This film is so real. It treats its characters with so much care and sensitivity.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

This movie feels like it was made purely to piss off people who want good shows

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

From very near the start, Newman and Woodward look so comfortable in each others presence. Well, they had been married for eleven years by then! There are other films where the "married" couple just look as though they are acting, and are not real. Here, it is so different and makes watching the rest of it worthwhile, and pleasant.OK, so we know that neither Newman nor Kapua won the 1968 Indy 500, so-what? It is easy to join in the excitement and appreciate the drama. The joining of real footage, especially of the first-lap pile-up is neatly and realistically done.Coping with infidelity is always going to be hard, by both partners, here they do it OK.Richard Thomas as the adopted son is good enough and led me to then watch his simply brilliant "All Quiet on the Western Front".

Talking to a family friend about what movies he was planning to pick up after (hopefully) receiving some vouchers for the Christmas season,I was delightfully caught by surprise,when he mentioned the title of a Paul Newman film that my dad had recently picked up.With the UK being hit by the worst storms for 60 years,I felt that it was the perfect time to stay in,and head out on the racetrack.The plot:Walking past a "rent a car" store after winning his latest race,a race car driver Frank Capua finds himself quickly enchanted by the charms of the shops secretary,called Elora.Getting into a whirlwind romance with Elora,Capua soon takes Elora and her son Charlie on the road,and introduces them to the life of a race car driver.Despite Charlie catching the racing bug from Frank very quickly,Elora finds herself completely isolated in Capua's world,which leads to Frank fearing that he may be about to lose the most important race in his life.View on the film:Using a mix of archive and new footage,the editing of the racing scenes by Richard C Meyer (who also co-edited Butch and Sundance) and Edward A. Biery, (who would reunite with director James Goldstone and Newman for When Time Runs Out) sadly give the scenes an annoyingly "shaky" appearance,which along with not allowing the viewer to get a sense of what is taking place,also leads to the pertinaciously thrilling,set-piece scenes lacking any sense of excitement.Set against the racetracks,the screenplay by Howard Rodman gives each of the Capua family members a melodrama race track,which along with featuring some rather unexpected surprises, (such as Newman's reaction to rival driver Luther "Lou" Erding)also perfectly compliments the twilight atmosphere that director James Goldstone covers the movie in.Made just he was catching the racing bug himself,Paul Newman gives a very good performance as Frank Capua,with Newman showing the contrasting sides of Franks life,by having Capua's wide smile that he shows on the race track,fade away,as Frank begins to fear that his marriage is running out of fuel.Joining her real-life husband,Joanne Woodward gives the film a real heart & soul as Elora,with Woodward showing her love for Frank slowly fade away,as she begins to fear that they may be about to go off the race tracks.

Most film fans know of Paul Newman's passion for auto racing, something he shared with his fellow rebel hero Steve McQueen. So like McQueen, sooner or later he was going to do a racing film. It's never going to be listed among his best films, but at least it was not as self indulgent as McQueen's Le Mans.It's also not Grand Prix which had cinerama and dealt with the international racing scene and the glamour therein. This is an American film dedicated to what our president called the Nascar dads in the last presidential campaign. But it also deals with who I would have to call the neglected Nascar Moms.Paul Newman is an auto racing driver and totally dedicated to his sport. He meets and marries Joanne Woodward who is a divorcée with a teenage son, Richard Thomas. After a while he starts taking her for granted and Woodward drifts off into an affair with rival driver Robert Wagner. I very much doubt in real life if Paul Newman ever took Joanne Woodward for granted as he does her. I don't think they would have stayed married as long as they did. But Newman gives a solid portrayal of a man who gets quite a lesson in what is really important in life. Richard Thomas shows some of the qualities that made him such a hit as John Boy in The Waltons. He gives a very good account of himself in scenes with Paul and Joanne.Nascar Dads and Moms will like Winning, there's enough in the plot to satisfy all concerned.

Taken as a whole, this does not measure up to Newman's later works, but that's not his fault. The story is a weak and draggy at times. Certainly it's not "The Verdict", but then it's not meant to be. It is what it is, a pretty basic story about a race car driver and his relationships; between he and his distant wife, his teammate (and again, his wife) and his stepson. The uneven pacing almost sinks the film as a whole, though the supporting cast is pretty ace. But forget all that for a moment.For race fans the vintage footage alone is worth the price of admission...Can-Am cars at Elkhart Lake open the show and Indy closes it. Great stuff! What makes it all really work is that PLN did his own driving and it's clear he is enjoying himself and is right at home in the car, not shoehorned in like a Burt Reynolds or Tom Cruise or Sly Stallone. He is a RACER, and it shows. Plus the ending is classic Newman; you just don't know what's going to happen next, and you WANT to know.Also recommended: "Grand Prix" and "Le Mans".