Best movie of this year hands down!

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Other reviewers have noted that "Up in Arms" was the first major movie that launched Danny Kaye's star. It certainly is a foretaste of the versatile Kaye's many talents. It includes a couple tongue-twister sequences, a couple of other language impersonations, and just a little song and dance. But, none of these are at the accomplished level Kaye would reach and show in films that followed. What he is good at in this career opener, he is fantastic at in films such as "The Inspector General" of 1949, "On the Riviera" of 1951, "Knock on Wood" of 1954, and "The Court Jester" of 1955. Venues to showcase talents like Kaye don't have to have great plots. Films such as this are good and enjoyable just for the entertainment of the star or stars. But, when films also have interesting stories, they often click better and enhance the viewing enjoyment. At least I find that so in Kaye films. With much better scripts in those later movies, he moved more naturally and smoothly into his tongue twisters, impersonations, or song and dance numbers. "Up in Arms" doesn't have a very solid plot. So, it seemed to me a number of times that the producers forced the next Kaye sequence on us. Like an old-fashioned entertainment break between scenes in an otherwise not-too-good stage show. Those few who praise this film as among Kaye's best had best watch again those films I named above. His impersonations, tongue twisters, and song and dance advanced remarkably in just a few years as he perfected his talents in each of these fields. Still, it is his comic performance alone that earns this movie seven stars in my book. Dinah Shore's singing supported the film some, but otherwise I think the cast was lackluster. Dana Andrews had more than a dozen movies under his belt, and would rise to become a leading man and male co-star in many films of the late 1940s and 1950s. But, he did not fit in comedies or musicals. He's clearly out of place here. One other thing that struck me, with the rich Technicolor for such an early film, was the makeup worn by the ladies. In the musical scene with everyone boarding a ship, all the WAC nurses line up along the ship railing. As the camera pans their pretty faces, their heavy use of makeup really stands out. That may have been a sign of the times, and I appreciate the lesser use of pancake makeup in modern days. Our sharp lenses and cameras can give us very close shots that show the natural beauty of the human face. I think the pancake would be obvious and not very enticing.

For his debut film Danny Kaye was given an impressive production for a typical service comedy, a little more than most got during wartime years. Sam Goldwyn was a man who never did anything by halves and Kaye's stardom was assured. Kaye's so funny that you might not notice that the plot was taken and used the following year by MGM for Anchors Aweigh.If you can wrap yourself around the concept that Dana Andrews would want to pal around with hypochondriac Danny Kaye than you'll find this a very funny film. As with so many others the Selective Service didn't find any one of Kaye's thousand or so ailments reason enough to keep him out of World War II.A couple of nurses played by Dinah Shore and Constance Dowling are in the cast. Kaye is absolutely bug eyed over Dowling, but it's Andrews that she likes. In the meantime Dinah Shore who has a couple of good songs to sing can't get Kaye to notice her.Up In Arms got two Oscar nominations for Best Musical Scoring and for Dinah Shore's song Now I Know. Personally I've always liked Tess's Torch Song which you can hear her perform in this film. But the real treat are Kaye's patter numbers done by Max Liebman and Mrs. Danny Kaye Sylvia Fine. The Melody in 4-F is a classic and loved by all of Danny Kaye's fans.This was the start of a great comic career and an impressive start at that.

A colossal Danny Kaye bomb.It's amazing that Danny's film career went anywhere after a film as miserable as this. This was not the film to showcase his talents.Dana Andrews was not for musicals. It was as simple as that. He played his sidekick in this and was Jeanne Crain's love interest in "State Fair." Andrews hit his stride in "The Best Years of Our Lives."Danny is a severe hypochondriac in this film. He gets drafted and loves Constance Dowling who doesn't have the heart to tell him that it's Andrews who is her love interest. Dinah Shore, as Virginia, loves Danny but he can't see it.General mayhem develops when all 4 of the characters are on the ship and Dowling becomes a castaway by accident.Look for Margaret Dumont in 2 brief scenes. I guess she was taking a respite from the Marx Brothers. She is not even at her gawky best here.Also miscast are Louie Calhern and Lyle Talbot, both wonderful character actors, who have little to do here and are wasted.Dinah sings nicely and I guess that she and Kaye make a nice Jewish couple. That's about it.

This is not Danny Kaye's best effort. That would be The Court Jester, as far as I am concerned. This movie was badly written. It wasn't horribly acted but the actors weren't given anything much to work with. Danny deserved better and so did Dinah Shore. She should have been a much bigger movie star than she was. She was very talented and had excellent screen presence. Too bad this movie is one of her few movies.At the end of the day, don't waste your time. If you want to see GOOD Danny Kaye movies, find The Court Jester, The Inspector General, White Christmas...or his dramas The Five Pennies or Skokie. He was a brilliant comedian AND dramatic actor. Don't use this movie as an example of his best work.