Just perfect...

Admirable film.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

A clunky actioner with a handful of cool moments.

Sweet and innocent Angela Duvall (a solid and sympathetic performance by smoldering hot brunette stunner Suzane Carvalho, who quit acting in the late 80's and became a professional race car driver) goes to a harsh women's prison for a murder that was actually committed by her pathetic weakling brother brother Sergio (an appropriately hateful and sniveling Paulo Guarnieri). Naturally, both the nasty guards and vicious inmates alike immediately start lusting after Angela's delectably voluptuous body. Angela and several other hardened felons escape and go on the lam in the dangerous Brazilian jungle. Writer/director Michele Massimo Tarantini, who also blessed us with the deliciously trashy trekking through the jungle action/adventure romp "Massacre in Dinosaur Valley," really delivers the satisfyingly seamy lowdown scuzzy goods: we've got copious tasty distaff nudity, lurid lesbianism (the lascivious head matron has her bawdy way with Angela in an incredibly torrid tryst), sadistic beatdowns, a sizable smattering of bloody violence, rough'n'tumble catfights, leering soft-core sex, the inevitable wild riot, and even a couple of snake attacks. The acting is pretty decent for the genre, with particularly notable contributions by Henri Pagnoncelli as crusading nice guy physician Dr. Cuna and Leonard Jose as the mean and ruthless Captain Bonifacio. Aida Marques' basic cinematography gives the picture a suitably grimy look. Remo Usai's funky score also does the trick. The sordid south-of-the-border setting adds an extra spicy exotic flavor. Worth a look for babes-behind-bars buffs.

This could be another film in a potential "Latin America WIP Film Festival"--other entries might include two other Brazilian WIP films "Amazon Jail" and "Bare Behind Bars" and the Argentinean film "Correcional de Mujeres" (strange that a continent that threw so many REAL innocent people in brutal prisons in this era wouldn't have made a lot more of these films, but then maybe that was why).Although it's mostly Brazilian, this film was actually directed by an Italian director, Michele Massimo Tarantini (OK, so maybe not a GOOD Italian director). Tarantini is most famous for his laughable cannibal film "Massacre in Dinosaur Valley", but his best films were probably the sex comedies he made with actresses like Gloria Guida back in Italy, as he he had little grasp on the dramatic structure. Ironically though, this one of the better Latin America WIP films because it actually has a plot (well, kind of), and a clear protagonist played by the very sexy Brazilian actress Susan Carvahlo (also in "Dinosaur Valley"). Carvahlo here plays a frequently naked and abused "new fish" who is actually genuinely innocent. As a crusading reporter/prison reformer rushes to her rescue, she and her fellow inmates stage a daring break out. The end is pretty stupid and frankly not nearly as cinematically compelling as the lesbian rape or firehose scenes in the first fifteen minutes.Carvahlo to my knowledge only appeared in a couple international releases, but she was pretty appealing. She went on to become a successful race car diver! (And while some may she disagree, she probably looks a lot better naked than Jimmy Johnson). I actually don't know that anybody (besides me) would be stupid enough to put together a "Latin American WIP Film Festival", but, if so, this would be the top entry.

* B.B.B. stands for Babes Behind Bars. Even though they all sound and look fascinating, these B.B.B. (or W.I.P = women in prison) movies usually are the most boring and incompetent exploitation moneymakers of all. All those movies directed by Jess Franco (Barbed Wired Dolls), Oswaldo De Oliveira (Amazon Jail) and God knows who else look promising enough but they ultimately fail in accomplishing anything at all, apart from showing tons of pointless and often even very unattractive naked female flesh. Michele Massimo Tarantini's – great name – "Women in Fury" is different from every possibly viewpoint and actually a surprisingly good film. It has a great story to tell, the acting performances are adequate for a change and even though the amounts of sex and nudity are plentiful, it always remains stylishly shot and within the boundaries of good taste. No endless sequences in which the camera zooms in on women masturbating or getting barbarically whipped for no reason other than sick sexual pleasure. Instead the script patiently takes the time to introduce the main characters and make the audience empathize with them. It involves nudity, of course, but it serves a purpose and at least the actresses here are highly desirable. The pivot figure is Angela Duvall, a silent girl doing prison time for a murder that was really committed by her cowardly brother. Very much against her own will, Angela causes amok within the prison's walls because everybody – guards as well as fellow inmates – want a taste of her beautiful body. The penitential doctor falls madly in love with Angela too and even convinces the authorities to release her, but in the meantime she and a handful of other girls already escaped into the Brazilian jungle where new types of terror await her. "Women in Fury" is an extremely violent film, with quite a lot of nasty massacres occurring every couple of minutes and legitimate tension nailing you on the edge of your seat. Suzane Carvalho is a beauty with talent and brains, and you're guaranteed to cheer for her. As far as I'm concerned, it's the best B.B.B. movie available on the market.

This English dubbed Italian / Brazilian co-production opens with a title screen claiming that we're about to be told a true story. Believing she'll receive a more lenient sentence, a young woman named Angela Duvall (Suzane Carvalho) takes the rap for her addicted brother after he murders a drug lord. We immediately realize Angela's exceptional beauty is going to cause her problems since even on the way to the slammer, a police officer in the prison transport truck lasciviously leers at her gorgeous thighs. She winds up in a Brazilian penitentiary hell hole where she's subjected to the obligatory strip search. The guards don't find any concealed weapons or narcotics on Angela's body, but they do learn from her obvious tan lines that she's apparently been spending a lot of time lately sunbathing in a very skimpy bikini. Naturally, she immediately attracts the unwanted attention of everybody from two feuding prison dykes to the lesbian head matron. During their first meeting, the prison official parts Angela's robe with her billy club to get an eyeful of her breasts, then purrs, `You're very different from the way the papers described you - much better.' The first half of the plot follows the usual women-in-prison movie formula, with long-suffering Angela enduring an endless series of indignities while a concerned prison doctor (Henri Pagnoncelli) campaigns to prove her innocence. He's up against a tough obstacle, though: his boss, the Warden Bonifacio (Leonardo Jose), is affiliated with the same drug ring as the murder victim and he'll stop at nothing to silence Angela permanently. At one point, three gang members sneak into her cell and nearly succeed in hanging her before the good doctor comes to her rescue. With the help of a big and tough but sympathetic and maternal black inmate, Angela eventually escapes with seven other prisoners during a prison riot. The rest of the film plays out like TEN LITTLE INDIANS: the escapees are picked off one by one as they're pursued through the jungle by the vindictive warden.Though the film doesn't offer much originality, the production values are a lot higher than you might expect from a foreign made B movie. The plot moves through a nice variety of locations from downtown city streets through tropical jungles to a seaside resort. Many scenes involve impressive numbers of extras, and during the prison break sequence, dozens of them are fully decked out in authentic looking police uniforms, helmets, and riot control shields. In the escape scene, a pair of tank-like vehicles equipped with water cannons show up, and later, the doctor searches for the escapees via helicopter.But the real reason to watch WOMEN IN FURY is the virtually unknown but ultra-sultry Suzane Carvalho, who provides most of the film's nudity, usually in humiliating scenarios. During Angela's first night in the over-crowded prison cell, she's stripped by a dozen bunkmates and whipped with wet towels to soften her up for the butch queen bee, who then rapes her. When she later refuses to identify her attackers, she gets hosed down with high pressure water, which conveniently tears her robe open and leaves her dripping wet. The steamiest scene is an erotic lesbian encounter when the horny head matron ravishes Angela in her office. The sequence runs for several minutes in length and includes full nudity from both actresses and lots of passionate close-ups.Fans impressed by Ms. Carvalho will also want to check out her only other known film appearance, STRANDED IN DINOSAUR VALLEY (another Italian / Brazilian co-production made the same year, 1985), which in spite of its title features no dinosaurs but more of Suzie's magnificent body.