Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

You'd never guess this was a D.W. Griffith short if somebody didn't tell you. Griffith's shorts usually weren't THAT short, and they were also usually dramatic. Here Griffith shows his comic side and a Keatonesque flair before there such a thing as Keatonesque.People are sitting in a movie theatre complete with musical accompaniment when not only do some people come in late, but the women have on some ridiculous headgear. Maybe it was appropriate for the time. A commotion is stirred, and finally a way is found to make them remove their hats that, again, I say was Keatonesque. You have a film within a film (it's what the people are watching), a mechanical device that is the hero, and then some guy with an obvious false nose and mustache that just happens to be Mack Sennett, early employer of Roscoe Arbuckle, who was the guy who actually got Keaton interested in film.

I, personally, believe in common human decency, and in order to be a human of decency I believe that you shouldn't start a whole fuss when going to a film in the theater. However, right in front of me while I was watching this film, there was a woman in the theater wearing a ridiculously large hat! My complaint about this caused a whole string of events that kept me from properly viewing the film!What I DID see of the film, however, was quite interesting and experimental. Definitely impressive for such an old film! The film actually included some wildly creative special effects and can be used as an early example of more satirical cinema.8/10 for the film...1/10 for the time I had watching the film.

This three-minute farce is one of the most unique and unusual Biograph shorts. Those Awful Hats sees DW Griffith, father of film narrative, doing what is virtually a non-narrative film. A one-liner, basically, giving a message to the audience in a fresh, entertaining form that they would take notice of.This is also Griffith's only special effects film in the mode of Georges Melies. Melies' trick shot shorts had been widely imitated throughout the 1900s, although by 1909 they were dying out as cinema became less of a magic show and more of a storytelling medium. Griffith not only makes smooth use of a few Melies techniques (superimposition and stop motion) but has also absorbed some of the older pioneer's extreme and absurd comedy style, with the huge grabbing machine. Griffith was just making passing use of the style though – he was rather more subtle (for the era) in his regular shorts.What is more interesting today is that this is one of the earliest films in which cinema references itself. You have a screen audience being watched by a real audience, and a film within a film. Nothing really symbolic here – this isn't Fritz Lang – but it does show you how much of an institution cinema was becoming, as well as being a rare glimpse into what a movie theatre of the time would look like (minus the grabby thing of course).Although his point-and-shoot approach has been denounced as theatrical (although it is no more so than that that of his contemporaries), at this point Griffith was really starting to experiment with the infinite possibilities of depth within the frame. The screen was a stage for Griffith, but it was the biggest and most versatile stage imaginable, into which a street, a beach or even another theatre could be placed. The idea of a "show-within-a-show" may date back to Shakespeare's Taming of the Shrew, or perhaps even earlier, but at this stage in the game Griffith's introduction of theatrical and literary devices was moving the medium forward, not holding it back.When you recall that it was made as a public service announcement, in the same vein as those "turn off your phone" things you get in cinemas today, Those Awful Hats is simple yet effective. It doesn't show you Griffith the master of film technique, just a functional short by a practical filmmaker.

While often considered as one of the most (if not "THE" most) influential filmmakers of all time, American director D.W. Griffith started his career on film in 1908 in a very humble way: as an actor in short films under the orders of Edwin S. Porter, head of Edison's Film Studio. His luck would change soon, as that very same year he was offered the chance to direct shorts for the American Mutoscope and Biograph Company, and it was there where he truly fell in love with cinema. In less than a year, Griffith learned the job, and soon became a master of the medium's many tricks and techniques. It wouldn't take him too long to start directing short films of excellent quality, a path that would culminate with the making of his first masterpiece, 1915's movie "The Birth of a Nation".One of the movies where the young Griffith began to show that mastery he had acquired so quickly was the short film "Those Awful Hats", a 2 and a half minutes movie done with the purpose of being a theatrical public service announcement (probably the first of its kind). In "Those Awful Hats", the action takes place in a typical screening in the nickelodeons of cinema's early years. The audience is enjoying a movie when suddenly, a gentleman (Mack Sennett) with a top hat enters the room and tries to find a seat for him and her companion. Loud and impolite, the man bothers the public constantly, however, this is not the audiences' main problem, as a group of ladies takes a seat and refuses to remove their big and ludicrous hats, an action that alienates even more the audience. Fortunately, the theater has an interesting and effective device to remove such undesirable persons: a giant steel bucket.Told by the heads of Biograph to conceive a short movie to tell the females among the audience to remove their bothersome hats when attending a screening, D.W. Griffith wrote and directed this very creative announcement that was both funny and informative at the same time. Making fun of the big hats that were fashionable in those years, as well as of the lack of courtesy that existed (and sadly still exists today) during screenings, Griffith certainly puts on film what many audiences through the history of cinema have desired to have at least once, a machine created to remove the troublesome persons among the audience. The gag is simple, but very effective, and it constituted one of the earliest examples of a public announcement devised to be shown before the feature films (a concept still used today in most theaters).Using a mixture of special effects techniques (mainly the Dunning-Pomeroy Matte process), Griffith created a film that shows a very early use of the technique that decades later would evolve into the blue-screen technique. Not only he managed to put a film within a film, but also created an extremely good effect of a steel bucket pulling out stuff (and persons!) from the audience. While this movie was done only a year after his debut ("The Adventures of Dollie", 1908), it already shows that Griffith is comfortable at the director's seat and that he truly knows what he is doing. This is specially notorious not only in his use of special effects, but also in the very natural performances he gets from his cast (which includes many members of his stock company, including his wife, Linda Arvidson), as their reactions are believable and the use of slapstick very appropriate.While not exactly on the level of many of his better known masterpieces, "Those Awful Hats" is a very funny and historically important short movie that can give us an idea of how was cinema in the past, and how it seems that we as audience haven't changed that much in more than a century of film-making. It is also a testament of the how Griffith was always willing to experiment as all as of the mastery he had achieved in only a year making movies. Despite its short length, "Those Awful Hats" is definitely one of the most enjoyable Griffith shorts, as it shows that the director of Biograph's many drama and adventure films was also able to laugh. 7/10