Expected more

Better Late Then Never

Absolutely Fantastic

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Season two is even better! Why only three episodes though?

The BBC never does anything half-way, and so goes CRANFORD, the story of a mid-19th century British town created by Elizabeth Gaskell and brought to life by screenwriter Heidi Thomas. Already nominated for ten BAFTA awards, eight Emmys, and three Golden Globes, this five episode miniseries is masterfully done in all aspects, including content, design and acting.Taking place over one year — from the summer of 1842 to the summer of 1843 — the miniseries chronicles the struggles of one township and its unflagging residents as they battle rumors, financial ruin, educational boundaries, medical plights, and the threat of change brought by an unwelcome railroad line.With a stunning 25 member prime cast, the BBC pulled out all the stops to make this a star-studded affair. They include Dame Judi Dench (CASINO ROYALE), Simon Woods (PRIDE & PREJUDICE - 2005), Imelda Staunton (FREEDOM WRITERS), Jim Carter (THE GOLDEN COMPASS), Alex Jenkins (THE QUEEN), and Francesca Annis (THE LIBERTINE) ...just to name a few.Funny, compassionate, and often heart-wrenching, Cranford is a town the audience dives into and submerges themselves. We become intimate witnesses to everything, and most of this is accomplished through the eyes of Mary Smith played by Lisa Dillon (whom I gave top billing to rather than Dame Judi Dench). Upon Mary's arrival in Cranford at the very beginning of the first episode we witness the trials, successes and failures of just about everyone within Cranford's fold. Overseeing most of Cranford's wealth is Lady Ludlow (Francesca Annis) who often delivers swift and hard decisions on the town but softens as time goes by. Helping her (and in her employ) is Mr. Carter (Philip Glenister, KINGDOM OF HEAVEN) who helps oversee her business and tries to keep Ms. Ludlow from destroying her wealth. Helping Mr. Carter is Harry (Alex Etel, THE WATER HORSE), the child of squatters and battling a life of education versus hard labor.But I would be seriously remiss if I didn't mention the main ladies of Cranford for whom everything encircles. Mainly this is Matty Jenkyns (Dench) and — initially — her sister Deborah (Eileen Atkins), whom Mary Smith comes to live with during the first episode. Deborah (Atkins) is the somewhat overbearing but incredibly hospitable sister who fears change more than anything but grudgingly accepts it (this is shown during an early funeral scene when she walks behind the carriage). Matty (Dench) is the more accepting sister who learns that love never really dies, it sometimes just takes a lot longer to blossom (via friendship, old romances, or a simple child).The other two women that I MUST mention are the comedic relief within the series (and the heaviest gossipers), Miss Pole (Imelda Staunton) and Mrs. Forrester (Julia McKenzie). These two trouble-making but vitally important characters were the glue that helped hold Cranford together ...and sometimes threatened to tear it apart (for instance, when the new doctor was thought to have been engaged to three different women, much of the blame could be placed on these two women's shoulders for the misunderstanding).There is, of course, much more going on in this series than I would want to write about (mainly for fear of boring you or causing cramps from typing too much ...or both). Rest assured you should see this. It is quaint, fun, and simply brilliant. Enjoy another Masterpiece Theater spectacle.

The opportunity to watch so many of Britain's great female actors working together in parts that allow them to demonstrate just how good they are is one of the two immensely satisfying aspects of Cranford, the five-part, 291-minute drama imported from Britain by way of Masterpiece Theater. The other is the story itself -- a kind of Austen-like tale of good manners, gossip, punctilious courtesies and extraordinarily detailed production values. Cranford may be a genteel and gentle soap opera, but it glows with warmth, humor and the occasional dramatic crisis. Cranford is a small English village, tidy and well kept. The time is the early 1840's. The village hasn't changed much over the years. The established ladies of the village plan to keep it that way. For the next 12 months of Cranford we'll see a new, young doctor come to town, the affects of a train line being built closer and closer to the village, romance and marriages, typhoid, death and poverty. We'll see why some think the lower classes should not be taught to read or write, how it really hurts to have your leg amputated, how a woman of a certain age who is not married may well expect to live a lonely life. We'll also see friendships, misunderstandings, the love for a cow and the deep comfort of accepted ways. Keep in mind that the story isn't simply a bucolic tale of a world long gone. We're going to deal with class distinctions, poverty, condescension to women, and customs that can strangle affection. There are several story lines that develop and weave around each other. At the heart of the story are the women of Cranford, for whom gossip is a way of life. Eileen Atkins plays the elderly Miss Deborah Jenkyns, a severe woman who is not without feelings and who is the acknowledged arbiter of what is proper. Her sister, Miss Mattie Jenkyns, played by Judy Dench, is a bit scatterbrained but a warm and empathetic person. And we have Miss Pole (Imelda Staunton), a lightening transmitter of juicy information; Mrs. Forrester (Julia MacKenzie), a widow who is a bit of a ditherer but good-hearted; and Miss Jamieson (Barbara Flynn), better off than the others which she is careful to display, and more conventional, but prepared to be brought around. There is Mary Smith (Lisa Dillon), who comes to live with the Jenkyns sisters to escape a busybody stepmother and who finds more than she thought she would. Thankfully, she has a good mind and a sense of humor. And there is Lady Ludlow (Francesca Annis), the grand, aging lady in the grand estate nearby who learns to acknowledge that others may be correct, while not seeming to apologize for her class standards. What of the men? They're around, but for the most part they exist simply to provide the framework for the women's stories. Such superior actors as Michael Gambon, Jim Carter and Martin Shaw play them. When we leave Cranford five hours after we arrived, we've smiled a lot, teared up a few times, and have come to admire these women, their capacity for friendship and their desire to keep the future from arriving too soon. If you hear the term "heartwarming," don't be put off. This program is intelligently written and is acted with extraordinary and underplayed skill.

"Cranford" is the type of drama, in writing (starts with a novel), acting and directing that the British do so well, a period piece that runs the viewer through the gamut of emotions -- frustration, anger, joy, relief, etc. -- in reaction to oh-so-subtle variations of human behavior, by illustrating the mores of the time, from quaint to maddening by modern standards on one hand, to the human generosity which defies them on the other.As befit the greatest tales, there are several main characters with deftly interwoven stories here, so one must look elsewhere beyond these comments for knowledge of the characters and plot; but let me conclude by saying that "Cranford" has more HEART than any piece I've seen in quite some time. Shown as a "Masterpiece Classic" on America's PBS network, "Cranford" truly, truly, truly lived up to the Masterpiece moniker, with a capital M.