Pretty Good

People are voting emotionally.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

I watched the first hour of it.All the actors and actresses are unusually good, and beautiful.The dialogue, plot, everything else, are hugely awful, unbelievably dumb.Tough ex-cop Kristofferson and the actresses are super sweet.Carradine is the at first manly sweet, then foppish, bad guy,Watch all these people in different movies.

The person who compared this film to Bladerunner is not only doing this film a disservice, but is so far from the mark as to be untrue. The chief protagonist is a cop true, and though initially spurned, he does get the girl in the end, but that's about where it ends...From the opening strains of the muted trumpet, and Marianne Faithfull's beautifuly broken voice, this film is a masterpiece, it's moody, quirky, low key and not without a little menace, especially when Hilly Blue "puts the anchor" on Solo, "they should all blow each other's balls off, make my life easier..." to quote Lt. Gunther.It's everything that Bladerunner isn't, if anything it's set in some alternate vision of a disfunctional 50's & 80's combined, down at heel low life's, trashy outfits, too much drab neon & hairspray, allied with a little mob glamour and modern art.I guess I just feel for the characters, Hawk's hunger for a life he never had, the Zen stillness of Wanda, the wild eyed innocence of Georgia and the weirdness that is Coop, Solo freaking out as a Bhudhist, and last but not least, Divine in a suit... "let everybody get what they deserve..."It's not a fast movie, or an ensemble piece, but at some deep level it resonates."what are you looking at?" "you a cop?" "you know damn well I'm not a cop" "that's what I'm looking at then, a woman who isn't a cop..."It's the film I watch when I get down, I've lost track of the number of times I've watched it, I caught it first at the ICA West Bank in London, on it's last showing before they started a series of Mexican masked wrestling bario movies :) I bought it recently on DVD in a shop in Schipol airport after being delayed in Amsterdam for two hours, I'd been looking for it for years at that point... Even Amazon had it on back order.It's really a wonderful movie, from icy lake to mountain road, I always come away from it happy, I guess you can ask no more from a movie than that.

The forecast is overcast. Director Alan Rudolph sets the tone early on and TROUBLE IN MIND never once strikes a sour note. The cinematography is superb: the camera never stops moving, drifting slowly toward or pulling slowly away from the ex-con, Kristofferson, the country bumpkin-cum-Big City thug, Carradine, his mentor, Morton, the naive engenue, Singer, the survivor, Bujold, or the king of queens, Divine. The story unfolds gradually, logically. The music is appropriately moody. THIS is the way to tell a story. Anyone seriously interested in writing or directing needs to add this one to their list of must-see movies. To miss it would be to miss out.

"Trouble in Mind" is a moody and decidedly different film. Take your pick as to whether it's set in an alternate reality or a retro-future. Either way, the inhabitants of Rain City are drifters and lost people whose lives collide as they go on to whatever fate awaits them. Divine makes a surprisingly good bad guy, while Kristofferson is a little wooden but still fits the part. Worth seeing.