Wonderful character development!
There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
View MoreExactly the movie you think it is, but not the movie you want it to be.
View MoreThis film is so real. It treats its characters with so much care and sensitivity.
View MoreVictory Through Air Power (1943)*** (out of 4) With WWII going full strength, everyone in Hollywood did what they could to bring attention and information to the screen and that includes Disney. This animated feature is pretty entertaining in its own right as we learn about the history of aviation and then go into details on how planes are playing a major role in the war.If you've seen any of the documentaries from this era then you're really not going to learn anything new here. The "Why We Fight" series pretty much covered this stuff in much greater detail but of course the one difference is that this film is animated. The Disney crew really did a terrific job with the animation as it's up to their usual high standards. Fans of Disney will certainly enjoy the animation but WWII buffs will also like the way the documentary shows the bombings at Pearl Harbor and the animated maps on the various issues America faces going up against Japan and Germany.
View MoreDisney like most other Americans in the early 1940s wanted to find some way to contribute to the war effort short of actually fighting. This film - along with the other wartime shorts on the DVD that contains it - stems from that impulse.On one level, the film is meant to educate general audience in the scenarios of the history of flight, aerial combat and the (then) global crisis regarding the Allies vs. the Axis powers.It does its job, entertaining when possible, affirming destruction and American/Allied dominance at critical points.During my most recent viewing of it, I found that it almost seemed to make the case for nuclear warfare. Not outright, mind you, but through its continued emphasis of how Allied airstrikes, because of their remote points of origin, can/could not possibly inflict enough damage to Axis supply lines to shut them down. The film and its military authority Major Seversky propose that long range bombers are the answer - after which a presumably innovative animated version of just such a long range bomber is shown on screen: its long, clumsy-looking, with several large gunwales pointing out all over the plane's body. After seeing that, i could only surmise that military officials of the 1940s saw the folly in trying to build bigger and better airships to do in the Axis. Instead, per the film's rhetoric, the more logical solution seems/seemed to be: "Forget about trying to send a volley of superplanes; instead, send only one plane - but design its cargo to deliver Armageddon!"
View MoreBased on the book by Major Alexander de Seversky published in 1941, this film is basically Disney's vehicle for pressing De Seversky's military plan upon Roosevelt, Churchill and the people of America and Britain. De Seversky argued that we should use bombers to attack Axis factories, farms, lines of transportation and resources. Basically, he argued that America and England should begin killing civilians by the tens of millions. And it's a Disney film.After a brief homage to General Billy Mitchell, the first major animated sequence of the film you've probably seen: "History of Aviation." It starts with the Wright Brothers at Kitty Hawk, and documents the beginning of flight. It then moves on to the formation of the American Air Corps in 1908, early achievements in flight. It shows how aircraft were used in World War I, with the first surveillance planes, the first fighters and the first bombers.The film moves on to give a history of World War II up to that point, but there are several factual errors, including a sequence where the German Army uses air cover and tanks to break the Maginot Line. In reality, Germany simply invaded France through Belgium. It shows that the invasion of Crete was a great victory for Germany, while it was actually a disaster that nearly failed.The film then goes on to describe America's role in the war, describing America as the "Arsenal of Democracy." It argues that since American supply lines are thousands and thousands of miles long and German/Japanese supply lines are very short, Japan and Germany have a decided advantage over us. The solution? Stop attacking Hitler's tanks and soldiers, and begin attacking the factories, farms, workers and farmers which build those tanks and feed those soldiers.The film has a decidedly unsettling tone about it. It begins as a typical Walt Disney cartoon documentary, light-hearted and funny, but it ends describing some of the most disturbing tactics of modern combat, such as blowing up dams to flood the enemy, and employing bombs that will cause earthquakes, perhaps a metaphor for nuclear weapons. It's definitely not for children.The version found on The Disney Treasures set "On the Front Lines" is only 65 minutes long, and doesn't have the scene that argues that America is the greatest nation for aviators by insulting every nation in Europe, including our allies, France and Britain.
View More"Victory Through Air Power" (1943) is one of Disney's direct propaganda films for the U.S. State Department reiterating the 1942 book of the same name. It bounces between live-action segments, with briefing-style professed theories on the abstract value of air superiority, and segments with animated diagrams and maps supporting its theories. In combination with the Disney movie, the book's author presented the idea of separating air units away from the U.S. Army and into their own department. Soonafter, the U.S. Government formed the Air Force.This film is just one of the reminders that Walt Disney exists elsewhere from his current stature as a "children's movie producer." He was also a McCarthyist in favor of the blacklist during the Congressional witch hunts from the House UnAmerican Activities Committee (HUAC). To the day I write this, his company still censors Disney's Beethoven segment of "Fantasia" (1940) in VHS and DVD video releases due to a racial comment. Also, the only movie the company has not released of his original classics is "Song of the South," a movie about a little white boy who encounters a group of black storytellers. This writer is curious how, in the time of "Amos and Andy," Disney came up with an idea for a little black mouse in work overalls named "Mickey" which he voiced. These are interesting traits of Walt, none of which revolved around a lack of maturity.
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