Ursus in the Valley of the Lions
Ursus in the Valley of the Lions
| 21 December 1961 (USA)
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Bodybuilder Ed Fury stars as the legendary Ursus in this above-average sword-and-sandal adventure from veteran director Carlo Campogalliani. The plot concerns Ursus' attempts to rescue his kidnapped fiancee, aided by a pretty blind slave girl. Now an evil queen, Ursus' former love throws him into a gladiatorial arena with a bull, which manages to smack the slave girl in the head and restore her eyesight before Ursus defeats it and his enemies. The bullfight is particularly well-staged, and this exciting spectacle may be the highlight of Fury's erratic screen career. ~ Robert Firsching, Rovi

Reviews
Laikals

The greatest movie ever made..!

Actuakers

One of my all time favorites.

ReaderKenka

Let's be realistic.

MamaGravity

good back-story, and good acting

Leofwine_draca

A typical peplum adventure, in that it follows the simple peplum formula of having the same kind of plot as all the other films in the genre, but changing the characters and setting to make it look different. What makes this film particularly interesting is the hero, Ursus, who seems to be a mythic Italian variation on the character of Tarzan, in that he was brought up by lions (how?) in a cave and has had little human contact in his life. Of course, he also wanders around in a loincloth a lot too, which brings the comparison even closer to home.I loved a scene at the beginning of the film, which runs for over five minutes, and just shows Ursus hanging out with a pride of lions. Well, it's not actually Ursus who comes into contact with the lions, but clever cutting will make you think that it is. This period just shows him playing with the lions, making amusing dubbed remarks, and pulling their tails. Soon afterwards the generic storyline of a cruel ruler and rebellion is dragged in for the umpteenth time, and unfortunately this bogs down a larger part of the middle of the film. Thankfully things pick up again for the action-orientated finale.After being chained in a dungeon (a very spooky dungeon actually, which wouldn't look out of place in a Gothic - possibly it may have been left over from one of them), Ursus is freed by a rebel woman from his chains. Our faith in his power is considerably diminished in this scene, as other heroes, such as Gordon Scott or Gordon Mitchell, would have surely had the strength to rip the chains off themselves. Our faith is restored almost immediately when Ursus battles a squad of soldiers and pulls a load of bricks out of the wall, causing part of the dungeon to collapse.Afterwards, he manages to infiltrate the dungeons from outside once more, and accidentally falls into a pit of hyenas in what is arguably the film's most exciting scene; these hyenas are vicious, horrible animals and it looks like the stuntman who tamed them was in real danger. After defeating all the hyenas (and throwing an enemy to them, in what seems to be an unusually harsh action for a good-natured hero) Ursus must then battle three or four elephants who threaten to drag his friends into a flaming pit of fire. You can just tell that today, this guy would be perfectly at home hosting a nature documentary on a cable channel.As for everything else, the direction is okay but the acting is not; in fact, even for a dubbed Italian flick like this, the acting is below standard. Ed Fury is a particularly wooden muscular lunk, and probably the worst hero I've seen in a peplum film. He has to be given orders constantly and seems unable to think for himself; that childhood being reared by lions must have affected his brain somehow. Sure, he has the physique for the film, but just not the acting experience to carry it off, and his presence is a less than imposing one. The chief villain is distinctly unmemorable, and disappointing, and the females are just as bad. Yet another case of "pretty faces, no talent". The only other item which may be of interest to horror fans is the crediting of one Ruggero Deodato as assistant director - yes, the infamous director cut his teeth on these Italian spectacles before moving into the cannibal genre for which he is mainly known. This isn't a totally bad peplum flick, just one that's a bit unimpressive in places.

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Mike_Noga

At some point in ancient history Generic Power Mad Usurper conquered Generic Greek CityVilleopolis and King Rightful Ruler was slaughtered. But not before Lil' Prince Trouble-Waiting-To-Happen...er I mean Ursus was spirited away by his mom and a couple ladies-in-waiting. Mom and the gang made it about as far as the parking lot behind the studio before they were fallen upon by the Usurper's men. Since they were escaping during a siege neither mom nor her guards thought to bring any weapons and are quickly butchered, except young Ursus, whose horse runs away with him attached. Eventually he is found by a pride of lions. Instead of turning him into a mid-day snack, they decide to raise him as one of their own. This is shown by a wipe type effect where a shot of a lion licking an infant's face (did they actually let a real lion lick a real infant's face!!??) is replaced by a shot of a lion licking a grown and strapping Ursus' face.Ursus spends most of his time frolicking with his lion friends, yanking their tails and shouting" HO SO YOU THINK YOU'RE STRONGER THAN URSUS? HAHA!" Yet the lions let him live. This would have never gone over in my family, not that seeing this movie as a kid influenced me to behave in any like manner. No way. Not me.So Ursus lives a simple life which he really seems to enjoy until one day while out hunting he finds in his pit trap, not dinner, but a slavers wagon, loaded down with some sweet looking slave girls and their slave trader.Ursus hauls the wagon out of the pit and exchanges googly eyes with one of the slave girls. They have a real Hubba Hubba moment and Ursus decides to throw her over his shoulder and haul her off to his cave. The slave trader doesn't want to lose good product do he follows Ursus to the Cave of Lions, where he is scared spitless by a Cave full of lions. He demands payment and Ursus, not knowing what money is, offers one of his lions as a trade for the girl. The slaver is less than enthused until he sees an amulet, an amulet that was given to Ursus by his father right before he died, an amulet that is in reality...THE ROYAL SEAL! The slaver knows he can get a pretty denari for that, so he offers to take it off Ursus' hands. Ursus agrees and off the slave trader goes to sell the Seal in the Big City.The slave girl is charmed by Ursus' simple honesty, massive physique and inexplicably well groomed hair and teeth and decides to stay with him, despite the fact that the only furniture in her new house is a rock, some elk bones and some lion poop.But their rustic happiness can't last forever. Eventually the Royal Seal falls into the hands of the Usurper, who fears Ursus will one day visit some poetic justice on his behind, and sends his soldiers out to kill our hero. They fail of course, probably because ancient despots didn't have access to modern human resource-style motivation and training techniques. They do manage however to kidnap Ursus' lady and kill most of his lion friends with poison meat. (Because lions are immune to arrows) I'll leave the rest of the movie a surprise, although I will say Ursus spends it rescuing his honey and avenging the death of his father, mother and lion friends. He fights tons of soldiers, a pack of trained killer hyenas and a herd of elephants among other things. Although it would have been really funny if the writers added a little more "fish out of water" humor when Ursus was learning about civilization, overall this was a very entertaining peplum. It's absolutely worth your time and shekels

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MARIO GAUCI

Though featuring many an unlikely plot point (starting off with Ursus as a baby – even if it was the third of his adventures to be released within the same year!), this emerges as a slightly above-average peplum in which the muscular hero is once again played by the affable Ed Fury. He is the heir to some throne, obviously coveted by the villain of the piece – Alberto Lupo – and thus the target of assassination; amazingly, he not only survives this but is also brought up, Tarzan-like, by a bunch of lions (hence the title). Amusingly, though he seems to have effortlessly mastered the faculty of speech regardless, Ursus is blissfully ignorant of etiquette since he sees nothing wrong in taking a dip into a stream while the protesting (and obviously annoyed) heroine – a girl, intended for a slave market, whom he helps – is bathing! Special mention, then, is given in the credits to the animal wrangler involved, Orlando Orfei, presumably a relative of the film's villainess Moira Orfei (who was actually a staple of such fare: as was the case with the first URSUS, she has to contend with another girl over the love of a man, even if the object of her affection here is Lupo). Surprisingly, the film maintains a fairly sober tone throughout – with little concessions to the genre's usual pitfalls (there is no insufferable comic relief, for instance)…but we still get the villain's unconvincing demise at the hands of Simba, Ursus' favorite lioness (elsewhere it also bonds with the heroine's snowy-white mutt), and some unintentionally hilarious action scenes: Gerard Herter, Lupo's henchman, is hit squarely on the head with a stone-block the hero has dislodged from his prison-cell and lives (at least long enough to be devoured by a creepy pack of hungry hyenas); a soldier is thrown into a fire during a scuffle, rises up blazing, trips and falls flat on his face; a number of soldiers are commissioned to demolish a cave, the meeting-place of rebels, only to end up buried within it themselves, etc. In the end, the film provides standard excitements but proves mildly entertaining nevertheless (if hardly essential); again like URSUS, we find some notable names among the credits – not just director Bragaglia but composer Riz Ortolani and assistant director Ruggero Deodato(!).

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dbborroughs

The print I saw was a very worn black and white one from Sinister Cinema and as the film went on it rapidly became clear that the print's lack of quality and color work against real enjoyment of the film.The good king and queen of some far off kingdom are brought down by an evil invader, however the queen escapes with their infant son. She soon commits suicide rather than be taken prisoner, but does so only after getting the baby away. The baby ends up being raised by lions. Years later the adult Ursus ends up captured by the evil king who killed his parents and moves to prevent him from ever taking the throne. There's more to it than that but it at least gives you the basic idea of the plot.The movie is a step or two above the normal sword and sandal film thanks to a largely knowing translation that has Ursus speaking of wanting to become the special friend of a slave girl he's carried off. I know you're saying why would Ursus carry off a slave girl, simple he was raised by lions. The acting isn't bad and the translation seems to match the lip movements.Is this a movie your going to watch over and over again? Probably not but should you run across it on TV late one night you'll find yourself entertained.

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