Good concept, poorly executed.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Exactly the movie you think it is, but not the movie you want it to be.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Director McRae produces this story of Indians and white men of a hundred years ago. For those who care for much shooting and massacre the picture will have appeal. Good photography and interesting backgrounds go far to hold the attention. The spectacle of a large body of Indians standing in a compact mass and shooting at a party of white men is hardly in accord with Indian tradition. - The Moving Picture World, December 6, 1913

According to Stephen Jones in his anthology *The Mammoth Book of Wolf Men* (page xii), this "Canadian two-reeler" film was loosely based on Henry Beaugrand's story "The Werewolves" (1898). Incidentally, Jones goes on to say that the silent French film Le Loup-Garou (1923) was also based on this same Beaugrand short story. The story then clearly captured the imaginations of people of this era.Here is a link, if you're interested, to the short story: http://gaslight.mtroyal.ca/werwolvs.htm I was surprised by just how short this short story actually is. Also, other than the fact that both the plot of this lost film and the plot of the short story both involves Indians, there does not appear to be that much of a direct resemblance between the two stories.

The first werewolf movie ever filmed is a long-lost silent film from 1913, 18 minutes in length, unfortunately destroyed by a fire in 1924. It was the only film which examines the old Indian legends of people turned into wolves through magic power for purposes of vengeance, who can assume human form at will.A Navajo woman named Kee-On-Ee believes she has been abandoned by her husband, who has actually been killed, and so she becomes a witch. Her daughter, Watuma, is taught to hate all white men and seeks vengeance by attacking the invading whites in wolf form, until she encounters a friar and his cross. She returns from death 100 years later to kill the sweetheart of the reincarnation of the man who shot her lover. A real wolf was used in the transformation sequence, involving simple camera dissolves.Directed by Henry MacRae, who directed over a hundred films prior to 1930, mostly exotic adventure shorts, and produced early classics such as the Flash Gordon series.