Dumbo
Dumbo
G | 31 October 1941 (USA)
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Dumbo is a baby elephant born with over-sized ears and a supreme lack of confidence. But thanks to his even more diminutive buddy Timothy the Mouse, the pint-sized pachyderm learns to surmount all obstacles.

Reviews
CrawlerChunky

In truth, there is barely enough story here to make a film.

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AshUnow

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

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Nayan Gough

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

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Verity Robins

Great movie. Not sure what people expected but I found it highly entertaining.

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merelyaninnuendo

Dumbo3 And A Half Out Of 5Dumbo is a Disney Animated feature reaching successfully for eradicating the difference among the society and its ideology. Despite of having a wafer thin script, the feature never leaves the audience and neither does it allow them to get out from the world that they have fallen within first few minutes. The technical details like songs, background score and animation are amazingly scored on high pitches. The makers being aware of their lack of material, has directed all of their big guns to its finely detailed screenplay that works like a charm in here. The difference between an overstretched plot and elaborated one is clearly visible in here. Although there are few sequences which could have been edited better, but these are minor complication in this huge emotional drama among family, friends and society. It resonates a lot with practicality offering plenty of mutual things for the audience to easily connect with especially all the conversation among the other animals about the protagonist which can easily be matched with the current society that we all reside in. As always, the side characters are perfectly written as they are not only the writers best distraction but also attains a closure of their own track. Dumbo is a heartbreaking tale of a misjudged fellow whose self-discovering journey is depicted in with all heart; all love; all passion.

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filmtogo

I will never get how people still say that Bambi losing his mother is the worst in the classic disney films. For me it's Dumbos mother being imprisoned because she tries to protect her child. Yes, she's not dying, but it's still so very sad! And then we get this little adventure for Dumbo and his mousey companion. These two always remind me of Pinocchio and Jiminy Cricket. The parade of the elephants - which Dumbo and Timothy Mouse are seeing when they're drunk (!) - is one of the craziest drug moments Disney ever did (probably only Alice in Wonderland can match it with it's weirdness). And it's so much fun to see Dumbo fly in the end and how he becomes a worldwide phenomenon after he got bullied around for such a long time.

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SlyGuy21

I know I'm in the minority with this, but I didn't like this movie. Aside from the animation and the mouse that helps Dumbo, the movie was either bland, sad, or just mean-spirited. I get the message the movie's trying to get across, "It's not about what's on the outside, it's what's on the inside that counts.", but I've seen this same message given way better treatment. Cartoon shows have covered it, books have covered it, even songs have covered it. The movie as a whole feels like a rejected "Fantasia" piece. The score had me more engaged than the actual story, and the story itself just feels stretched to a little over 60 minutes. Heck, 99% of the characters in this movie don't even have names! Dumbo isn't all that interesting either, beings he doesn't have a word of dialogue, the only way to advance his character is to have other characters be mean to him. It makes me feels sorry for him, but also despise everyone that picks on him. The movie's full of these characters, and it made it frustrating to watch when they were on screen. The only thing I can really recommend seeing from this is "Pink Elephants", and it's mostly because it's so out of left field. At least the movie's short, other than that, the mouse, and a completely random acid trip that lasts three minutes, there's nothing that would make me revisit this.

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arel_1

Sorry, but I don't see anything racist here--I just see crows, who are of course black, parodying humans, who come in all colors, and they are no more representative of real people than Lucy and Desi were representative of all redheads married to Cuban bandleaders or Laurel and Hardy or the Three Stooges were representative of all white men. They are funny and happen to be black, not black and therefore funny. There's a difference. (Just for the record, that's how I judge all ethnic humor: is it humor that happens to be ethnic, or is it an insult veiled in humor? I can chuckle at Chico Marx's pseudo-Italian because there's no insult intended in most of his movies--he exaggerated and put a funny spin on what he'd seen growing up. Those "scaredy-cat black sidekick" characters, however, leave me cold because it's implied that they're scared BECAUSE they're black, which is just not true to life.)

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