Very well executed

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

While it doesn't offer any answers, it both thrills and makes you think.

The movie really just wants to entertain people.

The Legend of Zu has been a favorite of mine for a long time. Mind you this was based on the two times I have watched it. Read what I originally wrote about it: Zu Warriors of the Magic Mountain was and is an impressive classic! You never would have guessed it was made in 1983. Tsui Hark's use of special effects was very creative and inventive. (He continued doing in most of his later productions.) Even now it can measure up to other movies in this genre. "Legend of Zu" is connected to "Zu"warriors from magic mountain"! It is not necessary to have seen this movie to understand the plot of this one. The plot is a bit hard to follow. But to be honest it doesn't matter. It is all about the action and adventure! I always was wondering what Tsui Hark would do if he got his hands on CGI. Now we know, he made this movie. Maybe it sometimes is too much but the overall result is so beautiful that I am not going to be critical about that. There is so much happening on the screen, you simply won't believe. I think it is a big shame that this movie wasn't shown in theaters here in Holland. Because this movie is screaming for screen time in cinemas. This movie easily can beat big budget Hollywood productions like Superman Returns or X- Men 3 (putain merde, never ever watch this atrocious film. It's a downright insult to film fans and comic book lovers). The only thing I do have to mention is the lack of humour. In most of Tsui Harks's movies he combines drama, fantasy, martial arts and humour. Somehow it is missing in this movie. Again I am not going to be picky about these small matters. "Legend of Zu" delivers on the action front with the most beautiful special effects you will see. A true classic! When I got the chance to buy the Blu Ray DVD I did not hesitate a second and purchased it from www.dddhouse.com. This was based on sentiments alone. Now after having watched it I am almost completely shocked how badly it has aged. The once so impressive spectacle isn't that impressive anymore. Because of that I was able to focus on other elements a whole lot more and I have to admit that The Legend of Zu is not the classic I thought it was. However that does not mean it's a total fail. There are still some elements in the film that are incredibly creative and inventive visually. But the once gorgeous eye candy definitely has lost it's shine considerably. Could you fault a director for using a technology that is ever advancing? Well, judging from the few scenes I watched on Youtube I can already tell the original, Zu Warriors of the Magic Mountain, holds up better than Tsui Hark's second film in the franchise. (But I will get back to this once I have looked at the original more critically.) If I have to guess it's because practical effects look better than CGI effects. That and that other elements in the original are stronger. It's like Tsui Hark got completely caught up into the application of special effects and spectacle too much and very hastily designed the story and characterization around it as an after thought. Naturally this should have been reversed. But this could imply that at least the action is memorable. Which brings me to my main gripe with The Legend of Zu. There are only a few fight scenes that offer the action goodness I crave in these kinds of films. If you remove all the razzle and dazzle there is very little left to enjoy. The saving grace easily is the cast since they all do their best to take the confusing mess seriously.So is this still worth watching? If you haven't before and love Wuxia and Hong Kong films then definitely. But if you are not a big fan then I can't recommend it since it's not an easy film to get into.For more honest reviews check: www.chrichtonsworld.com

Tsui Hark's visual artistry is at its peek in this movie. Unfortunately the terrible acting by Ekin Cheng and especially Cecilia Cheung (I felt the urge to strangle her while watching this, it's that bad :) made it difficult to watch at times.This movie is a real breakthrough in the visual department. When I first saw this, my jaw dropped repeatedly and I thought to myself that I've never seen anything remotely like it but this is how it should be done in order to do full justice to the mythical world of Chinese historical kung-fu novels! Without a doubt this is one of the best-looking Chinese historical kung-fu epic ever made.But alas, Tsui Hark hasn't improved much in the writing department, and the story and dialog are rather juvenile (his apparent obsession with the silly and overly-long depiction of the evil guys didn't help either). To make it worse, this movie is very badly cast. They decided to use the "hot" popular Hong Kong idols as lead characters, but unfortunately both Ekin Cheng and especially Cecilia Cheung are totally unsuited for historical kung-fu dramas because they lack the nobility and mystique that such characters are supposed to embody. Adam Cheng Siu-Chow and Brigitte Lin in the 1983 version are infinitely better.I wish that someday Zhang Yi-Mou and Tsui Hark can join forces and produce a movie that has the visual artistry of Tsui but with the maturity and story-telling poetry of Zhang...

This film looks fantastic. Its one of the most spectacular films I've ever seen. It seems as though Tsui Hark and crew suddenly were given away to truly unleash their imaginations for the first time with computer graphics and the went for it. This film is simply wonderful to look at.The problem is that the film feels like its starting in the middle and assumes you'll pick it up as you go along. Thats fine but its at least 25 minutes before we start to get anything like character development and by that time I was hopeless unconnected to anything except the visuals.The plot has something to do with the battle of good and evil in the sacred mountains of Zu in China. The story starts hundreds of years ago and then jumps forward once then twice in what becomes a story of lovers reunited over time while battling a great evil called, I kid you not, Insomnia. This is a remake/sequel/rethinking of the earlier Hong Kong film Zu Warriors of the Magic Mountain also by Tsui Hark. The earlier film looks less impressive compared to this one but it pushed the limits of what you could do with martial arts films and fantasy and set the stage for many classics that followed. The "original" film has a slightly tighter narrative thread, that film at least had a place to step on before things got jumbled.This is a great film to look at and I'm certain that should it ever get a US release this will play better on the big screen than it does on TV, simply because you'll get a sense of scale to the spectacle.Visuals are ten out of ten. The story telling is a two. Split the difference five out of ten over all.

I rented this film in DVD form without knowing anything at all about it, part of a winter marathon of watching a film every night. After several awful American action adventure films (Ballistic, Daredevil, Cradle of Life) Zhu Warriors struck me as brilliantly original filmmaking. The story is complete nonsense, but I found the film's sincerity, good- heartedness and complete lack of irony refreshing, and the film looks spectacular. Sure, the special effects are not technically as flawless as those produced by Hollywood, but the filmmakers wisely are more interested in color, composition and movement than realism and so many of the shots are breathtaking. In one shot, two of the superhuman characters stand on craggy spires of rock, a huge moon rising before them, the image perfectly balanced by the three elements. In another, a princess-warrior spires through the heavens behind her glowing sword like a heat-seeking missile. And the colors explode from shot to shot, used to express emotion rather than to represent reality.The characters have the same simplicity and directness of comic book characters, offering no great depth in themselves but referring to archtypes that resonate more deeply. Physically, several of the actors are astonishingly beautiful. They play their roles straight up, without irony or guile, and so are believable. Most strange of all, despite the clumsiness of plot and thin characterizations, I found myself very near tears at the end, moved by the beautiful simplicity of the actors and the wildly original, good-hearted vision of the director.