Surprisingly wonderful, the simmer got more and more gripping as it got to the end, and I almost cried. The heroine is like Hanell. The traditional church before Vatican II was just like a Chinese military camp, where the officers and nuns all pretended to have all the authority of God, and the so-called military orders to the monastery were the same. The repression in the front makes the awakening and transformation, the subversion of tradition exciting. Leo's interpretation of the false God is too good. There were about sixty people in the audience.

"Every shot is well-crafted". In a world of chaos for peace, by discipline and depression put together into a hermit, beliefs make up the weak, heart center door was open, and the process of trying to solve the enthusiasm of the inner rolled flame confession and catharsis, linked to that have hardly been not disappear, collapse is more terrible than loss, from replaced, but, where to? I love religious movies so much.

It's the same story as Lady Bird, the flight from religion in and out of town. The only difference is that the film embodies the daily life of a convent, in which the abbess is inhuman, in the name of a false God, and carries out a tyrannical reality. Can not love the man can only love God, every day around kneeling together, or confessing unwarranted charges, or being reported, or being corporal punishment kneeling and whipping, are a little bit of erosion of the girl's pure heart. 7 points

60/100 Compared to the production standard of the art category, the story of this film is not so exquisite. The acting and dialogue are occasionally good, but the biggest misstep is that the heroine does not use the "material" that interrogates the relationship between desire and faith well, and the narrative is desultorily so that the central characters are left in a state of unconsciousness for most of the film.