Tumko Na Bhool Paayenge
Tumko Na Bhool Paayenge
| 24 February 2002 (USA)
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An amnesiac has no recollection of his ex-girlfriend, a policeman or an old friend.

Reviews
Taraparain

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

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AshUnow

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

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Clarissa Mora

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

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Darin

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

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silvan-desouza

Salman Khan pre TERE NAAM and post 2000 did some crap films and was disinterested in those filmsThis is one of though decent yet could be better filmsThe first half is terrible, It is so sleep inducing and focus more on comedy and romanceThe twist when Salman realises his sickness keeps you interested and the interval point does strike youThe flashback and post that Salman's return to Mumbai is well handled and things keep you engrossed till the climax which though well handled is too clichédDirection by Pankaj Parashar is okay in parts but bad at places Music is good, most songs are niceAmongst actors Salman Khan does try hard to do justice to his part, but somehow he tends to look too disinterested in the film maybe his role is like that so it's okay, he is at his best in the latter part Sushmita is okay in her part, Dia is painful Inder is wooden, Sharat Saxena is good in his part Alok Nath is okay in his part Rajpal Yadav annoys, Johny Lever is too loud while the rest are okay

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Angelus2

I watched this before I watched Bourne Identity...But it is very good...this is coming from a anti-Salman Khan fan.The film is a rip-off of Bourne Identity but what did you expect from Bollywood.Veer continues to have nightmares which show incidents and places..something he has no idea about or what they mean. But when the nightmares become more continuous he pursues the places in his dreams and finds his past which is filled with betray and death..Salman's acting does improve a little in this movie...The actions were a little on going and Salman taking off his top was very odd...why? Does one have to take his top of when fighting...Or is that one of Mr.Khan's stipulations...The film is enjoyable nonetheless...

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Sam Rupani (rupanisp)

Good Direction.Good Acting.Good Screenplay.Good Songs.Village life is good.People are happy in open spaces.Liesure abounds.Thanks and Regards.Sam RupaniHouston, Texas, United States of America.

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omarhussaini

This movie is an attempt at...well it's an attempt at something, I just can't figure out what that is. Maybe the director set out to make a movie about a man trying to reconstruct his past , a la Memento, but he ended up making just another derivative Salman Khan movie. The plot, if you care, is about a guy who can't remember his past and so, like any Indian hero, leaves his "family" in search of his true identity... The first hour has Salman trying to act. The second hour has Salman breaking necks. And the third hour has Salman breaking necks while trying to act. This movie is inspired by the Hollywood film "The Long Kiss Goodnight" which wasn't much of a movie to begin with. Performance wise, Sushmita Sen is the best which should give you an idea of the quality of the acting. Salman continues to show his disinterest for his profession -- he never misses a chance to take off his shirt and display his deteriorating physique. Diya Mirza still can't act whereas the guy who plays Inder is just a waste of space. The action sequences are just a cut-and-paste exercise and the story is interesting for about half an hour before it gets predicatble and slowly gets to its climax. If you'ld like to waste three hours of your time - think Kabhie Khushi Kabhie Ghum - then you're in for a real treat. Otherwise rent something else.

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