It can be said that since the Squid and whale, Baumbach's works are almost variations on it. Ideal and reality are still the solid protagonists of the Holy Trinity in "The Meyerowitz Stories," but the structuralist package ends up with less glue and imagination. It is well known that all human emotions are based on fear. The middle classes, for their part, are always struggling -- and anxious -- to cement their place in the elite family. The only trick the author has learned from Woody Allen is to quote the ending at the beginning, so what looks like a perfect home-cooked meal is actually a pot of tragedy.

Plain is not a problem, deliberately arranged brothers tore each other climax play is wasted

Baum Bach's works are in a personal style and quality are pretty solid creation period, so the film step by step with the most recent work elements, there is no breakthrough, but the whole film sense still being debugged are well-written, the orchestration of the trivial details of a very delicate, big twists and turns of the characters emotional flow and humorous narrative perspective of calm, astute, but interesting.

I don't even like Noah Baumbach, but this one is hilarious, capturing moments of family life that are awkward and silly and turning them into jokes. The characters act logically, but when you step back and look at them from the outside, you see them as stupid, stupid, and a little bitchy, and sometimes cute.