Why so much hype?

What a waste of my time!!!

What a freaking movie. So many twists and turns. Absolutely intense from start to finish.

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

Copyright 1 February 1935 by Paramount Pictures, Inc. New York opening at the Paramount: 1 February 1935. Australian release: 8 May 1935. Sydney opening at the Prince Edward: 4 May 1935 (ran 2 weeks). 8 reels. 75 minutes.SYNOPSIS: Ken Gordon is a flier attempting to perfect instruments for safe flying in the dark or fog. Sheila Mason, barnstorming sky-writing stunter, managed by Nick Williams, falls in love with him. Her affection is coldly received. At the moment when triumph for his devices seems just ahead, Gordon is blinded by a gas explosion. Gordon, who has retired to the country accompanied only by his faithful mechanic, Mac, gets a seeing-eye dog to lead him around. Trying to be a writer, but only getting rejection slips, he never knows that the checks he cashes are the result of Sheila's taking any kind of a breakneck job that manager Williams can conceive. COMMENT: Attractive photography by William Mellor on the ground and Dewey Wrigley in the air; but otherwise this is a somewhat less than routine suds opera, pedestrianly directed by James Flood. Admittedly, the script is no help. It's one of those turns in which the characters stand around and talk a lot, but actually say nothing of real interest at all.The movie starts off quite promisingly too. The director gives the opening scenes extra liveliness by using a large number of camera set-ups, employing angles that are very smoothly edited. The players are not unattractive either. This first teaming of Loy and Grant (later to pair in such box-office winners as The Bachelor and the Bobby-Soxer and Mr Blandings Builds His Dream House) has considerable curiosity value.Alas, once the Grant character goes blind, the soap opera takes over, leading direction, performances - and audience interest - right down into a deep, dark decline.

Cary Grant and Myrna Loy star in "Wings in the Dark," a 1935 film. It's obvious with films like Christopher Strong and others that with Lindbergh and Amelia Earhart around, aviation was a huge topic. In this film, Grant and Loy play aviators Ken Gordon and Sheila Mason - she does the stunt circuit. After Gordon is wounded in an accident in his workshop, he goes blind, and Sheila is there to help him. Gordon wants to continue his work, and is interested in perfecting the plane instruments so that even a blind man could fly a plane, that is, fly in terrible fog or other weather conditions.Gordon doesn't realize it, but Sheila is funding his work by telling him that articles he's written have been sold. When his plane is taken away due to lack of payments, she agrees to fly a plane from New York to Moscow so she can collect $25,000. It isn't the smooth flight she anticipated.This is a pretty good film with both actors turning in good performances. Grant gets to show his dramatic flair - the man could really do anything. Now that I've seen so many of his early films, I'm convinced he had a nose job - his nose is definitely longer early on. Nevertheless he was always extremely handsome.Loy and Grant went on to make other films together, and this early one isn't mentioned much. It doesn't compare to Mr. Blandings or the Bachelor and the Bobby Soxer, but the stars raise it up a level.

It's always a treat to find an early Cary Grant movie. In this case it was a double treat since Myrna Loy played his love interest. Wings in the Dark (1935) showcases the talents of its two stars, despite the rather unbelievable plot of a recently blinded pilot (Cary Grant) who flies a plane configured with special navigating equipment he has created. While the movie ends on a typical melodramatic, if not predicable note, the movie is still one to catch. Cary Grant pulls together an admirable performance of an independent man who is suddenly blinded and goes through a myriad of emotions that come with the convalescence. This movie shows that Grant had depth as a serious actor. Catch him with two other movies with Myrna Loy, The Bachelor and the Bobby Soxer, and Mr. Blandings Builds His Dream House.

A rather preposterous melodrama on the surface, WINGS IN THE DARK manages to retain a surprising amount of credibility due to solid direction and convincing performances. The far-fetched storyline of a recently blinded pilot Ken Gordon (Cary Grant) relying on newly-created aviation software to guide fellow pilot and girlfriend Sheila Mason (Myrna Loy) through deadly fog is brimming full with gaping plot holes and ham-fisted dialogue, which typically spell serious trouble for most productions. However, the film is salvaged, and even made thoroughly enjoyable, by the compelling, believable performances of Loy and Grant and director James Flood's brisk direction, which moves the picture along at a steady rate and helps to minimize much of the script's potential schmaltz. The combined efforts of Loy, Grant, and Flood make an entertaining and sometimes compelling little aviation drama out of what could have been a total disaster, which is quite an amazing feat on each individual's part!