It's no definitive masterpiece but it's damn close.

Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

.Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Set in China in the 1860s, during the Taiping Rebellion. Loosely based on three real warlords, who raised an army to fight against this rebellion and in the process restored the rule of the Qing Dynasty.Jet Li, Andy Lau and Takeshi Kaneshiro play the leads here as the three warlords, who come from different walks of life, but who through the atrocities of war are brought together and end up swearing a blood oath of brotherhood, to stick together and end the war on their terms. The movie very heavily rests on their shoulders and they do not disappoint. The best scenes in this film are those where all three of them face one another, either in unison or in conflict.Unfortunately the script is somewhat lacking. These three actors could handle heavier stuff, but the dialogue they're given, especially in these situations they're set in, don't quite reach the level of greatness they perhaps could.The film also looks oddly drab. I guess they wanted to go for a more realistic style, compared to more usual outlandish Chinese historical films, but it still comes off as planned because now everyone is dressed universally in black, which looks outlandish as well, just in a very different way.To the film's credit, I say that the group battle scenes are really good looking. Some of the best I've seen in years. Although, on the flip side, the individual battles are jerky messes. Especially considering that you had Jet Li as the main character!Still, it is definitely a film worth checking out if you're into Chinese period war films.

This was one of the best movies I have ever seen, by far the best performance I have seen from Jet Li. He and this film were well worthy of their Hong Kong Film Award victories and nominations. The acting and emotion were strong throughout the movie and you could feel the pain and anguish of the characters in those moments.The script at times (or perhaps the direction) didn't seem to fit with jumping ahead in some situations, but that didn't hurt the grand feel of the film too much. Andy Lau and Takeshi Kaneshiro also were incredible, each had their opportunity to show their talent and definitely delivered.Jinglei Xu had a very powerful scene at the beginning of the movie and a few other portions where she masterfully used her face to tell a story without dialogue. All the acting was top notch and the story was definitely gripping. If you want to see Jet Li at his best you should definitely give this film a watch.

Anti-War? Naturalistic violence? Chinese superstars known in the West? Eternal triangle plus girl? Yes, all these, and set in the modern times of the Taiping Revolt (19th century)where millions died at the fag end of Imperial China. But they do not add up to anything magical or even very good. The scenes and storyline all seem repetitive - blood brothers swearing allegiance to one another before betraying each other - but with no comeback till the end! The politics of the times is of the old men betraying young men and backing whoever will give them least trouble - universal but is far less interesting than the real issues of the war, especially as the West was busy interfering with supplying arms and not backing the Christian-like rebels (crucifixes are carried by the Taiping) as much as the Imperial side (General Gordon of Khartoum organised the Imperials!). The characters are too one-dimensional, the mud too obvious, the direction too glowering, the acting veering between heroic and small-time crooks, and the action desperately trying to get Jet Li and the others to fight with swords rather than guns! All in all, an interesting failure, where perhaps too many writers spoilt the broth!

Joint Chinese-Hong Kong venture The Warlords is a somewhat troubled but additionally somewhat interesting account of the relationship between three men, told amidst the backdrop of something far grander, that is the true event of an allusive and mysterious murder that happened in China, in 1870. Rather than have an opinion of or make a statement on these events; it is more a study of power play and control, and how with so much at stake and so many at one's disposal, things can quite feasibly fall drastically apart if trust and loyalty between those within the higher-ups isn't prominent. Alas, the film sounds more interesting than it is; providing us with a collection of interesting ideas and themes but placing them in scenes that feel mechanical and obligatory as everything plays out to the conclusion.For all the sense of scope and the sheer grandness behind it, what with the hundreds of extras and the vast, open settings; the fact of the matter that The Warlords essentially boils down to the link between these three male individuals, and one additional female, is quite extraordinary. There might even be an argument that the film makes for a better romance picture, and by the end is more interested in the destructive nature of love than lust for power and control over territories. The three men predominantly involved are Zhang Wen-Xiang (Kaneshiro); Zhao Er-Hu (Lau) and Pang Qingyun, who is played by Jet Li. The film thrusts us into the the forefront of Qing Dynasty China, with a nasty; sweaty; bloody battle coming to an end in which Jet Li's character General stumbles away as the sole survivor of his forces following the dishonourable act of pretending to have been killed so as to avoid further fighting. From here, a certain female by name of Lian (Xu) is introduced, as are the other two mentioned warriors; both of whom are happy to join Pang's military connections when it appears all is lost for the clan-come-townspeople they live with following a raid which leaves them starving and in bad shape. As one observes: "Better dead than this life". Over the course of The Warlords, these four characters' will have their lives transformed as they venture, interact and conquer with one another.But it's frustrating how the film doesn't seem to seal the deal with aplomb. The new recruits are pretty content with their new roles as sword wielding, uniform-clad soldiers whose job it is to seriously injure the opposing force; and there's that sense amongst them that they want to fight and want to push on into battle in order to get that chance. It's here that, indeed maybe for some, the characters' attitudes will echo those of the watching audience who are brought in under the pretense they're initially in for an action film. It's here that The Warlords touches on another dominant aspect, or theme, of the war genre. To pluck a random example out of the air, cast your mind back to 1986's Platoon and how that film's first person retelling of what war was really like got across a sense of not wanting to be there; not wanting the uniform and the weapon and really getting across a sense of terror. The Warlords sees its characters invite the warfare, indeed violence is got across as the only way in which to solve problems in the film.There is also that sense of repetition; that sporadic and unnatural flow of battle scenes inter-cut with visits to the Quing lords for reinforcements as well as a few instances in which the trouble amidst the three lead males is becoming more and more apparent. Sprinkle in a couple of silly proverbs-come-one-liners such as "Dying is easy, living is tough." and the reassurance that "Loyalty is everything." and you have pretty wavy, uneasy passage of scenes. Trouble is, most of the conflict within the higher-ups is moderately interesting at best, with conflict arising over how rapists ought to be punished and whether, in one particularly cold blooded scene, dozens of prisoners of war should be executed. While there isn't much in the way of suspense nor peril during most of the battle scenes; in the sense you don't have the immediate feeling that anyone is in danger; or might get hurt or injured.The film creaks and thuds into its final third, with the character of Lian taking the reins and driving the actions of these men as their antagonism changes from push to shove. The film has been released in various countries with various different levels of distribution over the last couple of calendar years, hitting Asia in late 2007 before gradually crawling across Europe, in certain forms, between the winter of 2008 and into the spring of 2009. In 2010, it'll get its American release and I think it'll do well; what with its overall arc of nobodies or 'underdogs' rising out of their respective shells and attempting to become big fish by taking them on at their own game. I think the casting of Jet Li and the promise of some big battle scenes all blended together with a romance sub-plot which'll form the basis for a love triangle spells good things, financially. It's probably worth seeing, overall, but I did not feel as involved as much as I would have liked.