A waste of 90 minutes of my life

The film makes a home in your brain and the only cure is to see it again.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

An enjoyable "who-done-it" series with a range of plots and sub plots to make the story interesting. Pity about the very poor South African accents by Boris Kodjoe (Santus Snook) and Trond Espen Seim (Mat Joubert). Often I could not understand what they were saying. South Africa is such a melting pot of accents, they could have easily woven their true accents into the ancestor of their characters leaving the audience with a more authentic experience. The local talent was most enjoyable and authentic in the range of characters found in South Africa. Deon Meyer writes entertaining stories that depict many aspects of South African life.

I'm a fan of Trond Espen Seim and really like his performance as Mat Joubert. The frustration and his inner conflict are very well acted and make me believe the pain he is going through. I've seen him in Varg Veum and was caught by his acting right away. He is even better now in Cape Town! I also really enjoyed the performance of Boris Kodjoe, who I haven't seen in any film or TV series before. The uneven couple works quite good. Sanctus Snook, who is an elite cop, very straight and correct, on the one side and Mat Joubert, who has a drinking problem, is overweight and not so correct, on the other side. The series is a well known and proved crime concept and even though the first episode is a bit slow, I got hooked in the second episode. The cliffhanger at the end of that second episode made me jump right into the next one and enjoy the rest of the series. All in all, a good and entertaining crime show with suspense, action and some funny lines.

A star rating of 7 at this time?? How can this be? I ask. Cape Town is possibly the worst miniseries I have ever watched, and a huge disappointment for me, as a big fan of all Deon Meyer's novels. I wrongly believed that a series based on one of his books could not fail. I was also looking forward to seeing a South African offering. If Cape Town is any benchmark, their television industry needs another 50 years of evolution.I have been sitting here trying to find some redeeming feature and/or something positive to say. Alas I can't! (Other than that the two lead actors were very easy on the eye.) In terms of production, some things were JUST adequate, nothing whatsoever was done well. Somewhat surprisingly, very little use was made of the beautiful Cape scenery.Overall the acting was stiff and amateurish; one or two of the female actors gave creditable performances, but not one of the men was believable. As for the accents of the two non-South African lead actors...these were not even close to an attuned ear. Boris Kodjoe was significantly better at everything than his Norwegian partner, Seim. My view is that South African actors would have been a far better choice.I don't recall the book being so difficult to follow. As a TV story, it's just too convoluted to work. The producers could have (and should have) left out half the pretty much irrelevant subplots, which did nothing more than distract and confuse.Anyway, no point analysing it any further...it just sucked. I hope Deon Meyer doesn't let this production team anywhere NEAR his Benny Griessel novels.

Based on Deon Meyer's novel "Dead before Dying", this series should have had enough going for it to come out tops. Unfortunately due to a rather disastrous screen-play and some extremely amateur acting it has become a prime belly flopper. The two actors in the main roles are Norwegian and Austrian. Both attempt to imitate South African accents (and very red-necked ones too). Kodjoe is probably more successful but Seim never manages to get rid of his Norwegian accent and his line about growing up in Goodwood was just not credible. Both of them seemed to be in the wrong country, wrong series. And that is where the credibility issue of this series begins and falls. Continuity in the camera work was another problem. Constant interpolation of random shots of areas in and around Cape Town were constantly thrown in for no reason and only served to make this confused screen-play even more nonsensical. Most of the South African acting is awfully staid and artificial (the embarrassing scene with the neighbors commenting on Drew Wilson's homosexuality was a typical example). Good camera work (Cape Town is always wonderful to look at) but the screen play is confused, drawn out and suspense is almost non-existent.