Tiny Furniture
Tiny Furniture
NR | 12 November 2010 (USA)
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After graduating from film school, Aura returns to New York to live with her photographer mother, Siri, and her sister, Nadine, who has just finished high school. Aura is directionless and wonders where to go next in her career and her life. She takes a job in a restaurant and tries unsuccessfully to develop relationships with men, including Keith, a chef where she works, and cult Internet star Jed.

Reviews
Marketic

It's no definitive masterpiece but it's damn close.

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Gurlyndrobb

While it doesn't offer any answers, it both thrills and makes you think.

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Rexanne

It’s sentimental, ridiculously long and only occasionally funny

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Fulke

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

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merelyaninnuendo

Tiny Furniture 4 Out Of 5Tiny Furniture is a character driven dramatic feature about an unbiased peek that an unstable girl seeks for on every tiny aspect of her life. The methodology that it has grasped in order to carry on a conversation, is so rare and pure which makes it immensely pleasing to encounter. Addition to that, the weaving and build-up of each sequence is projected in here that helps viewer see through the characters and easily resonate with them. The emotions aren't manipulated and requested to be drawn out from the viewers which are selective in here and this being aware of, the makers are free from any commercial aspect of it. The premise guides the younger audience in their own language with high society issues and yet the stakes never seem to go lower which often does in such genre. And as much as the feature lures in the younger generation through its theme, its core concept lies on meddling with something that is at a certain point is for older generation too. It is short on technical aspects like background score and production and costume design, although is rich on the camera work which is beautiful in here. Dunham; the writer-director, is at its finest with her explicit writing skills and brilliant execution skills that connects frame to frame with the audience. Her performance isn't loud but subtle, whose impact does hit the viewers and moves them accordingly. Awareness of keeping the practicality involved in each sequences (for example, stuttering before speaking and multiple failed attempts to put a definite point on table), layered writing, three dimensional characters, pragmatic conversations and metaphorical cinematography are the high points of the feature that ups the ante of the game and helps it enter the major league. Tiny Furniture is bigger than it accounts for and doesn't serve all its cards up front on the table but allows you to work for it.

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ibrahimtamerm

By far the worst movie I've seen this year (so far). It felt like someone is trying to make an indie hipster film because making indie hipster films are in.The acting was so so so bad. When the sisters were arguing - I thought they would break into laughter. I cared nothing for any character. They were all self-involved rude (not in a witty or interesting way either) bourgeois white people living somewhere in NYC where there you don't see two black people even in the street shots. She's home from college with no direction. Boo hoo.

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evanston_dad

This quiet, unassuming movie about a recent college graduate who moves back in with her mom and sister while trying to figure out what to do with her life got under my skin and stayed there.Director Lena Dunham, who also stars in the film as Aura, has a knack for putting together individual scenes that play as if nothing of much significance is happening in them, but that when put together as a whole reveal an awful lot about the lives of her characters. Much of the film follows Aura as she aimlessly hangs out with friends, meets guys, gets a job. She's awkward and maybe an easy target, but she's also sweet and harmless and easy enough to root for. She gets on her mom's nerves and vice versa, fights with her sister, and overstays her welcome in her mom's house. We've seen it all before, right? Not really. "Tiny Furniture" may be about subject matter we've seen done a hundred times, but it felt like a totally unique take on it. In fact, it's not until the film's final moments, and when you're thinking about it afterwards, that you realize the movie isn't really that much about Aura's ennui and lack of direction; it's about her relationship with her mom, a fact that's easy to overlook by the small amount of screen time the mom has. By the end of the movie, Aura's increasingly destructive and increasingly disturbing behavior seems less like a lonely girl's attempts to fill the boring hours of her day, and instead like the ever-more-desperate attempt of a child trying to force an absentee parent into taking notice of her.This is a really wonderful movie with tiny nuances in the direction and acting that set it apart from other indie films like it.Grade: A

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mojojones77

By Maurice Jones 'Tiny Furniture' has a 'hipster' creed all over it by the look, which makes most people tray away from it. Myself being one of these people, I none the less decided to check it out as you can never always tell something just by the trailer and I heard Lena Dunham's life is as portrayed in the movie, so it wasn't necessarily a style choice, not that that's important.'Tiny Furniture' opens as you'd expect it too, down to the music. It unleashes a post 'Juno' independent film vibe that makes you wish more creative thought was put into this opening, however that's not the point to the film and if that is what Lena Dunham wanted to do based on reality, so be it.Immediately from the start you get an amateurish film making shot after shot, from which you start to feel as I did; how did Lena Durham even get her own T.V. show? The acting itself, is.... well, amateurish to say the least at first and once to get to meet Aura's friends some might not be able to get past the fact that everyone in the film looks dressed straight out of the 'Urban Outfitters' catalogue but this is not unbelievable or relevant. You soon realize that the spark of the film is not the style but the fact that the way the characters react to each other is quite real even to the point that the film allows you to figure out for yourself as to what Aura actually feels for her friends and family. It doesn't beat you over the head as to how to perceive each character but rather truly puts enough out there, and leaves you to put down your own slight possibility of who they are, kind of like figuring people out in real-life, which isn't easy to portray on paper. The film is also very aware of what the audience thinks or what the audience would do in certain situations. So, when you say to yourself, I hope this goes down this way because that's what would happen, it does. And with that I give Lena Dunham credit for being true to her audience self, therefore being a true movie fan and doing something realistic for the sake of logic and not for the sake of relating, which someone might misconstrued the movies point as. A movie like this is around to show that this reality is okay and exists, because as we all know, society imitates art. If you don't relate to this movie, it's probably because you're not in your twenties or you're less neurotic of a person but trust me the setting of the movie couldn't be less of the point. This is a different looking version of a too real reality of today's twenty-somethings.In the end 'Tiny Furniture' actually respects reality and what it has to offer as entertainment, avoiding emotional clichés, unlike the movie 'Young Adult' which involves many clichés, yet expects us to think it's different after it's all said and done. There are obvious problems with 'Tiny Furniture' but I've still haven't seen many movies like it, that respects the truth so much to allow it to play out as it does, that's why I like it, it's just straight up refreshing. To understand 'Tiny Furniture' you have to sit down and watch it in its entirety and see what happens, like life itself.

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