy's opinion, of course! :^)

The director Lewis Seiler followed up his stark, exciting D-Day aftermath saga "Breakthrough" with this utterly humdrum companion piece. The story concerns the Third Armored Division's push through France toward the Siegfried Line, and it's a measure of the film's dramatic shortcomings that the stock shots of Panzer tanks and American iron bellies seem far more compelling than the actual footage.Steve Cochran brings a spark of surly charisma to the proceedings as a bluntly unsentimental sergeant who takes over a squadron consisting of some of the dullest, least engaging, most ill-defined dog-faces ever to battle it out on a Hollywood sound stage; these ciphers almost make one long for the clichéd likes of William Bendix's Brooklyn lug and Richard Jaeckel's combat-green kid.The dreadful screenplay by Robert Hardy Andrews has the temerity to give Cochran a change of heart, and by the climax the snarling top kick is shaking hands with cowering German citizens and even cuddling a stray pooch! Crusty old warrior Sam Fuller is credited with the story; he must have choked on his stogie when he saw the finished product. With Phil Carey, Mari Aldon, Paul Picerni, Robert Horton, Harry Belaver.

During WWII, there were two kinds of war movies: The musical and/or comedy flag-waver for selling war bonds, and the serious flag-waver for selling war bonds. But after the war, returning veterans wrote and directed darker, more cynical movies reflecting what they experienced in the war.Warner Brothers didn't much care for the cynical war movies. They made pretty much the same kinds of war movies they'd made during the war, but with somewhat bigger budgets. In comparison with the darker movies made by other studios, these WB war movies come off as comic books, a description I use with the utmost affection.These movies didn't deal with the gore and high cost of war. They continued to glorify the fighting man and, to some extent, his war machines. Warner Brothers made such good war movies as BREAKTHROUGH, TARGET ZERO. By the middle 1950s, WB got too big for their britches and made either over-budgeted dogs like BATTLE CRY or under-budgeted dogs like DARBY'S RANGERS.But for a few, short years WB reigned supreme and left us with treasures from the early '50s. THE TANKS ARE COMING is probably their best. For what it's worth, it's still the only "tank" movie of any note.Trivia: George O'Hanlon (Tucker, the tank driver) was the original "George Jetson." You'll recognize his voice immediately.