Brilliant and touching

A movie that not only functions as a solid scarefest but a razor-sharp satire.

This is a dark and sometimes deeply uncomfortable drama

The best films of this genre always show a path and provide a takeaway for being a better person.

A very beautiful melodrama of tragic love set in India in some of its most enchanting places (including Taj Mahal, of course,) under the shadow of the war with Japan. Dirk starts off escaping from them in Burma and ends up their prisoner once again. Between his ordeals he experiences an ideal romance with a Japanese girl who teaches Japanese to intelligence soldiers, one of whom is Dirk. The class sequences are almost the best of the film. Charming music embellishes the film and wraps it up in bitter-sweet romance which never gets too sleazy, since there are constant complications.It's an odd film for Dirk Bogarde and a very singular war and love story, very much akin to William Holden's war and love experiences in Korea and Hongkong, but this is both more idyllic, more intimate and more personal, since Yoko Tani is a more Madame Butterfly kind of girl, more sensitive and vulnerable, and Dirk is delicate enough to treat her with care. so he doesn't make matters worse, as he did in "Simba".The film leaves you with a few question marks, though. Whatever happened to the miserable Fenwick? You can only suppose the worst. But the worst gaffe is the tremendous mistake of Brigadier Anthony Bushell not to immediately turn back when he sees an obvious booby-trap on the road, a dreadful tactical mistake, which no qualified Brigadier would have risked committing. But then without that goof, there would have been no great finale to the melodrama.The most beautiful detail of the film is the symbology, though, which doesn't become clear until afterwards. A sign says that you may not pluck cherry blossoms while they bloom, but the wind cannot read and plucks them anyway, one of those enigmatic but most appropriate Japanese philosophical adages as a motto for the whole film.

This was the final picture shown at the famous New York City movie palace, the Roxy, the self-exclaimed "Cathedral of the Motion Picture." The Roxy opened in 1928 amid mid-Manhatten Roaring Twenties fanfare. By the mid-1950's, the theater was showing it's age through years of neglect and declining revenues, i.e. competition from television and general flight of patrons to the suburbs. It was during the late '50's to the late '80's that the large picture palaces were vanishing to the wrecker's ball, and the Roxy fell without a whimper from the public. After showing "The Wind Cannot Read," in the spring of 1960, the Roxy was closed and demolished in three months. A famous photo exists of silent movie actress Gloria Swanson in an elegant gown posing amid the Roxy's gloomy ruins; one of her silents opened the Roxy in 1928. A tragic end to a magnificent structure, only 32 years old at the time.

Dirk Bogarde's parts for Ralph Thomas are not among his best work,by a long shot.Drippy,the precedent user says ,and I can sadly find litlle fault with the opinion expressed.Besides ,the screenplay seems to have been written by chance:in its first part,the movie is pure bad soap opera,in the wake of Logan's superior "Sayonara"(1957) -the Japanese tongue is one of the most difficult in the world,but after a few weeks,Bogarde and his mates can speak in a very workmanlike way-where implausibilities abound (the female teacher is not the least one!).But the second part,which is roughly a war movie, verges on incoherence:there's the obligatory wicked cruel Japanese officer,and the bad news about Bogarde's love comes at the most awkward moment.This leads to an ending à la "a farewell to arms".The "poetic" prologue and epilogue are overkill.This forgotten movie has gone with the wind,which,as anybody knows,cannot read.

Dirk Bogarde in India circa 1943 training to fight the Japanese, falls in love with a self-exiled Japanese woman (his instructor at military language school).Bogarde can infuse any performance with interest and tension. Yoko Tani, the female lead, is not a great actress but hits the right tone. Those familiar with Japan and the Japanese will appreciate that care was taken in the film to make it authentic -- real Japanese actors speaking real and quite appropriate Japanese.Very well photographed with some great scenes of India. A diverting, although not brilliant, film.