Self-important, over-dramatic, uninspired.

n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

I saw this movie before reading any reviews, and I thought it was very funny. I was very surprised to see the overwhelmingly negative reviews this film received from critics.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

I thought this movie was great, I wish the brutal and gory scenes had a bit more realization and acting in them but the plot and screen writing for this film is fantastic.. I felt emotionally drawn to the teenager at the end of the movie and despite him beeing a serial killer i actually felt bad for him at one point. This movie did a great job going into depth of his past and what causes him to kill.

OK yeah, this isn't a vampire movie. I just wanna clarify that one can, and should, ignore the title graphics showing the main character casting a Nosferatu shadow.With that out of the way, this isn't a bad film by any means. There's pathos, and some humor here and there. It calls strongly upon the reality-sucks school, which isn't among the styles of filmmaking that I enjoy a lot, but if you're into that then do see this. The actors have done a great job, and I think this movie is every bit as deserving as certain other "cult" classics, if not more so. I gave this one -1 for the reason that I probably wouldn't watch it again, however I'd recommend it to anybody who likes a slightly more intellectual film experience. I watched it around the same time I was re-visiting the series Dracula from 1991, and I mean... sun and moon, night and day. If your brain needs a rest real bad, check out the Final Destination franchise, for example, and skip Transfiguration.

The outcast orphan Milo (Eric Ruffin) is a lonely teenager that lives with his brother in a dangerous neighborhood. Milo is fan of vampire stories and movies and he randomly kills people to drink their blood like a vampire and steal their money. When he meets the depressed teenager Sophie (Chloe Levine), they become friends and spend their leisure time together affecting Milo. "The Transfiguration" is a weird but interesting low-budget rip-off of "Martin" and "Låt den rätte komma in". There is something missing to rate "The Transfiguration" a good film, but it keeps the attention of the viewer until he last scene. My vote is five.Title (Brazil): Not Available

Seen at he IMAGINE film festival 2017 in Amsterdam. The story flows all the time and keeps your interest, but overall the dramatic developments are minimal, and the atmosphere embedding the two main topics, violence and social commentary, does not provide for anything new that we haven't seen already in many other movies.The only novel element is that Milo is a vampire, this time not someone who has to avoid daylight, and he also does not sleep in a coffin. Milo lives a more or less normal life with his older brother, who has apparently nothing more to do than watching TV all day long. Milo marks days on a calendar that he has to go "hunting". We saw a handwritten book with rules of engagement, e.g. that the victim must come instead of chasing him, but that was only a small fragment of a heavy stack of paper. We also see him several times bite randomly chosen victims, after which he is always somewhat nauseas, seemingly inherent in the process. How he became a vampire, is left in the dark (no pun intended), and what we see of his brother does suggest that is not something that runs in the family.We see less of Sophie, not even her house from the inside, when she e.g. lets Milo wait for her door when she has to pick up something, very different from her having access to Milo's house and even stays in his room for a few days. Not clear what it all means, if anything. Both walk outside the house like a couple, e.g. holding hands, but there is no sex involved as far as we see, despite of sleeping in the same bed and kissing each other frequently.All in all, if it really was the intention of the film makers to leave us confused, just as confused as both main protagonists are with respect to the world around them, this movie is a success however without a silver lining. It does not make us any wiser through the added elements of social commentary nor does it about violence or NYC's atmosphere, being important topics as suggested by the movie's website but I missed all of it.