Nice effects though.

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

This film is so real. It treats its characters with so much care and sensitivity.

Often better than it's more flashy stable mate 'The X Factor' this Simon Cowell show is still going strong.The reason for that is that it's purely about variety. Not someone screeching out a song every two minutes. We get acrobats, comedians - it's good old fashioned fun.Cowell has smartly kept the judging panel largely the same over the years, with the same hosts in place too.I look forward to this show every spring, and apart from the 'Hassellhoff and McIntyre year', it's hasn't let me down.Keep doing what you're doing with this show, Simon.

There are some fabulous performers in Britain' Got Talent every year. This year there have been some excellent singers, an amazing water acrobatics group which should have won and gone on to the Royal Variety Show.There are some odd performers: a German 'plumber' had an act of throwing sink plungers at the backs of muscular men to make them stick. Accompanied with a running commentary in German which was entertaining for its humorous delivery.Famous outcomes of this show have been Susan Boyle and Paul Potts. And that shows the ignorance of the judges. The panel are philistines most of the time. Susan can sing well but she's not the outstanding singer that all the applause and record sales would suggest. The surprise that her voice is good coming from someone who is unglamorous gave her the fame and winning on the show. Her voice is good enough for a career but there are far better singers who would have beaten her on vocal ability. The judges pushed her forward because of the contrast of her voice with her appearance. The likes of Amanda Holden are not experienced casting directors. With the exception of Simon Cowell none of the judges has any experience promoting or producing a new act. The panel consist of whatever well known faces are available this year. A panel of experts who can assess acts abilities and help them develop would be better but they would be unknown and the show panders to the audiences need for identifiable faces.Consequently many real talents and years of practice either don't apply or are rejected because the judges are easily impressed by a nice sounding but only of average quality for professional standards.To confirm my opinion a dog won and beat the water acrobatics, musicians, dancers and singers. That says it all.

Like most people, I get immense pleasure from seeing a child cry. Oh, how I love to watch the tears roll down their little faces! I also love seeing the mentally ill being publicly humiliated - well, who doesn't? Unfortunately, it has become less and less acceptable to seek out and publicly mock infants and the disabled.Thank God for Britain's Got Talent! Finally, we are free to laugh at the disadvantaged without being shunned by our peers. I literally cannot think of a better Saturday night's television than watching a quartet of millionaires sat behind a desk sneering at the disillusioned, disadvantaged and disturbed. Each episode allows you to cackle with glee as a stream of human beings' hopes and dreams are destroyed in front of the entire nation - what could be more heart-warming than that?The judges are what really make the show what it is - after all, who could possibly be a better judge of "talent" than Amanda Holden? Her role in that programme about hairdressers is widely regarded as the greatest character portrayal of all time. Presumably the sheer strength of this performance is why we've not seen her act in anything since then.Simon Cowell is brilliant. I love the way he sneers at the inept auditionees for "wasting his time" - how dare they? I mean, it's not like he gets paid millions for his appearance on the show! And the contestants certainly aren't pre-screened by producers before they're sent out onto the stage!The star-power of the judging panel has really been upped this year, however, with the addition of Alesha Dixon. Yes, the greatest female artist of the millennium - I'm sure we all remember her smash-hit single "Knockdown" which reached the dizzying heights of number 45 in the UK charts.Britain's Got Talent does an amazing job of bringing the Victorian 'freak show' concept into the 21st century, and the culture of the UK is truly richer now that we can take pleasure from the humiliation of strangers from the comfort of our own living rooms!

With Peirs Morgan gone and Simon not in the auditions due to ditching us for the US, Britains Got Talent is unarguably better than ever. New judge Michael McIyntre brings character and humour to the judging panel (much needed), and world sensation David Hasslehoff is just brilliant in portraying his role to find new talent for the Queen and the World! Old time favourite judge Amanda Holden remains with a some might say annoying sense to her but we love her anyway.What I would criticise though is the lack of wow factor in the auditionees, no one has really stood as a potential world Star but let's just see to the Semi finals!!! Ant and Dec never fail to make audiences up and down the country and didn't disappoint this time around. With their school boy charm and humorous take on everything they bring a shine of light to the show!!! I really can't wait for the rest of the series and to see what Britains Got Talent will bring us in the future!!!! Review by Liam de Gruchy