Better Late Then Never

In other words,this film is a surreal ride.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

When you start fast-forwarding, you know it's bad.I picked this movie off of Netflix expecting it to be a pleasant children's cartoon. Thankfully I have learned to pre-screen things, because this movie was absolutely terrible.Human misery, death, and suffering are not my idea of a children's story. This movie basically starts with a homeless woman begging for money for her newborn baby so they won't starve. We are then shown people stealing, beating each other, cheating, and human excrement being poured over food--all before we meet the men who are abusing our hero, Tom.All of this, meanwhile, is live-action. You have to sit through about twenty minutes of this awful display of inhumanity before you finally get to the cartoons you thought you were getting when you started, and then there's another 20 minutes of live action at the end, making for half the movie. I don't know about your kids, but when my kids want a cartoon, they want a cartoon. Not a bunch of folks wandering around London getting typhoid.The live-action plot then drags on and on with more of the cruelty. Finally Tom jumps in a lake and is--for no reason ever explained in the movie--transformed into an animated "water baby." I suppose that's a bit nicer than saying "Hey kids, he committed suicide and drowned." He makes some friends, sings some songs, encounters some random enemies, and finally finds the other water babies. This is the good part of the movie. But then the other water babies are randomly kidnapped, and Tom must go on a quest to save them.Tom then returns to the human world, where he is again abused and you wonder why he doesn't just kick someone in the groin already and run off. Finally he does stand up for himself, the bad guys are arrested and he achieves a Dickensian happy ending, which honestly I never did quite manage to understand (did rich people just adopt random street urchins?) and we learn that several creepy ladies who've been appearing randomly throughout the film are actually the same person, which doesn't actually add anything to the plot or make any sense.As a parent, I have seen plenty of bad children's shows. Heck, I've endured Barney the Purple Dinosaur. But this movie takes the cake. Yes, Victorian England was a terrible place in which children were abused and death might seem like a reasonable escape. This does not make it 'entertaining', for me or my children.

The 1978 adaptation had all the ingredients of a potentially wonderful film. It is based on an absolutely charming book by Charles Kingsley. It has a truly talented cast from the likes of James Mason, Bernard Cribbons and David Tomblinson, not to mention the vocal talents of David Jason and Jon Pertwee. There is also Lionel Jeffries, the director of wonderful classics such as The Railway Children and the Amazing Mr Blunden, and while the film is good on the most part, it was also a little disappointing. I had no problem with the performances, particularly those of Mason and Tomblinson as Grimes and Sir John Harriet respectively, and Tommy Pender and Samantha Gates are believable as Tom and Ellie. Billie Whitelaw is also intriguing in numerous roles, even if one or two of them are quite bizarre. The voice cast is also commendable, especially Jon Pertwee, voicing charming characters in their own right. I also liked the incidental music it is so haunting and beautiful, and the script was fairly faithful and in general well-written, particularly at the beginning. The characters, especially the Water Babies are very charming, and the villains are sinister and funny at the same time, I loved the part when Tom and his friends help the Water Babies escape, seeing the shark chasing the electric eel with an axe was very funny. However, I will say the film does look dated, especially the animation sequences, the live action parts weren't so bad, if you forgive the rather dark camera-work. The character animation was rather flat, and the backgrounds sometimes were a little dull, though there were some nice moments, like the scene with the Krakon and of course the first meeting with the Water Babies. I also had mixed feelings about the songs, the Water Babies's song was beautiful, but I found the first song forgettable, when Tom ends up underwater. Hi-Cockallorum is an example of a song, that is like marmite, you either love it or hate it. I personally don't know what to make of this song, it was fun to listen to at first, but once it's in your head, it is perhaps annoying. As much as I like Lionel Jeffries and his films, his direction just lacked the wonder and the magic it usually does. All in all, certainly not a terrible film, but could have been better artistically. 7/10 Bethany Cox.

An orphan boy named Tom (Tommy Pender), who works for a pair of shady chimney sweeps, is falsely accused of stealing from the mansion where he is working at by Mr. Grimes (James Mason) - the real thief - and goes on the run. Tom's only alibi is the niece of the mansion's owners (Samantha Gates, a slender, blue-eyed blonde, with long, wavy hair, who I'm sure was the primary reason why I repeatedly watched this as a boy). He and his dog jump into a river and a witch turns them into water breathing cartoon characters! While underwater, he befriends and rescues a group of water breathing children known as water babies from a shark.A very interesting and always fascinating fable, set in 1850, that should appeal to all children. The animation (42 minutes of the 85 minute HBO VHS print) is just average, but it's preferable to most modern day animation - even computer animation! My only real gripe is a plot hole caused by a deleted scene. At 42:06, after the first verse of "High Cockalorum", the film cuts to a scene with octopi swimming, followed by Tom and Jacque's encounter with Terence. This leads to a scene in which the killer shark (voiced by Mason) leads our heroes into a trap. The shark then greets Tom with, "Young Tom, so nice to see your ugly mug again" - but this is the first time in HBO's print that Tom meets the shark! Most reference books list the running time as 92 or 93 minutes, and it was previously available from Sultan Entertainment and Nelson, so it's very likely that HBO's print is edited and / or time-compressed. Adding insult to injury, MGM released a fullscreen, 76 minute print on DVD in 2002! Let's hope a restored version appears in the near future.The film is copyright Ariadne Films 1978. "Ariadne" is the water baby voiced by Samantha Gates. Bernard Cribbins, who plays Mason's partner in crime, also voices the electric eel. A.K.A. Slip Slide Adventures.

I first saw this film when I was about 6 ish - my grandma thought it'd be a nice kiddies film to entertain me and keep me occupied....however, every time I watched it I had nightmares the same night. Yes it masquerades as a kids' film, but even now I find it really dark in places, particularly the haunting music that is played each time the guardian angel woman is on the screen, and her rather hypnotic eyes and voice. The actual "baddies" of the film, ie the sharks, Mr Grimes etc didn't scare me at all, I just always found the whole film rather creepy and dark. This is obviously something I can appreciate now that I'm 21 years old, but speaking from experience there is no way I would show it to my kids!