Who payed the critics

The greatest movie ever made..!

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Amazing worth wacthing. So good. Biased but well made with many good points.

Noce Blanche is a story where a philosophy teacher falls in love with a "wayward" 17-year-old student of his. Viewings of this will likely be motivated by the subject matter, however the film does offer up substantial insight into the human condition. What is very interesting about children, especially bright ones, is that they can see through the hypocrisies of the adult world through all our false pride and double standards, and love means everything to them. They are trumped by the muscularity, cynicism, experience and judgement of adults. But they see through us, Mathilde sees straight away that François, despite a wife, career, and friends, is completely alone in the world, she sees it because it is obvious and she has not been desensitised.There are two particularly interesting philosophical ideas that come up in François' classes, that we are the unknowing accomplices of our "other self" the subconscious, prisoners of its fate, and also that people who choose to study metaphysics, choose death, as a preference over life.The aesthetics of the movie are very subtle, it could easily be mistaken for one of those French dramas where the camera is simply pointed at the actors, but there is a palette of blue and greys here, and I ended up freezing the view a few times to admire the stills. It is far from being ostentatious or mannered however.The story ends up feeling quite Grecian in the end, but who am I to say unrealistic, reality is almost always stranger than fiction. Works for purposes of titillation for sure, but also has great depths. Two successful watches in a row from Brisseau for me, following on from The Girl From Nowhere, more adventures to come!

As a rule I have a hard time watching Vanessa Paradis but on the other hand I've only seen the stuff she did in the last decade. In this, her debut effort at the age of 17, she had yet to hone her nauseating Goldie Hawn schtick and was halfway believable as a screwed-up wild child. Director Brisseau cast 60 year old Bruno Cremer as the older teacher who has an affair with her (but was careful to cast 42 year old Ludmila Mikael as Cremer's wife) and just about stopped short of having Cremer say to Paradis 'let's get together and compare taboos'. There may well be an acceptable side to 60 making out with 17 and Brisseau might have been the guy to tap into it if he didn't have a penchant for sleaze - this, after all, is the guy who was arrested for sexually harassing an actress on a subsequent film, Chose Secrets, also steeped in unhealthy sex. If you work at it you can just about work up a sympathetic approach to the story and if all else fails there's always Mikael who could have done with more screen time. Overall this is interesting rather than entertaining.

It's been over a decade since I saw this film, but I do remember it rather fondly. It showed sensitivity for the characters as well as the subject matter, instead of being exploitative. At the same time, it was quite frank in dealing with the story and of course, it ends tragically. I also remember being impressed with Vanessa Paradis, both for playing a difficult role deftly, and for her physical beauty. It was only recently that I became aware of her real-life relationship (being Johnny Depp's girlfriend).I would love to see the film again, but it seems it hasn't been widely circulated on DVD, and the R2 disc is hard to find. What a pity.

Not a bad movie about impossible love, but I would suggest that you see Eric Rohmer's films a second time before taking a look at this one. What is the fascination of older man for young Lolitas? In this one, it's Vanessa Paradis, who's playing the student who get her philosophy teacher (Cremer) all tangled up in a web of difficulties. The fascination also with the troubled girl who's despaired, all the while hiding a terrible secret: she's smart, very smart. The movie is ok but sometimes a little bit too improbable. Performances are good, not great. A better film in the same genre: À la folie, pas du tout... (with Audrey Tautou). On the bright side, the movie offers an inside of what kind of feelings teachers like François are capable of developing. Every day, there's teachers who put themselves in the same situation. Society seems to be able to understand why a young girl like Mathilde could fall in love with a much older man, but the reverse ain't true.Out of 100, I gave it 73. That's good for **½ out of ****.Seen at home, in Toronto, on May 11th, 2004.