I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

This Movie Can Only Be Described With One Word.

In truth, there is barely enough story here to make a film.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Must be honest here, when it first came on TV I thought it was for the older generations. Then I watched just one episode (not sure which) and loved it.The show only has 16 episodes (like many classics) but each one of them is so well scripted, cast and fresh it makes it a pleasure for continual viewing. Victoria Wood has excelled herself with this sitcom and with the final episode closing the canteen it has limited it to the 16 episodes for pure class.This is a must for anyone who likes light hearted sitcom that doesn't have swearing, no filth (apart from innuendos here and there) and who needs to be cheered up.

Victoria herself said that Dinnerladies looked old fashioned against the Royle Family but I believe that its format is its strength. I remember watching the first series and thinking this is not as good as I expected from Victoria Wood but you have to watch it again because now I think both the series are genius. Fantastic scripts (apparently there is not an ad-lib, everything is tightly scripted) written brilliantly. It rewards repeated watching and just gets funnier every time you see it. The performances are fantastic from all the cast-special mentions for Andrew Dunn, Duncan Preston, Celia Imrie, Shobna Gulati, Anne Reid and the fantastic Thelma Barlow. Maxine Peake (brilliant actress) was so lucky to get the part of Twinkle as her first acting job. Even the small appearances are wonderfully observed and performed.I find it incredible that Miss Wood can write, compose, act and play at such an incredibly high standard. Whether other countries could really relate to the humour is a mystery to me but comedy relies on timing and I find myself laughing at US references in Frasier even though I may not know the situation they are referring to. I think thats down to timing. Maybe Dinnerladies will work that way too, 'cos the timing is spot on.If you have watched and not liked it,try it again-you may be very pleasantly surprised. I am watching again for what must be the twentieth time, both my wife and I still laugh out loud at lines we know backwards. That is the combination of writing, performance and timing.I guess it is peculiarly English and will not travel well, but that does not make it any less brilliant. Oct 2012 - I have just watched episode 1 of series 1 , having caught it on Gold. It was the one with which I was originally disappointed . I cannot for the life of me see why now. It just hit the ground running and was a hoot from the beginning. The characters were fully formed and incredibly acted down to the smallest part, for example - the stripper delivers her couple of lines with consummate skill. If I have one criticism it would be Julie Walters' part - the viewer is left to decide whether she is totally barmy or not and she seems a little young to be Victoria Woods' mom. It is a piece of work which can be watched again and again and still find funny stuff and lines which you missed the last time round.

Dinnerladies is uniquely british and unsurprisingly does not travel well beyond these shores. There is little physical humour and the references are primarily based on UK culture and the north of England in particular. However, it is also the best example of its type I've ever seen. Victoria Wood's dialogue is fantastic, (Alan Bennett is the only other writer in her league in this regard). The staging is restricted (effectively one set, two rooms) the plots are secondary and contrived because they are of no real significance. It is all merely backdrop for the characters Ms Wood creates and the way they speak to, across and around each other.A superb example of intelligent writing managing to survive in a world of slapstick

The way in which "dinnerladies" is presented is enough to endear you to the show on its own. Each of the characters are simply that - their own little character more often than not in their own little world. The humour comes from their interaction and their experiences, and Victoria Wood's unique writing style.The single setting means that every now and then, there are references to events we haven't seen, or in some cases, not even been mentioned before, which gives the canteen a realistic feel (and and occasional frustrating quality!) as you realise that they do have lives outside those four walls, what kind of a life is anyone's guess."dinnerladies" is one of those comedies that loses none of its charm or wit on repeated viewings, and despite the fact that there won't be a third series, it is sure to be remembered.