Let's be realistic.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Charles Laughton was a short, fat, and ugly man. He was the complete anthesis of what you would expect a lead actor to be. However, despite these considerable handicaps, his tremendous acting ability and amazing range of emotions catapulted him to the top of the acting chain in the 1930s. His wife, Elsa Lancaster, was also a very fine actress, as evidenced by her superior work in The Bride of Frankenstein, an underrated film. Add these two giants to the unparalleled writing talent of Somerset Maugham, and you have an unbeatable combination for a classic comedy in The Beachcomber. No one ever did colonials better than Maugham. His incisive writing captured the true essence of missionary work and its irritating side-effects on native cultures. All of his characters have great depth. This is the best of all beachcomber films. It is not to be missed. Also billed as The Vessel of Wrath.

In reading all of the reviews scant attention seems to be given to Robert Newton.Maybe because this performance is typical of those he gave in the 1930s and 1940s before Long John silver got hold of him.The irony is that in real life he was far more like the character played by Charles Laughton.Indeed in just about any biography of any actor of that period ,sooner or later tipsily in to view comes Robert Newton.Unfortunately drink made him much the worse for wear,making producers unwilling to take the chance and ultimately shortening his life.I do wish somebody would write a biography of this fine actor who gives a quiet even underplayed performance in this film.

Well, I admit being an insatiable Laughton buff …. Laughton was a genuine giant, like the Frenchmen Simon and Baur.Laughton, his cute wife, the '30s, a Maugham adaptation—this should be the 4th Laughton movie I am reviewing, and the 2nd Maugham adaptation (--South Seas, missionaries, religious intolerance vs. dissolute life …--). Mean, ugly, fat, playful—I'm just stating the obvious—Laughton was an English Simon—the same abundant talent …. Also obvious is the degree to which he enjoyed playing his colorful roles ….THE BEACHCOMBER is a pretty remarkable movie, snappy and fresh, and leisurely made; Elsa Lanchester was 36 in this flick, she had married Laughton in '29—that is, 9 yrs earlier, when she was 27. Daddy Wells had written short movies for this babe.Elsa Lanchester does an interesting performance, if in a role limited.THE BEACHCOMBER is also genuine cinema—exciting, it has gusto and fun. As subject, it is a satire against puritanism. In a Pacific island, a womanizing drunk is hell-raising and causing scandal to the community. He attracts the antipathy of a couple of religious missionaries who ask for his deportation. Sentenced for 3 months on Agor island, he becomes the ruler of an earthly heaven, a ruler spoiled by the merry natives. Maugham frankly considered the Christianity to be a plague, and praised the sensual involvement of the South Seas natives.One of the missionaries is a miss; the climate and circumstances do much to moisture and soften her senses. She falls in love with the drunk.

Compared to Charles Laughton in Vessel of Wrath, Cary Grant in Father Goose and Humphrey Bogart in The African Queen look they stepped out from a Savile Row tailor. They don't know what to do with him over in the Dutch East Indies. He's a lazy, shiftless bum who won't work, won't pay his debts and is leading the natives that good Christian missionaries Elsa Lanchester and her brother Tyrone Guthrie are trying to convert into sober, hardworking Protestants.My guess is that Laughton is in the Dutch territories because he's been kicked out of British island possessions for exactly the same reasons. As it is he has a friend in the local magistrate Robert Newton. But Newton's patience is being tried. The British would say he'd gone native.He exiles Laughton after Laughton tried to disgrace one of Elsa Lanchester's pupils. But wouldn't you know it, fate casts Elsa right on the island that Laughton is exiled to, doing 'hard labor.' A few things happen and she decides maybe she should try to reform him as opposed to ostracism.Laughton and Lanchester give a couple of cute performances about some middle-aged people finding romance, of course anticipating The African Queen by 13 years. Lanchester has a much tougher reforming Laughton than Kate Hepburn did with Humphrey Bogart. Bogey may have been seedy, but he did own his own business.In a way this story is sort of Somerset Maugham's yin to the yang of Rain. Both stories are based in the tropics with missionaries as their leading characters, but this one is essentially comedic, although there are some serious events here like a typhoid out break, where Laughton proves invaluable in dealing with the natives.Charles and Elsa give us a grand show, don't miss it. Lanchester has a much tougher job