Very well executed

Good story, Not enough for a whole film

A Brilliant Conflict

Amazing worth wacthing. So good. Biased but well made with many good points.

I have to agree with the thesnowleopard that Bliss takes itself a bit too seriously. I've seen a few episodes on Oxygen Network here in the US. One episode I can recall, "The Marvellon" features a younger lesbian who seduces an older one......who was a bit repressed and had a harpy girlfriend. Then there is the famous farmhand episode, where rancher's wife turns adulteress while her boring or uptight husband is in the hospital. Another episode features a woman (ignored by her busy husband and henceforth feeling the blues) who sleeps with the man who comes to tune her piano. It seems going by the episodes I've seen that Bliss is a bit formulaic. 1. Woman strolls around in a funk due to loneliness or crappy man in her life. 2. Funk is broken by hot sexual encounter. 3. Conclusion. Couple glow in aftermath of tryst. Sometimes show ends on high note. Often ends on ambivalent note as woman has to go back to her boring or loveless life. All in all not quite depressing, but something of a bleak show. It usually begins on a dour note.

I stumbled upon this series by accident while channel surfing. As the Oxygen Network plays it on late Sunday nights, I don't always get the opportunity to watch. The series is entertaining, even though there are times it strains credibility. Most of the stories are shallow, in spite of the occasional attempts at character development, and they're not that hard to predict. Though the series is supposed to be for a female audience, men will certainly enjoy it. The episode regarding a lesbian historical boutique owner and her butch younger girlfriend entertained me, but I don't know if straight women would enjoy such a thing. On the whole, "Bliss" is a fun time-filler for hard-up insomniacs.Probably the best episode is "Six Days", in which the beautiful yet authentic Anna (Michelle Duquet), an unhappily married farmer's wife is left alone on the farm after her annoying bore of a husband Jake (Paul Stewart) suffers an accident that temporarily incapacitates him. So she finds someone to help her keep up the farm while he recovers. Of course, Mike (Callum Keith Rennie), the man who volunteers to work for her, is nice-looking and virile. And it's obvious what they'll do once they've been alone for a few days. Yet the story works just the same. We see the alienated wife and the loner farm hand connect as people, not just genders or bodies. It's clear that both are not trusting people. He has moved from place to place since leaving home, while she's never been out of her hometown even though she's never liked living there, yet they're both drawn to each other for the same reasons. So when they smile and laugh together, there's a real sense of release and fulfillment. It's almost as much about the effects of loneliness as it as about sex. The actors get much of the credit, yet they work with the story. The only weakness of the story is, why did Anna marry Jake in the first place, not only because he's so much older than her, but because he's such an exasperating personality? But in the end, it doesn't matter.

this show , although predictable, and barely shows nudity, does something that even movies have barely done nowadays.....stimulate the imagination.....if you want a stimulating program, this is your show....

After viewing the 1st season of this series, I say, "Bravo to Brave "Bliss"! for: a) giving female producers, writers and directors the rare opportunity to create a series from a female point of view b) for bravely navigating through the volatile territory of female erotic fantasy to create six, well crafted short films (beautiful production design & lensing, deft directing). What I find most powerful about the series is it's indisputably provocative ability to raise questions about the complex themes of attraction, seduction, desire, love, commitment, betrayal, loss, sexual identity -- regardless of whether a viewer may find the characters sympathetic or not, situations relatable, or not, the sex titillating/teasing or displeasing to the senses -- all of which is a purely subjective response - a series that can elicit powerful response, I believe is successful. Here Bliss has succeeded. I found each story to be compellingly unique - as a richly layered unfolding in a sense of unpredictable mystery. I much appreciated the moments of motivational ambiguity, emotional tentativeness, which served to heighten the humanness of the characters in terms of how fragile and brave it can be to move from desire into action/seduction. How important it is, to allow women to give voice to their explorations of sexual desire and fantasy. Bravo Bliss, for doing so. I look forward to the next season.