Far from Perfect, Far from Terrible

It’s sentimental, ridiculously long and only occasionally funny

One of the most extraordinary films you will see this year. Take that as you want.

An old-fashioned movie made with new-fashioned finesse.

An existential comedy starring Dustin Hoffman as a phenomenally successful songwriter haunted by a man named Harry Kellerman, who seems bent on ruining him. Hoffman is free-falling through life despite having all the trappings of success, hallucinating scenes from his past while floating from one bad relationship to another. A great, unheralded movie from writer Herb Gardner and director Ulu Grosbard, this features one of Hoffman's best performances. It's melancholy but also very funny, surreal but also grounded very much in reality. The large supporting cast includes the excellent Barbara Harris, Jack Warden, David Burns and Dom DeLuise. Shel Silverstein, who plays Bernie, did the music. Harris earned an Oscar nomination for her stunning work, but the entire cast is first rate.

Harry Kellerman was a most unfulfilling film for me, as unfulfilling as Dustin Hoffman found his life to be in this movie. Hoffman plays a successful rock composer who is going through a mid life crisis and finds all of a sudden in his middle Thirties he's not a really happy guy despite all the money in the world and the toys that money can buy. His best time is flying his private plane, talk about toys.For some reason I couldn't get into this film or feel any kind of sympathy for Hoffman's character of George Soloway. Hoffman's best friend seems to be his analyst Jack Warden, hamming it up in his best Viennese accent. Dustin has more real and imagined time with Warden than anyone else in the film. In fact Warden functions as an alter ego for him, more inside his head than in real life on the couch.The last straw for Hoffman seems to be some mysterious dude named Harry Kellerman who for some reason is calling up all of Hoffman's friends of both sexes and badmouthing him all over the place. As his relationships crumble all around him, Hoffman goes on a frantic manhunt for Kellerman.With all the imaginary sequences in this film, if you can't figure out who Harry Kellerman is before a quarter of the film is over you haven't seen too many films at all. Think a kinder, gentler Fight Club.Hoffman does the best he can to make some coherent sense out of his character, but in the end he's not someone I care terribly about. Rose Gregorio as his ex-wife, David Burns as his father, and Gabriel Dell as his cheerfully hedonistic songwriting partner are the best in the film.Barbara Harris as a woman who seems to have as much angst as Hoffman got an Academy Award nomination for Best Supporting Actress, she lost in the Oscar sweepstakes to Cloris Leachman for The Last Picture Show, an infinitely better film. Harris's character is interesting, she represents a last chance for Hoffman at love. She has her problems, but without as much money, she seems to be coping a lot better. Another reason for me to not care about Hoffman's George Soloway.The ambiance of the early Seventies rock scene is captured well. Would that George Soloway in Harry Kellerman be someone you could actually get worked up over.

I just watched this last night. I bought it because Barbara Harris received an Oscar nomination for it. I happen to think that she is a very underrated actress.....and was I right!This movie started out very strange. From the opening scene where Hoffman falls of the top of a building, it just got stranger. I realize that this is one of those independent films that try to make a point about life in a different way than we're use to in mainstream films, but please! I knew this film was bad when I kept thinking to myself, "When does Barbara Harris come into this?!"My husband had come home, watched a little and said, "What is this? Turn it off!" Just then Barbara Harris came on. We both sat there in awe. She made that audition scene into brilliant showcase of her talent. When Dustin Hoffman left her, you really missed her. The film really missed her. SHE is what makes this film worth seeing, well the last half at least. Dustin gives his typical performance here, nothing special. Barbara Harris is fantastic and deserved an Oscar for making it worth the torture of watching the first half of this @$%#^%, so you can see HER in the second half.

Harry Kellerman is the best portrait I have ever seen on celluloid of the inescapable nature of neurotic pain. The fixated, tortured soul--albeit tortured on the small, inner scale of suffering--awakens to his pain, sees a possible escape route, and struggles to hurl himself through it. But then he only finds himself bank again at square one, the tether of his Gordian knot unbroken and unfrayed. Told with humor and absurdity appropriate to the subject matter, Harry is a delightful, original, and insightful movie.