Good concept, poorly executed.

A different way of telling a story

Clever, believable, and super fun to watch. It totally has replay value.

While it doesn't offer any answers, it both thrills and makes you think.

The mysterious death of an enigmatic young man newly arrived in the suburb of Wetherby releases the long-repressed, dark passions of some of its residents.Roger Ebert called it "a haunting film, because it dares to suggest that the death of the stranger is important to everyone it touches – because it forces them to decide how alive they really are." That is one way of looking at it. Others have called the film a "puzzle" with pieces out of order and perhaps even missing.I liked the idea of a man who kills himself for no reason, and everyone around left to wonder. I am less thrilled about some of the follow-up. His life as a mystery seems better to me than exploring it, but others may disagree.

The cover looks very promising. Unfortunately it fails to deliver despite having an exceptional cast. Incredibly boring and annoying. Had to stop watching it half way through, and I'm a die hard film fan. I am willing to give movies more than a decent chance to prove themselves. Why it fails? the deadly slow pace, the meandering/chopping back and forth between the two plots. The feeling that the movie is going nowhere and will leave you wondering why you bothered. Truly Vanessa Redgrave is always a good bet which is why I chose it, together with the fact that her daughter (Joely Richardson)is in it spurred me on. The premise is a good one, but the lack of momentum is excruciating. Ian Holm, Tom Wilkinson, Judi Dench, are all playing their roles adequately. What a shame.

This is the most confusing, self-indulgent and pretentious movie ever made.It looks like it was written and shot by the evil spawn of Fellini, Woody Allen, and Wes Craven.I defy ANYONE to explain what this movie meant and what all the sub-plots were.Vanessa Redgrave is fun to watch no matter what, but I bet she is ashamed to have made this movie.Dark, depressing, violent and indecipherable, this movie will leave you wishing you had believed this review.It could be a good object lesson in what not to do.Basing a film like this in Yorkshire is blasphemy.

A Pinteresque landscape of a movie. Not quite upper upper class, but upper middleclass, educated, intelligent people, endlessly talking, and trying to "relate". An opening scene that jarred me: Redgrave describing the "sly" look of a student in a literature class. I responded to it as a average thirteen year old nerd would. "Please don't call on me, AND PLEASE DON'T DISCUSS MY LOOKS IN THIS CLASS, OR IN ANY PUBLIC FORUM. YOU'RE KILLING, AND EMBARRASSING ME, TEACHER!" This is a young Judi Dench, and Ian Holm no longer twentysomething, entering middle age. I wonder if they could forsee the international superstardom that would be theirs in a few years? The Richardson and Redgrave clan turns out yet another great contribution to the British stage in the delightful Jolley, Vanessa's daughter in real(not reel) life, playing, you guessed it Vanessa as a young girl. If you had any doubt why I rate London over Hollywood watch this movie. Even if you think it's boring, and, "they talk with funny accents" you can see that these people are artists and are so good the "art" hardly shows. It's not supposed to.