You won't be disappointed!

Let's be realistic.

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Will admit to feeling nervous about seeing 'Werewolves of the Third Reich'. The low rating and poor reviews were not promising, and too many of my recent low-budget viewings with both of those here have proven to be that bad and worse. The idea also seemed really ridiculous, even for one clearly not meant to be taken seriously and with the potential to be executed in an intelligence insulting way.My nervousness proved after watching 'Werewolves of the Third Reich' to be justified. 'Werewolves of the Third Reich' was yet another film to be that bad, as bad as the low rating and reviews suggested, and worse. It was not only ridiculous and terribly made but also intelligence insulting to a near-offensive degree, with a huge amount to criticise and nothing to recommend. Have nothing really to add, with it said already so well, other than my thoughts.Knowing where to begin with the criticisms is difficult. 'Werewolves of the Third Reich' looks cheap, with drab and rushed-looking photography, haphazard editing, risible visual effects that just look strange, inauthentic and shoestring budget-like costumes and far from atmospheric or spooky settings. The sound quality is intrusive and obvious and can remember little about the music other than how ill-fitting it was.Dialogue is cheesy as sin and delivered with accents that are both stereotypical and incomprehensible and words delivered in a way that will make native Germans and those studying German cringe and feel insulted. The story is uneventful in the first act and becomes increasingly silly and implausible, as well as tension-free and lacking in coherence. The action is clumsy and dull and the direction shows no engagement or experience with the material.Characters are irritating and little more than cartoonish caricatures. Don't let the titular creatures elevate things, they are barely in it and are poorly designed. The acting is all round awful, with lots of histrionics and bizarre miscasting (Hitler is one of the biggest dishonourable mentions).Overall, terrible. 1/10 Bethany Cox

I am not sure there are any film-makers currently as prolific as Andrew Jones, who, with production company North Bank Entertainment, continues to release low-budget horror films at a fast rate of knots. Most are enjoyable, some very much so. Never afraid to 'pay homage' to other projects, Jones here writes/directs something very close to Quentin Tarantino's 'Inglourious Basterds', but on his terms.It is bargain basement stuff, of course. Hitler's briefing room is backed with black drapes, while he sits in front of an un-ironed swastika drape, whilst true to Jones' direction, many scenes are a collection of close-ups. The best performance probably comes from Suzie Frances Garton as the resolute and duplicitous Ilsa (what else?) Koch - with suggestions of sensuality beneath that pristine cool veneer, she attacks the role with relish. In a disappointingly brief appearance, sometimes Jones regular Jared Morgan plays the bar-tender; he is always good to see. Perhaps it is ubiquity to blame, but I find it more difficult to be convinced by Lee Bane as 'Mad Dog' Murphy, someone too stylised to ever truly exist; whispering every line Eastwood-style, his avowed intent and catch-phrase, to 'kill Nazis' becomes more irritating than threatening. As ever though, he plays his role to the hilt and offers the key: don't take things too seriously. Other performances (and accents) vary greatly. Hitler, for example, provides Oliver Fritz an opportunity to display the Fuhrer as a bizarre, ailing grotesque.There are some interesting choices being made here and as is often the case with Jones' projects, the more you watch, the more these choices take you in. The long conversational scenes, the slow-burning story-telling, and some ripe performances combine with simmering interest, a good build-up of threat and as ever, some nice location filming that does enough to allow you to believe events are taking place in Nazi Germany 1944. That's another thing with films from the North Bank Entertainment stable - they cannot be accused of being unambitious. This could have been set in England with no Hitler appearance at all - but no, we have approximations of American accents, two curious werewolf hybrids and a bucket-load of Nazis.For a story with 'werewolves' in the title, we have to wait a long time for even the first mention of them by name. The reveal comes at the time the two main story-strands come together, in a midst of monster masks and CGI blood-splattering. Like the rest of the film, some moments will leave you impressed, others not so much. But it seems the adventures of (don't call him) 'Mad Dog' Murphy and his band of men are not quite over, as the post-credit flier tells us.

I'm not going to delve too much into the plot or anything, but I'm having trouble understanding what it is they were trying to do here. The CGI was horrific and just plain weird, and appeared to glitch out in some parts of the movie. The cover of course looked promising but, the masks that the "werewolves" wear don't look like wolves or even dogs at all. In fact, they looked more like a Klingon than a wolf. Not to mention, the masks are exactly that, masks! In some parts of the movie, they even appeared to fall off or become unsituated on the actors face. Also, does Hitler have Parkinson's disease or what? Every time he speaks, he is shivering uncontrollably and having issues speaking coherently. I don't understand why they did that? Was Hitler this way in real life? I have never seen them give him an effect like that in any film. Not to mention the fact that, regardless of the national origins of the actors, their accents sound so incredibly fake that it's almost painful to listen to.The cover made me excited! Too bad this was such a disappointment.

This is what happens, when fanboys a try to make films. It's not the tiny budget or the terrible accents that make this film awful. It's the obscene directorial hubris in attempting to ape Tarantino's mastery of the long tense slow-build scene. Having said that, if you don't have a lot of money, and you're filming in the UK with British actors, why not attempt something you might actually achieve, instead of totally over reaching yourself?