The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

I don't understand why I had never heard of this film before. It was by accident that I found it, so I gave it a whirl.And Wow! I think you could write a novelette on what makes this a great film. There's just too much to say in a review, so I'll be general.This war film is about Russians fighting against Germans in World War II. In ways, it is much like old American World War II films, with the spotlight on a small group of soldiers in one unit.The director does so much that is superior that I can't even begin to start on his achievement here.The film shows us the reality of war, including the "down time" in between conflicts, when soldiers peruse the low points.Yet we are never bored, even when the action is supplanted by drama. The reason is that the script is so well written, and I must also congratulate whomever translated this into English for me, because its dialog would make any American film writer jealous.One of the clever things our writer-director team does is keep the reality in the beginning by not letting us know who will survive, and who may be a central character.Two characters dominate the story, a lady's man and a cook. However, the other characters are also spectacular.What really makes this film work is the humor, a dark humor, but a realistic one, and one that will make you laugh and cry and the same time. When one old veteran tells the story of his trench disease, you'll laugh along with the other soldiers. It's one of those stories that is Hell when you live it, but hilarious when you tell it after the war.For me, the magical part is something that I can't say without a spoiler.The camera work is amazing. The drama is amazing. The theatrics is amazing. Okay, it's all amazing.

Russian production. Genre ; WW 2 drama.1975. Based on the novel by Mikhail Sholokhov. Screenplay and direction by Sergei Bondarchuk with Vasili Shukshin ( as Poitr Lopakhin ), Vyaheslav Tikhonov ( as Nikolay Strltsov ), Sergei Bondarchuk ( as Ivan Zvyagintsev ), Georgi Burkov ( as Alexandr Kopytovskij ), Nikolai Gubenko ( as the Lieutenant ), Yuri Nikulin ( as Nekrasov ), Ivan Lapikov ( as Poprischenko ) & Nonna Mordyukova ( as Natalya Stepanova ). The film is based on the book by Nobel Prize winning author Mikhail Sholokhov. The action is set in Russia in July of 1942. The exhausted Soviet army was in full retreat against the might of the invading German Panzer divisions. A decision is to hold a ridge with what is left of an infantry regiment near a small village on the banks of the River Don, to allow the exhausted remnants of the army enough time to withdraw across the river and help fortify Stalingrad for the decisive battle that must come.The loss of Russian life during the campaign was horrific and while there are some impressive set battle pieces, the film concentrates on the exploits of half a dozen or so soldiers from the shattered regiment, who must not retreat even in the face of the Panzers' greater fire power. The film depicts the thoughts and fears of the individual soldiers in the face of the impending battle, and their thoughts of their Mother Russia as well. While the battles rage, the viewer is not only shown the inhumanity of the conflict, but also the strong personal bonds that develop between comrades in arms in a deadly conflict. There is also plenty of humor in the script, even if it is often grim and tinged with violent overtones. Vasili Shukshin ( as Poitr Lopakhin ) takes the acting honors, with a character that is as much larrikin as it is proletariat.

Sergei Bondarchuk is a great director. He has proved it with War and Peace, with Waterloo and now again with They Fought for Their Moterhland.The film looks great. It's amazing how Bondarchuk can translate a world to film and still make it feel very real. The production is great, except for some minor things (tank turrets don't move). When I watched this film, I got the feeling that the whole world was at war. Not only these soldiers somewhere in Russia, but that they were just small parts in a big world conflict.Most people always complain about the acting in Russian movies. That doesn't go for this one. It all feels very natural. The pain they show looks real, their sweat is there and I cannot imagine it with other actors (or acting method). Sergei Bondarchuk himself plays a role and he shows that he cannot only direct, but also act.What I loved the most, is that this film shows war as I think it is. There are humans, the enemy is just a dot far away and every fight there are losses. Russians and Germans bleed alike. The Soviet flag is shown and it's clear who we are supposed to root for, but the main characters aren't heroes. They fight because they are told too, not because they are tough.The music is like the music of War and Peace; not really pleasant to listen to, but it's perfect for the film. When an act of horror is shown, voices rise as if they complain. A requiem to humanity.They Fought for their Motherland is bit like Spielbergs Saving Private Ryan; only without the misplaced heroism and with that touch of humanity.Maybe not for everyone (since their is a delicate balance between spectacle, humanity and of course philosophy), but when you are looking for more aspects of war than just the heroic stereotype combat, go for this.

As a tradition for Soviet movies, most of the actors here are theatrical actors and their interaction on the screen is nothing if not realistic and natural. But Shulshin's talent makes him rise above others.If that's not enough you have Nikulin, who was a war veteran himself, in one of his dramatic roles.