The Third Secret
The Third Secret
| 02 February 1964 (USA)
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A prominent London psychologist seems to have taken his own life, causing stunned disbelief amongst his colleagues and patients. His teenage daughter refuses to believe it was suicide as this would go against all of the principles her father stood for, therefore she is convinced it was murder. She enlists the help of a former patient to try to get to the truth. However, the truth turns out to be both surprising and disturbing.

Reviews
Ensofter

Overrated and overhyped

Gurlyndrobb

While it doesn't offer any answers, it both thrills and makes you think.

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Zlatica

One of the worst ways to make a cult movie is to set out to make a cult movie.

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Marva

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

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rockandrollhellcat

Warning! Contains spoiler! I saw this movie on television many years ago. Being a Pamela Franklin fan, I just had to watch it. It was a very good movie with a wonderful surprise ending! Very suspenseful. The entire cast is great. It's a very unusual story. I can't get the scene of Ms. Franklin trying to stab Steven Boyd with a pair of scissors out of my head! Reminds me of the scene where she kills Dirk Bogard with a fire poker in "Our Mother's House." Pamela has done a lot of interesting film roles that are different from the norm. This is one of them and definitely worth seeing. I hope they will release this on DVD one day soon!

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leopardgirl99

This is an excellent movie featuring actor Stephen Boyd who once again exhibited his ability to perform well with a mediocre script. The movie has a great story line and good suspense. This is one of Boyd's best performances. The actor made about 50 movies.The cast was superb and it tells the story of a psychiatrist and the few patients he had before he is murdered at the beginning of the movie. The patients are all successful and relatively normal people that on the surface seem to fit into society, but definitely have neurotic tendencies with self-esteem issues at best.Boyd's character is that of a cynical American news reporter stationed in England where he mocks his own country-men on TV and his character is brilliant.

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Joan Daniels

I was the edge of my seat! A suspenseful Who Done It with compelling performances by Pamela Franklin and Stephen Boyd in challengingly complex roles. The plot is fairly progressive for its time - the topic of mental illness still somewhat taboo in our society. I read somewhere that Stephen Boyd was so taken with the story and the character, he took a sizeable pay cut to play the role of Alex. Versatile actor that he was, he seemed to most enjoy those demanding and unusual character roles with substance and depth that really challenge an actor and in which he performed so notably well. And Pamela Franklin, at the age of 14, is an incredible actress taking on a role that veterans would not have managed nearly as well.Great story - great film - great acting!

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Aldanoli

A British psychologist has apparently committed suicide, but his teenage daughter is convinced it was murder and asks one of his patients (Stephen Boyd, as an expatriate American journalist) to investigate. Somber, brooding, introspective tale, with Boyd well-cast in the lead; elegantly written (worthwhile just for the dialogue), and moodily shot in black and white. Regrettably, the film is inaccurate in its portrayal of psychiatry; despite what the script says, people suffering from paranoid schizophrenia are no more likely to be murderers than anyone else, and people with schizophrenia cannot hide their illness as though they were undercover spies. That small suspension of disbelief aside, the film ruminates on all sorts of interesting ideas that fit together like inlaid wood.The film is enhanced by an excellent cast, including Jack Hawkins, Richard Attenborough, and Diane Cilento as the three suspects, the now-legendary Judi Dench in her first credited role, and the much under-rated child actress, Pamela Franklin, as the psychologist's daughter. In particular, though, Attenborough's performance as an awkward, insecure art dealer stands out as a remarkable contrast to his performance in another film of 1964--"Guns at Batasi," in which he plays a tough, almost indestructible British Army sergeant.

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