the audience applauded

Absolutely brilliant

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

This tale about a small town girl who goes to the big city is supposed to be a screwball comedy, but it offers the thinnest of plots, a disjointed storyline, and few real laughs.Janet Gaynor stars as Nancy, the girl around whom the story revolves, but she lacks the magnetism--homespun or otherwise--to explain why Robert Montgomery and Franchot Tone would be drawn to her so vehemently. Regardless, they are all working with a script that substitutes non sequiturs for real humor, and a one-note fish-out-of-water story for emotional depth. The result is mere amusement.I don't think another actress could have saved this film, but Gracie Allen, Irene Dunne or Jean Arthur might have given it a stronger comedic base. The writers of this film were pitching screwball, but they missed the plate entirely.

THREE LOVES HAS NANCY is a delicious overlooked romantic comedy from 1938, closer to slapstick than screwball. Janet Gaynor was one of the absolute top female movie stars for almost a dozen years when this was made but little did the public know she was making her swansong as a star, soon to retire to marry and start a family. Well known for her heart-touching dramatic performances, this movie proves she was also an excellent comedienne and perhaps should have done more work in the genre.Robert Montgomery is a popular novelist living in Manhattan, a spoiled, confirmed bachelor (the old style, the kind that likes women but not marriage) who finds his current girlfriend actress Claire Dodd and her ambitious Cora Witherspoon a little tougher to wrangle away from in his attempts to keep his unmarried state than he's used to. His longtime best friend (and now editor) Franchot Tone tells him to accept a publicity tour for his books to get away from the gals attempts to brand him. While out in the sticks he meets sweet little chatterbox hillbilly Nancy (Janet Gaynor) who attends his department store lecture and buys his book due to her mother's prompting (she's quite appalled to learn book will cost her a whopping two dollars and regrets having him sign it before learning this, now that it's "ruined" she is stuck with buying it.) It's the eve of her wedding to local boy George who is away in New York making good but is due in any minute for the wedding. Montgomery gets a telegram learning Claire is away on tour and Gaynor gets one that George is calling off the marriage for mysterious reasons so they both get on the train to New York at the same time, Janet to find out what is up with George.Janet doesn't find George but she does track down Robert and through a series of complications ends up working as the cook for his best friend Franchot. Franchot quickly falls in love with her (who knew the way to a New York playboy's heart was homemade butter and pancakes?) but it's clear Janet, while trying to track down George, is becoming drawn to the shallow storyteller Robert.This movie seems blatantly inspired by Noel Coward's DESIGN FOR LIVING with two best friends in Manhattan becoming rivals for the affections of a sassy little minx though cleverly camouflaged by Janet's rural South background and the slapstick comedy. Of the three stars I feel Janet comes out best although Robert Montgomery is in his element in his stock semi-cad heartthrob. Franchot Tone is fine but as has been mentioned is almost an unnecessary third wheel given the unusual brevity of the film for an "A" movie from MGM (scarcely 70 minutes)and the fast-paced story. Of the supporting cast, Cora Witherspoon stands out, for once remarkably chic and dolled up in mink through still the brash dame she always is. Guy Kibbee's role as Janet's father is surprisingly small, scarcely more than a line or two despite his playing the lead in scores of B's and major featured parts in films during this period. Watch for early talkie star Grant Withers in a bit as the restaurant patron Janet is unknowingly flirting with as well as handsome Kane Richmond, a C movie favorite, as his buddy and dining companion.The movie boasts elegant art deco sets for the neighboring penthouse apartments of Montgomery and Tone (they share a terrace that allows them to walk in and out of each other's apartments and in one of the more blatant lifts from DESIGN FOR LIVING have an almost suspiciously close relationship but one as in the Coward play watered down by their rivalry.) This movie moves so fast and at just 70 minutes it's over almost before you know it, ending with a good running gag which tops even the surprise last reel appearance of George but fans of 1930's romantic comedies will eat this up like Nancy's tasty vittles.

Janet Gaynor is charming and funny as Nancy, a southern girl who gets left at the altar and decides to go to New York City to find her intended. En route she runs in snooty author Robert Montgomery, who shares a swanky apartment in NYC with his publisher, Franchot Tone. Montgomery is on a book-signing tour to elude predatory Claire Dodd. Nancy is of course a walking disaster area and ends up moved in with the guys, where she cooks and looks after them. They both fall in lover with her and the fun begins. Great cast in top form. Gaynor is very funny, and Montgomery and Tone are a great team. The art deco apartment is fabulous, too. Also in the cast are Charley Grapewin, Guy Kibbee, Mary Forbes, Cora Witherspoon, Emma Dunn, Reginald Owen, Grant Withers, Marie Blake, Carol Tevis, Elise Cavanna, Charles Lane, Grady Sutton, Sarah Edwards, and Grace Hayle. Great line by Claire Dodd to Robert Montgomery: "I've had a lovely evening, but this wasn't it!"

Delightful comedy. I found myself laughing out loud. Robert Montgomery, as usual, has comic timing down to a fine art. Franchont Tone plays his usually sophisticated drunk to near perfection. Funny characters and a funny plot with just enough sexual tension to hold your interest.