People are voting emotionally.

Good concept, poorly executed.

A brilliant film that helped define a genre

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

The biggest hook for this movie is the opportunity to see Dyanik Zurakowska.Directed by León Klimovsky, who did two of Paul Naschy's werewolf films, the film includes many horror veterans in the cast.Now, if you tourist bus breaks down, and the town where you are stranded offers to put you up for free, and gives you spending money to boot, you might do well to head out on your feet very fast. While you are enjoying your meal, others are planning to have a feast later on.There were a few funny spots - the finger, for one. The ending was baffling and totally unsatisfying.

Atmospheric and creepy tale of a group of travellers whose coach is diverted to the uncharted Spanish village of Tonia, where the locals disappear at night and emerge later as something other than human. Prolific US-Spanish leading man Jack Taylor is central to the defence, taking the lovely Alma (Zurakowska) under his wing until they can conjure an escape. A mysterious Countess (Line) and her off-sider, the town's unofficial mayor (Guardiola) try to convince the travellers to stay in town and enjoy their hospitality, boasting the best "roast" in the region - as another reviewer remarked, 'finger-lickin' good - the origins of which are somewhat dubious to say the least.Impressive sets and locations really depict a sense of isolation, and the quaint town and its characters are all effectively drawn in spite of some bizarre sub-plots. There's an axe-wielding giant ("I'm here on behalf of the Countess") who pays visits to unwitting blacksmiths for 'meat' collections, a psychopathic child with a murderous streak, and of course the aforementioned sultry Countess, the alluring and strikingly attractive German beauty Helga Line. The scene in which she passively seduces one of the weary travellers is great erotic-horror.Plenty of little oddities to capture the imagination, despite the ungainly title, Klimovsky's film is well-paced, intelligently scripted and very entertaining. Only the conclusion is somewhat disappointing. I didn't expect much, and was pleasantly surprised.

"A busload of travelers must stop in a small European village after their bus driver suffers a heart attack. The local villagers seem friendly at first but strange events stir up suspicion in the travelers. Eventually, the travelers uncover the truth behind their hosts and find they have stumbled upon a village inhabited by vampires," according to the DVD sleeve's synopsis.From Spain, this "Vampire's Night Orgy" does not deliver the goods; although, it has a fairly nice start, and a few good scenes. Some of the more interesting characters - the children and "Countess" Helga Liné - are left underdeveloped and unexplained. Alas, the less interesting characters aren't explained, either. And, certainly, NONE of it needs explaining after the movie's inexplicable ending.*** La orgía nocturna de los vampiros (1973) León Klimovsky ~ Jack Taylor, Dyanik Zurakowska, José Guardiola

A bus driver taking a small group of hired help for a new job at a wealthy estate, has a heart attack leaving them in quite the predicament. Needing rest, they find a sleepy Spanish village surprisingly absent of citizens. One amongst them is attacked by those citizens who just so happen to be vampires, under the servitude of The Countess(Helga Liné, wasted in a rather underwhelming role). Soon the others' lives are at risk as the village folk, who seem hospitable if rather strange, await them when most vulnerable, at night. One by one, members of this group of outsiders fall prey to The Countess and her minions. Luis(Franco regular Jack Taylor), a traveler passing through, falls in love with Alma(Dyanik Zurakowska)and believes that the people of the village are not who they appear. His car was tampered with and fixing the cut wire will be a top priority so that Luis and, the ever-frightened Alma, can get out of this place before they are doomed like the others.Director León Klimovsky, known for his films starring Paul Naschy, attempts to develop an atmospheric horror film regarding trapped outsiders in a hostile place where vampiric citizens are around every corner. The vampires of this particular film are more in spirit with Romero's zombies with how they rush human victims, how their hands grab across the terrified faces of those screaming for help that will not arrive, and especially how León Klimovsky photographs their faces coming towards the screen. There's little to no blood, quite an anemic vampire film. The Countess only really conquers one victim with her bite, before tossing his torso over her bedroom's ledge for her blood-thirsty brood. She makes an appearance once as a seemingly generous host to the group with a supposed bus that can not crank. Later, The Countess appears again, exiting her crypt and eventually hopping in the backseat of Luis' car attempting to thwart their escape. Little nudity, merely a brief glimpse of Zurakowska's breasts, with Taylor's Luis spying on her through a torn hole which eyeballs directly into her bedroom. The night attacks are what I thought worked best while the tacky jazzy elevator musical score(s)leave anything to be desired. Quite low budget, with an twist ending that isn't needed and feels forced so that we are left wondering if what we saw was real or imagined. Liné, as the vampiric Countess, has a sex scene with a potential victim, but nothing is elaborated. Perhaps the most horrifying scene is the accidental suffocation of a young girl. Despite how lurid the title sounds, this really isn't that exploitive.