Blackpool
Blackpool
| 11 November 2004 (USA)
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    SpuffyWeb

    Sadly Over-hyped

    SanEat

    A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

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    Sienna-Rose Mclaughlin

    The movie really just wants to entertain people.

    Deanna

    There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

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    giligara30492

    As a huge fan of David Tennant, I had watched clips of "Blackpool" before. Mostly the musical bits. I had just never gotten around to watching the whole thing before. And here's my verdict. I absolutely loved it. The story itself was very well written. Half-way through, though, you realise that it's more about the growth of the characters and about the changes in their relationships, than about the unsolved murder or Ripley's money troubles.I loved that the three main characters were nicely complex: they are broken in some ways but very good people in others. That is, Ripley isn't just a gambling bastard out to make a profit, Peter isn't just an officer intent on nailing him and his son because he falls in love with Natalie, and Natalie isn't JUST a bored, unhappy woman. Part of it, of course, is the writing. We see Ripley's adoration of his children, and even his tense relationship with his wife shows that he really loves her. He is also fiercely independent, and seems to care about the economic future of his town. As for Peter, we see how gone he is for Natalie almost at once, but we also see that his moral compromise and his obsessive investigation is something he is pulled towards slowly, not something inherent in him. There is a lot more to him: determination, and copious amounts of charm, cleverness and sarcasm. As for Natalie, she is, besides a wife and mother unhappy in her marriage, an altruistic woman who, despite having fallen in love with Peter, has the strength of character to break it off and decide she won't leave Ripley until Ripley gives her his blessing. The two children were also nuanced. Danny isn't just a troubled teenager who deals drugs and has trouble with the police. He is also very depressed and starving for affection from his father. He's also possibly the bravest of the bunch. And Shyanne isn't a brat marrying an older man to spite her father. She genuinely loves Steve AND adores her father.The acting was phenomenal. No matter how much I try, I cannot seem to find a bad thing to say about David Tennant's acting. He is wonderfully nimble, enormously charming, endlessly magnetic, and the way he conveys the emotions of his character is beautifully clear. He is quite simply a dream. David Morrissey shined through and through. He was perfect for the part, especially in portraying the contrast in the different sides to Ripley. It wasn't hard to buy what a good father he can be and what a bastard he can be as well. Very well done on his part. Sarah Parish was measured and explosive when she needed to be. She played the moral dilemmas very, very well, but also clearly let us see how her marriage has affected Natalie before she met Peter. Great acting over all from all of the cast.The music choices were a few times in complete disharmony with the story, but most of the time this served to get further inside the characters' minds. Loved how surreal the sequences were sometimes. My favourites were "Should I Stay or Should I Go," "Cupid," "The Boy with the Thorn In His Side," and "Viva Las Vegas."I recommend this mini-series to everyone. It is a great story that is a lot of fun to watch, and a refreshing departure from the usual TV crime-fiction.

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    shannoncallant

    Any musical asks you to suspend disbelief to some degree. Blackpool stretches this to the breaking point with some of the musical numbers. Most musicals at least put a sad song in sad places and a peppy song in action sequences. Not so with Blackpool. Usually the lyrics fit the story line very well but the music and choreography do not at all fit the mood. For example when about a dozen police officers come in to arrest a young man, two lift him up on their shoulders while the rest jump and dance in a circle a circle around him singing "A Boy with a Thorn in His Side." The only exception is the duet between David Tennant and Sarah Parish, which is beautifully done and definitely a highlight of the show.That being said, the songs are quite enjoyable. The choreography is well done and the actors' voices blend reasonably well with the artist recording. Despite the breaks in mood from the songs, the show is remarkably well acted. David Morrissey and David Tennant give masterful performances and the supporting cast all have their shining moments.The story itself is very well done. The murder mystery is intriguing but the most compelling part is the development of the characters. You will not find any shining heroes in this story, for nearly every character is shown to have significant faults in their integrity. However, nearly every character also has redeeming qualities that make them impossible to hate.Overall this is a great show that is well worth watching.

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    cassandra2006

    I wasn't paying a whole lot of attention when this was aired in Australia, in the second half of 2005. Silly me, because, after a rather circuitous route, via this and "Casanova", leading to All Things Tennant, I have now watched the DVD of "Blackpool" many, many times and am absolutely smitten not only with David Tennant's portrayal of DI Peter Carlisle but with the style and plot of the entire series. What an innovative way to turn the over-used genre of TV crime-fic on its head! Yes, there is more than a nod in the direction of the genius, Dennis Potter, in the way musical numbers are interpolated into the screenplay, but even apart from this, "Blackpool" has such heart and soul that it surely is a delight for jaded TV viewers. I like that we have two male leads who are emotionally and ethically flawed; I like how the Woman is also morally compromised, not some unapproachable madonna figure. I like how the kids are decent enough in so many ways but have their own demons. And don't start me on the support characters! That poor woman and her perpetually upset stomach will haunt me for a long time! I found the sub plot involving the Holden daughter and her older lover tedious and, frankly, I fast-forwarded through many of their scenes, in my quest for more and still more Carlisle moments. But Danny, the Holden son, was a great character, full of paradoxes that were not all resolved, which makes for a nice change, in my opinion. All in all, this is one of my top most favourite TV series of all times. I adore it. I play my favourite scenes often. The leads are all splendid; most of the minor characters have an authentic credibility; the direction is sharp; and the script is wonderful. I love "Blackpool" unreservedly. Well, apart from the daughter and her bloke, both of whom I could easily dispense with. David Tennant is magnificent as Carlisle. He is such a thorough and clever interpreter of a character. Comparing him as Carlisle and as Casanova and as The Doctor, it is so clear that he is 'different' in mannerisms, style and persona in each role. Carlisle is slower or more weary in movement; he's a bit scruffy; he's been burned by life's experiences and it shows. Yet his keen intelligence also shows through, and his propensity for the subtle yet sarcastic comment, often at Ripley Holden's expense, is a delight. Holden's wife, and Carlisle's love-interest, is played by Sarah Parish. She is a skillful actor with a good range and I found her chemistry with both her on-screen husband and her lover to be excellent. She managed to convey the internal conflict of her character very affectingly, while losing none of her essential pragmatism and humour. The moral compromises that all the characters make are real and credible ones, given the plot, and there are no guarantees as to outcome. I liked that.Highly recommended.

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    fredsawy

    I have to say when I first heard about "Viva Blackpool" I was very curious to see it. I missed the first episode and was upset but thank goodness BBC America showed a repeat of it a few days later the night before episode 2 so I taped both and watched the first two episodes back to back.I'll admit that when I first started watching it I was thinking "Ok maybe this wasn't such a good idea after all." But somewhere between that thought and the first 20 minutes of the show I got drawn in and found I couldn't wait to get to the second episode on the tape.It's slow moving at the start but once it kicks in it grabs hold of you and won't let go. I couldn't wait for the next week's episode and once it came I was never disappointed.Each episode ends with a brilliant cliffhanger done with a brilliantly done stage and well chosen song that fits the situation and mood. "These Boots Are Made for Walking", "Knock, Knock Who's there" just to name a few. Also the way all the songs through out the show are all staged you see how the lyrics really fits each and every character with what's not only going on with them, but all the small sub plots of the show as well. All perform them with great emotion and bring the lyrics to life and you can feel their pain, anger, joy , fright and love.The ending of the story is very well done I think and brought a few feeling good type of tears to my eyes as I sat and watched the show ended set to Burt Bacharach's beautifully done "Alway's something there to remind me." I've kept each episode on tape till it comes out on DVD here in the states. Which I hope will be very soon.

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