This is a must-see and one of the best documentaries - and films - of this year.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

Blistering performances.

Agents O'Hara (Dennis O'Keefe) and Grayson (Louis Hayward) are investigating how nuclear secrets could have gotten out of the country and into the hands of evil Commies. Being that they ARE evil, the enemy will stop at nothing...including beating and shooting women...in order to destroy freedom and America. Are the pair smart enough and tough enough to win?What I liked most about this film noir picture is that it is unflinching and brutal for 1948. It's a very tough picture and really delivers for lovers of the genre. My only complaint is the use of a terrible cliche near the end of the picture. Agent O'Hara figures finally out who is passing on the secrets to the Russians but instead of telling everyone immediately over the phone, he tells them he'll meet them and tell them. You just KNOW that means that the enemy will then try to kill him before he has a chance to tell...an obvious plot device to say the least. Still, apart from that it's NOT cliched and well written.

Dennis O'Keefe, (Daniel O'Hara) plays the role as a FBI Agent who is in charge of finding out how a Southern California atomic plant is having leaks of top secret plans and why one of their agents is killed trying to find out this important information. Scotty Grayson, (Louis Hayward) is a Scotland Yard Inspector who is also called into the FBI office and is working with Daniel O'Hara because he has some important information that can help to solve this case. Raymond Burr, (Krebs) plays the role as a communist who is a very dangerous man who will stop anyone trying to upset their plan to obtain this secret information. This picture is dealing with the Cold War period in history and the scientists in the atomic plant are all under investigation. This film is very entertaining and Dennis O'Keefe gave a great performance along with Raymond Burr just starting out his career and giving a great supporting role. Enjoy.

WALK A CROOKED MILE is the sort of brisk, documentary style espionage yarn so often made during the '40s, using narration to tell the story of two espionage agents (DENNIS O'KEEFE and LOUIS HAYWARD) assigned to track down whomever is responsible for leaking top secret information developed at a nuclear plant in California.Most of the action takes place in San Francisco, where O'Keefe and Hayward discover that an artist (ONSLOW STEVENS) is putting coded information beneath his paintings when he receives it from a spy working for the government agency. The story traces how the spy ring operates and it is these details that give the film added interest before the spies are caught. All of the methods must seem dated by today's standards of F.B.I. work, but the manner of presentation is gripping and the clever cat-and-mouse game that is played between the agents and the spies is credible and fascinating.It's smoothly directed by Gordon Douglas at a fast clip. RAYMOND BURR has his usual "bad guy" role as one of he spies, and LOUISE ALLBRITTON, CARL ESMOND, ART BAKER and CHARLES EVANS all make interesting suspects in the mystery behind the identity of the key traitor.Well worth viewing.

Walk a Crooked Mile was filmed almost entirely on location. FBI agent Dan O'Hara (Dennis O'Keefe) and Scotland Yard operative Philip Grayson (Louis Hayward) team up to investigate a security leak at a Southern California atomic plant. The investigation takes place in San Francisco, where a communist spy ring flourishes. Actors as Raymond Burr and Philip Van Zandt play the communist agents. The documentary technique gives a factual gloss to the melodramatic format. Action moves back and forth between San Francisco and the atomic plant in southern California. Gordon Douglas' knowledgeable directing keeps the film moving forward. He manages to build suspense through misdirection. The method used to take information out of the atomic plant is well protected thus keeping you guessing. The movie is typical 40s and early 50s film noir.