This Is the Night
This Is the Night
NR | 08 April 1932 (USA)
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When Stephen, the husband of Gerald’s mistress, Claire, discovers a pair of tickets for their planned trip to Venice, Gerald must invent a wife to cover their tracks. He is then forced to hire a woman to play “his wife” when Stephen insists he and Claire accompany them to Venice.

Reviews
NekoHomey

Purely Joyful Movie!

Stellead

Don't listen to the Hype. It's awful

Neive Bellamy

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

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Erica Derrick

By the time the dramatic fireworks start popping off, each one feels earned.

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csteidler

Lili Damita sleeps, stretched across a luxurious bed…until a man wakes her up and tells her to move and we discover that she's a struggling actress sneaking some sleep on a quiet movie set. –Appearances are frequently misleading in this witty and ultimately charming comedy of manners, deceit and romance.A great cast of more or less sympathetic characters surrounds the lovely Damita: Roland Young and Charlie Ruggles are fine as a pair of wealthy gentlemen of Paris. Young is about to embark on a clandestine Venetian trip with girlfriend Thelma Todd—when her husband, Olympic javelin-thrower Cary Grant, unexpectedly returns home. One lie leads to another, and soon Young has hired an actress—Damita, eager to accept any job—to pose as his wife, and the whole gang boards a train for Venice.Thelma Todd is excellent as the deceiving wife jealous of her lover's new partner; we don't get to see Todd angry in many of her movies, but smoke positively comes out of her ears here. Cary Grant—very youthful and athletic, bag of javelins slung over his shoulder—has a minor role but is awfully fun to watch (in his first picture).Roland Young is outstanding as the would-be cosmopolitan lover who can't quite control either Damita or Todd; his face and mannerisms express varying degrees of discomfort, frustration and worry as he struggles to keep multiple relationships from caving in on him.A hilarious running gag involves chauffeur Irving Bacon repeatedly catching Thelma's dress—in a car door, for example—and accidentally pulling it off. Overall, it's very funny, with a plot that is tough to predict…and somewhat surprisingly, it gradually turns into a very sweet picture, at that. Very enjoyable, especially for fans of these great character actors—and well worth watching just to see Roland Young and the great Thelma Todd together.

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MartinHafer

This is a Pre-Code sex comedy that is very good--but in hindsight, the casting was insane. If I explain the basic plot, you will understand. Beautiful Thelma Todd plays a bored wife who wants to have an affair. So, she picks out Roland Young--a very mousy man with absolutely nothing to offer her. And who is the husband of this lady? Yup, it's played by Cary Grant!! And, Grant plays an Olympic javelin thrower. Yet, oddly, she makes the moves on Young--who has the sex appeal of Edward Everett Horton! So, if you can ignore the dumb casting is the film worth seeing? Absolutely--it's a great farce with a really well-written plot. What happens is that Grant catches his wife with the other man. And, trying to help, Young's friend (Charlie Ruggles) tells Grant that Young is already very happily married--and makes up a story about a fictional wife. So, Grant asks Young to bring his wife with him on a trip--so they can all become good friends. So, Young scrambles to find a woman willing to pretend to be his wife and finds down in your luck Lili Damita (one of Errol Flynn's wives in real life). He thinks she's a prostitute, so he has no problem offering her money. But, she is a nice girl--and one that Young finds himself increasingly attracted to through the course of their trip to romantic Venice.The casting can be blamed on the producer. But even a dumb producer can be overcome by a witty script--and this one is witty and filled with excellent dialog. In addition, it's a chance to see Grant in his debut film. Now that I think about it, if Grant and Young had switched roles, this would have been an even better movie.

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GManfred

"This Is The Night" is noteworthy primarily because it marks Cary Grant's feature debut, but can stand on its own as a prime example of Pre-Code comedy. Some of the subject matter and situations must have been regarded as naughty for its time, but as with many of Hollywood's Pre-code movies it is pretty tame by today's standards.It is quite funny, but you have to give it a chance to warm up, as it takes a few minutes to get underway. The humor is very subtle and probably wouldn't go over well with modern audiences (see Adam Sandler). It comes with some unique quirks, like Cary Grant delivering a few lines in song, but once into the picture some old pros take over. Roland Young and Charles Ruggles, two veterans of the stage, have some of the best exchanges of situational dialogue and are aided by Thelma Todd, a comedienne who had a bright future but who was murdered around the time of the film's release. Her murder was never solved. Cary Grant plays it straight and Lili Damita is everyone's love interest but is the weakest member of the cast. It is very much like a filmed play, with just a few indoor sets, and there are only six cast members. The blue-tinted nighttime scenes were a nice, unexpected touch.In short, it is well worth your time but give it a chance to get past the slow beginning. It is actually a quick 80 minutes.

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loza-1

I always wonder when I see the lists of "the hundred best films ever made" etc. You see, there is one thing that I have discovered over the years of delving around in old films, and it is this. It is not possible to compile lists of the best films ever made for the simple reason that some of the best films ever made are lying forgotten on shelves in film libraries, and, sadly, some are lost. There are so many great films that the public never get to see. The critics will have you believe that pictures like This is the Night is not particularly good, and is only of interest to fans of Cary Grant and Thelma Todd. People have forgotten all about it. The director, the star, the film is today forgotten.Then you play the film. The acting is utterly superb, the comic timing superb. The film is cleverly and adventurously put together by the film makers. All the players, Grant, Todd, Ruggles and Young are excellent.What is there to say about the lead, Damita? Well, with the coming of talking pictures, Damita with her French accent found it tough to get parts that would utilise her exceptional talents. Here is an exception. Not many people know that at Hollywood parties Damita was Chaplin's number one rival when it came to mime during party pieces. In one scene, we get a glimpse at the sort of thing that helped the Hollywood parties go with a swing. In dialogue Damita's comic timing is spot on, which just goes to show that you do not have to be mug ugly to be a comedienne. When she is on screen the laughter is the loudest. And sex appeal? She has been called "a French bombshell." If so, the French have to test her in the Pacific.It would be criminal to ruin it all by telling everybody what the plot is. All I will say is that if you are not smiling or laughing at this film from beginning to end, then there is something wrong with YOU.So next time you see a list of the 100 best films ever made, ignore it. My advice to you is to go out and find your own 100 best films. If you don't, you could miss gems like this, and the loser will be YOU.

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