Simply Perfect

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

As the voice-over for director Gene Deitch's The Tom & Jerry Cartoon Kit explains: "Anyone can now enter the lucrative field of animated cartoons". We know, Mr. Deitch—you're living proof!This one does away with a plot entirely, the cartoon consisting of totally random and surreal action, and keeps the need for drawing to an absolute minimum by making all of the backgrounds flat colour. What next? Pure white backgrounds? That would keep the costs down even further.Others here on IMDb seem to like The Tom & Jerry Cartoon Kit slightly more than Deitch's other efforts, but I don't get it, finding this just as wretched.

Fans claim that Chuck Jones' Tom and Jerry cartoons were the worst, but for my money the theatrical lowpoint for the cat and mouse were when MGM contracted Gene Deitch and William L. Snyder to direct and produce a series of low-budget, low-quality Czech-animated adventures. "Landing Stripling," "Switchin' Kitten," "Sorry Safari," "Buddies...Thicker Than Water," "Down And Outing," "Dicky Moe," "Calypso Cat" ... painful to behold, all. (Although they're still better than Filmation's horrid "The Tom And Jerry Comedy Show.")Only two of them are halfway watchable, "Tall In The Trap" and this one, "The Tom and Jerry Cartoon Kit" (any relation to Bob Godfrey's "Do-it-Yourself Cartoon Kit"?), which supplies animators with a mouse, a cat, and assorted deadly weapons ("The coffee and cigarettes are for the cartoonist"), and leaves them alone to muck about for a few minutes. Basically, this is Metro-Goldwyn-Mayer admitting that anyone could do better than the lot they had under contract, and while it's not very clever and as sloppily animated by Vaclav Bedrich and company as ever, it passes the time less painfully than the others.You should still take the ones made before the 1960s, though. We all should.

Gene Deitch could ruin ALPO. But, he managed to breathe some fresh air into the vastly overrated TOM and JERRY series, but only in this single cartoon. Its premise is that ANYONE (even himself, I suppose) could make cartoons. The bit about coffee and cigarettes for the animators is the best part of the cartoon. Other than that, it's the same old "Mouse beats up stupid cat" theme that was already years past anything original or valid.Deitch's style is way too eerie and absurd (see his Popeye cartoons--they ain't much better), and should NEVER have been used for a "serious" studio's product. This is the sole example of where it seemed to work.

When I was a kid, I would watch hours of Tom & Jerry every day (between TBS and the local stations, I could probably have spent 12 hours a day watching Tom & Jerry). I didn't know much about the history of animation, but I figured out a few "styles"... Early Hanna-Barbera, 50's Hanna-Barbera, Chuck Jones-style, 60's style, Filmation, and... the Gene Deitch ones.I instinctively didn't like the Filmation ones, but the Gene Deitch vignettes... these are the things the nightmares of children are built upon.I don't know how to properly convey how weird these things are in the pantheon of Tom & Jerry cartoons. Gene Deitch was a master animator, but of avant-garde subjects; his angular, flat style just doesn't work- it feels like you're watching a badly dubbed cartoon, rather than new-style animation. It actually felt like I was watching a cartoon done in a third-world country that "appropriated" the T&J characters- Stalinist cartoons, perhaps.The sounds, too... Tom & Jerry always had creepy bits (who doesn't remember "Don't you believe it!" after Tom gets blown up by the atomic white mouse?) but the Deitch shorts... the sf/x all sound synthesized and strange. If Jerry is confused, what do you hear? Not a tiny voice going "Hmmm", but a wobbling-sheet-metal sound, as if it were being done in an echo chamber.The over-all effect is the same feeling I get when watching Italian horror/sexploitation flicks, or Jorge Buttgereit's work (Nekromantik, Der Todesking)- this is *definitely* not what I should feel like when watching a Tom & Jerry cartoon...