I like Black Panther, but I didn't like this movie.

Brilliant and touching

Bad Acting and worse Bad Screenplay

The best films of this genre always show a path and provide a takeaway for being a better person.

For several years I was in the Army, stationed in West Germany. I worked for a time in Counter-Intelligence. We looked for and caught spies. Many spies had very compelling stories and most of them were patriots, in their way. But they were spies. They preyed on human weakness and betrayed human trust. That's the nature of the spy business.I liked this movie. All the reviews speak of the wonderful scenery, acting and cinematography. All good stuff. But forgive me if I find Vera less than sympathetic. She was a loyal East German who fooled a family, participated in the killing of an innocent girl, and betrayed her new home country. She wasn't "Lebensborn" but took advantage of them to benefit her old home country.Vera died. Too bad, perhaps. But her family lived and had to live with her story. Any sympathy should lie with them, not her.

The acting in TWO LIVES is top notch, not to mention the beautiful Liv Ulmann playing-get this-a great-grandmother superbly. The film is based on true events; i.e., the Nazi taking of Nordic infants to replenish Aryan blood with the post-war pack of returned children infiltrated with communist spies. The best scenes are in the middle of the film when we squirm and cringe watching Juliene Krohler struggling to keep her deception afloat. Sven Nodrin is also great as the husband suspending disbelief to keep his marriage afloat. Notwithstanding, the attempts to persuade us to forgive Katrine's deceit arrive too late in the film and the violence at the end, in hindsight, appears unnecessary to achieve TWO LIVES' ends. More tragic effect is actually achieved by the scene of Ullmann's empty eyes staring through the window. I forgive the shortcomings at the end of the movie, however, for the suspense and intrigue generated.

Sadly the plot falls apart. The more you understand what has happened, the less plausible it is.The seaside, buildings, mountains, etc. make for gorgeous background.The characters are portrayed with depth and sympathy. Each deals appropriately with the stresses that they are under, and you can understand their actions.The plot moves a long at a good pace, with flashbacks becoming clearer as the movie progresses.But sadly when all is revealed, the plot has more holes than Romeo and Juliet. Coincidences, unlucky timing, unrealistic actions by professionals, ... it has them all.

A tight, clever and well done drama based on similar true events, as much a a psychological thriller which is not difficult to recommend. Straight away I got the same feeling as when I saw the German Oscar winning film Das leben der Anderen (The life of others) back in 2006. And this Norwegian/German story has similar elements in some ways, though not to be exaggerated, with consequences going back to when the Berlin wall fell, in this great casted movie which has managed to make Liv Ullmann making a comeback.In a thriller-like manner we follow a woman in 1990 hiding her identity before going into a children's home archives in Germany in search of a secret. Then we jump to Norway, two weeks earlier to find out why this search has started, then understanding the woman is a German with a family living in Norway. We watch her being confronted with old memories, when a lawyer with German accent approaches her at work, wanting her to participate in a lawsuit regarding the so called Lebensborn-kids deported to Germany due to them having a German father during the second world war. The trouble is that she has a secret history in her life, which now is threatening to surface...Lebensborn is a dark page in the past war history. During the second world war many German soldiers had relationships to Norwegian women. The women was called German-whores due to the hard feeling between the two countries in war. Due to Nazi ideology the children of these relationships was seen upon as extremely valuable, as pure aryan raced kids. Lebensborn was forced adoptions of these small "children of shame" during and after the occupation, bringing them to Germany as orphans, losing their parents. This story is based in these tragic destinies.The film keeps interest way through, and is well acted and directed. A strong story making lives difficult several decades later.