Lack of good storyline.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

A clunky actioner with a handful of cool moments.

Budget Restraints might Hold Back this B-Movie, Independently Produced, Directed, and Starring Mark Stevens, it Nevertheless makes its "Mark" as an Interesting Cheapie.With a Good Script and Pithy Noir Dialog..."For me patience is poison.", this Little Movie, now in the "Public Domain", has been virtually Forgotten, although it is Shown on TCM but is need of Restoration if possible. It is too Good to be Lost in the Ether.The aforementioned Budget Restrictions do Draw Attention at times with a number of Scenes Staged in Small Rooms with the Camera Stationary. However, Director Stevens does the Best He Can with Dutch Angles and Artsy Camera Placements. He even seems to Know that it doesn't Hurt to amp up the Style with some Striking Shadows on the Wall.The "Perfect Crime" Thread throughout the proceedings is a Cliché that is Hammered Home a bit too much (even with a poster shout out), it is given a Blackboard and Eraser (a fitting low budget tool) that Fills the Frame at times, to illustrate the Investigator's Chops, learned We are told , from His Father.Family, the Nuclear Family, is at the Center of Motivation here and it is most Relevant, because by this Time, 1956, the Eisenhower Eras American Dream and White Picket Fence Mentality had become a Reality for the Film-Noir Discontents. War Veterans who Found Themselves uncomfortably roped like Wild Animals plucked from the Battlefields and placed on Display in Suburbia for all to Rubberneck. The House Indeed became a Prison and the Job a Trap. The White Picket Fence was the Clanking of a Cage Door. The Nightmares Begin for those on Display in Film-Noir.

***SPOILERS***One the many film noir "Perfect Crime" movies of the 1950's that turned out to be anything but perfect has hotshot insurance investigator Charlie Norman, Mark Stevens, trying to act like a tough guy but coming across more like the wimpy Filex Unger of the TV show "The Odd Couple". In fact it's Felix's partner it that show Jack Klugman, as Oscar Madison, who's in the movie playing a private ambulance driver, using his car, who's given the 3rd degree by Norman while being interrogated by the police. The movie has to do with a $500,000.00 train robbery that Norman dreamed up involving disbarred, for drinking on the job, surgeon Paul Brucker, Wesley Addy, posing as a doctor trying to help one of the passengers, who's part of the robbery detail, suffering from appendicitis.Right from the start all of Norman's plans go downhill with one of his fellow train robbers getting shot accidentally thus upsetting the time table he set to make a quick getaway south of the border to Mexico. Things get even worse when Brucker going against Norman's orders makes a dash for the Mexican border with his wife and fellow train robber Linda ,the former wife of "The Lemon Drop Kid" himself Jack Lemon, played by Felicia Farr only to get gunned down by the Mexican border guards. As for Norman he secretly had the hots for Linda for some time and decided to take her along with him to Mexico and later Argentina with the stolen money and leave his long suffering wife Ruth played by Marianne Stewart, in being married to the two timing heel,behind. It was in fact Ruth who got the last laugh by mailing the stolen money she was to deliver to him back to it's rightful owner the train company.***SPOILERS*** Better then expected film noir crime drama directed by it's star Mark Stevens who kept the action tight, in not stretching it out, and mood depressing as hell in making losers of almost everyone in the film. It's in the final moments of the movie that Norman got everything he had coming to him as well as lost what turned to be the love of his life Linda who foolishly went along with the jerk in his attempt to escape justice. As for Norman himself he gets his piece of justice from the barrel from the .38 of his good friend train inspector Joe Armstrong, King Calder. It was Armstrong who had figured out his plan, with the help of Norman's soon to be estranged & widowed wife Ruth, of escape and stopped it before he could put it into operation!

This is a fast paced crime thriller involving a well synchronized heist of $500,000 from a train. Insurance investigator Charlie Norman (Stevens) and railroad detective Joe Armstrong (Calder) are called in to investigate the crime. The gang of thieves seem to have thought of everything and covered their tracks well. But then things start to unravel and the gang's leader kills one of gang members who is on the verge of telling all to the police. Armstrong is a dogged detective who pays attention to the smallest detail and whose motto is "There's no such thing as a perfect crime." That's certainly so in this case. Stevens does an okay job as Charlie Norman but he doesn't have a particularly striking screen presence and often delivers his lines too flatly. Even so, this movie has a couple of great twists and maintains interest throughout

"Time Table" is a rather forgotten crime film which was directed by and stars Mark Stevens—a very capable but mostly forgotten actor from the 50s and 60s. It's really a shame the film isn't seen and lauded, as it's quite good—especially since it has a very modest budget. I've never seen it on TV nor DVD but fortunately it IS in the public domain and is therefore available through archive.org—a website often linked to films on IMDb. Download a free copy and watch it—it's quite good.The film starts off wonderfully—with one of the most intelligently filmed heists I can remember. You really need to see it—and I don't want to spoil it by saying more about this. In the next scene, a couple are talking about their upcoming and much-needed vacation to Mexico when the phone rings—the husband (Stevens) is needed at once. It seems he's an investigator for the insurance company covering the heist—and they want him to look into it ASAP. This means the vacation is on hold.When the investigation begins, it's quite obvious that the crime was very, very professional and was carried out with attention to every detail. However, during the robbery, somehow one of the gang was injured—and this might be the lead they need to break the case. But, in a WONDERFUL twist, the audience soon learns that there is so much more to the story than anyone has anticipated and the identity of the big brains of the operation is quite the surprise. I'd say more but don't want to spoil it.Some might consider this film to be an example of Film Noir. Well, it is a crime film from the 1950s and is pretty unflinchingly violent in places. However, the film lacks the snappy dialog and cinematography you'd expect for Noir. I personally like the way the movie was handled, as it seemed more realistic than Noir—like you were watching a real investigation unfold. Fascinating throughout.