SERIOUSLY. This is what the crap Hollywood still puts out?

A Brilliant Conflict

It's a mild crowd pleaser for people who are exhausted by blockbusters.

Clever and entertaining enough to recommend even to members of the 1%

Whose who of Korean dramas and films are featured here-some aging stars, some pretty stars, some mediocre stars and some rising stars. But only one truly shines and that was Cha Seung Won who played the super villain Son Hyuk. Not only does he have a menacing voice, but he runs and shoots his gun like a true villain. It is a great portrayal-intelligent, witty and charismatic. Jung Woo Sung plays the quiet gentle NTS agent who is the main character and the hero. He does not quite match up to Cha Seung Won's magnetism. A hero role can be rather bland at times and it maybe the hardest role to play for an actor. A hero role requires a bit more imagination and passion. While watching Athena: Goddess of War, I couldn't help but be on Son Hyuk's side. Even with all his evil villainy, he made the scenes captivating and worth watching.

Disappointing spin off of the ground breaking IRIS. South Korean security branch, NTS, squares off against international energy terrorist cabal. Poorly acted, wrong headed direction, and a script with more holes than a rat infested wheel of Swiss cheese. The main lead is too young, and early on grins and mugs as if auditioning for teen boy band. A team captain is inept and foolish, as is a North Korean ex-elite agent. Don't get me started on the bane of K-dramas. The tears. Weeping, crying, sobbing like six year olds. Yet these blubbering basket cases safeguard the nation.There are exceptions, the chief being the Son Hyuk rogue baddie who excels.The director obviously knows action sequences, which are showcases. With actors, he seems clueless. As much as I blame the series director for foolish comic relief and histrionics, however, the main culprit is the ridiculous script. Long, gorgeous episodes in Italy - for no purpose. Two episodes in Japan, guarding a pop star - for no purpose. Double agents exposed, and then the duped side shrugs and says, "Well, they're sorry, so back to work." Initially, the main villains are USA agencies, which is a wonderful twist, only that thread is abandoned.

Having watched both IRIS and Athena I felt compelled to write the review for the former mentioned show.Athena has some good action scenes, however some of them feel a bit forced and overdone. How to put it more clearly and bluntly? Some of them feel too unrealistic and you have a feeling that it is too fictitious and not believable. Same thing was present in IRIS but in much less quantity.Next minus is the suspense. Instead of a flowing story arc there are subplots which don't fit so well one after another. They are not so compact. The transition itself is good, but after it ends you feel like it had no big impact on the story as a whole (I am referring to episodes 3 to 5).The last great flaw is the drama, which in the absence of better description from my part is not up to par (not satisfying enough), it lacks more storytelling and exploration. The kind that was done well in its sister show IRIS.However there are some pleasant surprises in this show and the end does have closure, although the last 10 episodes are somewhat dragged out when it comes to storytelling.All in all I found Athena as a good, solid show which lacks some pace, suspense and more deeper drama but it makes up for it in a good measure of action, acting and immersion into its world.

An agent (Woo-sung Jung) is transferred to the National Anti-Terrorist Service and must stop a secret organization from committing acts of terror. This series (20 episodes, 60 minutes each) is a spin-off of the "Iris" series (with different actors) and is similar in terms of its budget, high production values, and slick presentation. The difference, however, is that the first few episodes set things up as a brainless, high octane action flick with generic scriptwriting, bland scoring, and weak characters. It severely lacks the dramatic intensity that made "Iris" so addictive, but the major positive here is the action, which provides some excellent shootouts that are on par with (or even better than) most theatrical films. It's amazing what they did with a mere $17 million. Soo Ae and Ji-ah Lee provide some exciting "girls with guns" action early on, but grow passive afterward, which is kinda disappointing. The pacing is blistering fast thru the first 10 episodes but runs out of gas during the second 10 episodes when the action becomes sparse and of a much lesser quality. It's almost like the director got lazy and phoned it in, because things actually get pretty damn boring at times. This would have been awesome if it had ended after episode 10.