The Wizard of Speed and Time
The Wizard of Speed and Time
PG | 22 September 1989 (USA)
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A Hollywood filmmaker (Mike Jittlov) makes a short for an evil film studio. Unbeknownst to him, the producer has placed a bet of $25,000 that he won't come up with anything with a use. Luckily, our film creator gets the help of his friends.

Reviews
Redwarmin

This movie is the proof that the world is becoming a sick and dumb place

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Cortechba

Overrated

Casey Duggan

It’s sentimental, ridiculously long and only occasionally funny

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Bessie Smyth

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

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Quag7

For a movie with a lot of silliness, this movie has soul. It's not Citizen Kane but that's not the intention. If you like Pee Wee's Big Adventure or UHF, you'll probably like this. The intent here is to entertain, nothing more...but also, nothing less. And it succeeds.The one word that best describes this film is "whimsical." There is, however, obvious frustration that underlies this film. You can tell that Jittlov is both a fan of watching movies as well as making them, and it's clear that he is fairly exasperated with the things that get in the way of movie-making.Here, he skewers the excesses of Hollywood, most of which film fans are at least passingly familiar with - unreasonable union regulations (and exclusivity), filming permits, shady film executives, and just getting someone to look at your work and give you a shot.From the start, we're on Jittlov's side. And this is why the movie works. Some of the jokes are corny, but again, they're kind of supposed to be. But there's a lot here that's genuinely funny too.Mostly though this is a visual treat. The film is packed with visuals - even the sets (Jittlov's room for example) are interesting to look at. From riding a suitcase through Los Angeles to running pretty much literally around the world at high speed, the uncynical love for "movie magic" shines through.And it would be wrong not to mention the presence of J.R. "BoB" Dobbs, the one true living slackmaster, stenciled on the side of a van. And this is appropriate because this is definitely a film about the film industry as an extension of The Conspiracy, stealing the slack away from the passionate, creative people who just want to make an honest film.Mike Jittlov - I know you must look at the comments here and I want you to know, I'm on your side. Thanks for making this movie. It was a lot of fun. Sorry about the suits. Sorry about the soul-sucking "Con." And I hope you get an opportunity to make something else for us soon! This movie is a pure-hearted anthem for every independent film maker or effects guy ever who just wanted to do it for the love of it. And it's a hoot. If you're looking for something light but entertaining and visually interesting, this would be a good pick.

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kohl_caked

This movie may be hard to find, but go out and look. It just plain has that good feel to it. It's original. It is worth seeing. The special effects are perfect for any of those 70s freaks, like me. Not to mention the fact that it will remind you have doing that awesome project with your friends.

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iridium_ionizer

Many films have polarizing effects on the film audience. This is one of them. On the surface the plot is very simple: good man vs. evil system. As the plot takes shape the audience realizes that they are watching a movie that is jam-packed with terrific special effects and a wonderful combination of subtle and audacious humor (with its own off-the-wall style). Some people will tire easily of these, while others will wonder where this gem has been hiding.This film contains much social commentary on Hollywood's film industry presented in a humorous manner. Despite the non-stop humor the audience can grasp the emotions flowing through Mike as he angrily contends with a horribly, self-loving producer; enthusiastically and sacrificingly seeks to create a film that will amaze and delight people; and sensitively tries to win the love of a young aspiring actress.Those who enjoy the eye-candy will constantly wonder how Mike did all of those special effects, while those who know this answer will be amazed at his patience.Overall the film is wonderfully cohesive. The small effects shorts serve as windows into Mike's imagination. The eye-candy shown during the story charms the mind instead of bewildering it (as psychedelic eye-candy often does). The off-the-wall humor and giddy music shows us how Mike's experiences in filmmaking are fun, wonderful adventures. The film shows Mike's internal struggles without appearing ridiculous. If you want to watch something different and good, watch this.

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Mbira314

I finally managed to track this down at a cult-film video store, and it was worth all the effort. Do whatever you have to do to see this one! It vaguely reminded me of the low-budget inventiveness of Weird Al's "UHF," only multiplied 1000 times, and the "let's make a movie while the executives are out to lunch" zaniness of "Pee-Wee's Big Adventure."There's a lot more to this movie (or movie-within-a-movie, or is it a movie-within-a-movie-within-a-movie?) than might appear. Subliminal messages, Hollywood major-studio politics, art vs. commerce, a startling new use for a chrome bust of Mickey Mouse, fantasy vs. reality, the horrors of dealing with unionized labor, some plugs for the Church of the Sub-genius, lots of deftly-employed stock footage, and the most terrifying "pizza with everything" you'll ever see. And there's even an intentionally-horrible musical number about the creation of the universe, which is thankfully interrupted by a ridiculous Presidential announcement.You'll also get a fascinating look at the art of low-budget special effects production. Some of the visual treats Jittlov comes up with are astonishing, even in the post-CGI era, and particularly since he shows you how a lot of it is done. There are some profound insights and a lot of laughs. I nearly fell on the floor laughing during the scene with the police helicopters, and why is one of the thugs Canadian? (why not?) How in the world did Jittlov film the suitcase/car chase at the end? Look for Philip Michael Thomas in a rare post-Miami Vice role. And make sure you stick around for all of the credits!Mike Jittlov may not think of himself as a "real" actor, but he's got a lot of charm and he comes off as a genuinely likeable guy. And it was nice of him to cast his friends and family as themselves.It might be too weird for some viewers, but if you're game, "The Wizard of Speed and Time" will put a smile on your face like few other films.

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