good back-story, and good acting

I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

By the time the dramatic fireworks start popping off, each one feels earned.

Brian Keith was an actor who always seemed to have greatness in him, but most of his performances were just extremely competent and professional. I liked him best in "The Parent Trap", "The Westerner", "Reflections in a Golden Eye" and the pilot for "The Fugitive".Paul Newman had played Lew Archer in the movie "Harper". Lew Archer's name was changed to Lew Harper in the movie because Ross Macdonald refused to give the producers the rights to all his novels, just "The Moving Target". Paul Newman made a pretty good private eye, although he didn't really project much gravitas. (Newman was much better as a private detective three decades later in "Twilight", written by Richard Russo and Robert Benton.)Peter Graves played Lew Archer in the pilot movie for this series, written by talented Douglas Heyes ("Kitten With a Whip"). Graves is a likable actor, but he made a rather bland, unmemorable Archer.Brian Keith was probably a better actor than Graves and maybe even as good as Newman, but his Archer was as exciting to watch as paint drying. He disappointed any hopes that he would finally uncork his great performance.Ross Macdonald's Lew Archer was an attractive, early middle-aged man working as a PI in Los Angeles. But how did that make him different from Stuart Bailey, David Ross, Joe Mannix, Harry Orwell or Jim Rockford? What was needed for a start was a unique lead performance.I would have liked to see the balding Pernell Roberts as Archer. Roberts was extremely attractive and distinctive looking in his 40's, when he didn't wear his toupee. Roberts projected a certain pompousness and irritability with people but also moral seriousness, decency and a lack of patience with bs. All these qualities could have fit Lew Archer.Hal Holbrook could have been another good choice for Archer. Macdonald's Lew Archer was basically the professor as private detective (or perhaps the psychotherapist as private detective), and Holbrook could have filled the bill. Holbrook never really played an action hero, and he might have given the character depth, compassion, humor and humanity.Holbrook could have been a persuasive surrogate for the real Ross Macdonald who had a Ph.D. in history from the University of Michigan and was a Samuel Coleridge scholar. Macdonald was an ex-Navy officer. He grew up poor and did reckless things as a boy. Macdonald had a long, difficult marriage to another brilliant writer. And Macdonald attempted suicide at least once. It seems like there might have been a lot of Macdonald in Archer. Former child actor Tommy Nolan ("Buckskin") wrote a fine biography of Macdonald. But perhaps a lighter route was the way to go for a TV series. Maybe Paul Newman's version (from screenwriter William Goldman) should have been the template: young, muscular, wise-cracking, flashy, cheaply cynical and prematurely world weary. Roy Thinnes made a fine TV version of Newman in "The Long Hot Summer". Thinnes might have been equally good as Archer.Producer David Karp ("Hawkins on Murder", "The Brotherhood of the Bell", "The Defenders") was a talented guy, but he wasn't able to give this show much of a pulse.Brian Keith wanted to move production to his beloved Hawaii if there was a second season. All in all, it was probably a fine idea to get Archer out of Southern California. This show needed something to give it a jolt of energy, even if it meant leaving the great Ross Macdonald far behind.

I remember this show, and it died a well-deserved death after only a few episodes, none of which caught any of the flavor of Macdonald's novels (perhaps not surprisingly). Brian Keith was miscast as Archer, and the plots were basic TV private eye stuff. The show spun off from a rather good TV-movie based on The Underground Man. Peter Graves was a good, subdued Archer, and Paul Wendkos directed the film. All in all, it served Macdonald better than did this series and better than either of the Paul Newman Harper movies (Harper and The Drowning Pool). Ultimately, Harry O, the David Janssen TV series from the same era as Archer, came rather closer to the Macdonald spirit than anything based on Macdonald's own novels.