Slow pace in the most part of the movie.

Simple and well acted, it has tension enough to knot the stomach.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

I only watched the first episode of Maron, not because I didn't like it, but because I didn't like it *enough* to commit. It follows the Louis C.K. approach of a shambling storyline, a fictionalized version of the protagonist comic, and a generally downbeat sensibility.There are so many series of this sort nowadays that I'm beginning to think Louis C.K. is a comedy subgenre, and honestly, it's one I don't quite connect with. I like my comedy a bit more polished - I prefer the detailed stories and rat-a-tat jokes of 30 Rock or Arrested Development to the bitter musings approach of something like Maron.That's not to say the series isn't funny, because at times it is. The first episode begins with a funny, painful scene of Maron hitting on a mortified veterinarian, and Dave Foley's guest turn as himself is quite amusing. But it's a wandering show about an unlikable guy, and ultimately that's a subgenre I cannot fully appreciate.

I found Marc Maron about two years back - bored with FM radio and hearing the same songs every 30 minutes. I decided to turn to my iPhone for some Ted Talks - and accidentally stumbled across Maron's WTF... none the less he has been a voice I've grown fond of. I was very excited to hear that he got a TV-Show and that it would center around his life as a PodCaster. I had heard mixed reviews - basically saying it's a "Rip off of Louie."I patiently waited for NetFlix to carry Maron - as I don't have cable and never intend to get it (Sorry Marc I know how you want us to watch it on IFC, but I just can't see doing cable ever when I'm happy with my $8 a month Netflix service)The first season came - and I binged on it for 3 days straight - repeating episodes, rewatching the season twice. The second season came - and I binge watched it for 2 days straight (Re-watching the first season to refresh myself) This show is nothing like "Louie" at all. Marc cares about continuity, He cares about story - and character development (Although with Marc's character I kind of wish we would see a little more growth - I feel like we are starting with Marc as he was last year, or maybe two years ago - I might rewind it to the point where he was sober for just a year or two and start the character development from there). None the less it's still great, and it's nothing like Louie. Maron is a Refreshing bit of honesty and real story telling in a world filled with special effects, big budgets, and green screens. I hope this show lasts for many seasons to come - and I hope Marc the best of luck in life as he grows his career to it's full potential.

Get ready not to laugh! Ever wondered how the comedy sausage is made? Here's your chance to see the laughter being mechanically separated from the sad lonely misunderstood life of a comedian! I'll say this much in his defence, Maron is slightly less grating than Louie C.K. when he acts his little heart out. He comes from a place of rage on a consistent basis, so his more than abundant whining tends to lean towards angry old man rant whereas Louie C.K. sounds like a depressed Deputy Dawg crossed with a suicidal Eeyore when he tries to do serious acting. Nevertheless, if Marc would only realize that the 60s ended long ago so he can stop saying "man" every two minutes than that would be totally far out and groovy. Also, could he please never have sex on screen ever again. I know that it's all the rage lately thanks to people, like cutting-edge feminist savant Lena Dunham, for unattractive people to get laid on camera. However, when a dude pulls that BS, it just seems self-indulgent unless the actress involved is equally unappealing and let's face it, working actresses, even if they're "character" actresses, don't tend to look like a constipated old shoe. Anyway, just like Louie, I will continue to watch this show, because I hate myself and I don't deserve even a few minutes of pleasure, let alone a lifetime of happiness. It's truly part of my penance for being such a bad person over what I can only assume are multiple evil incarnations. Besides others keep calling it "art" given that American culture is so devoid of any mastery of dark comedy so many of us North Americans don't know for that genre (hint - people tend to still laugh at it - awkwardly, but still there's humour of the funny variety involved). Still it could be worse... After all, in France, they still think Jerry Lewis is funny when he does his "Ching-Chong Chinaman" impressions and I don't think that it's even in an ironic sense.

It's hard to separate my fandom from WTF and this show to give an honest review, but I'll give it a shot. My initial reaction was to stop after the first episode. Frankly, Marc's acting was a bit hard to watch at times. But knowing his ungodly knack for comfort on the radio, my guess was that he would get better. My patience paid off. You see a mostly steady increase in his confidence as each episode progresses, though I'm not convinced they were all shot in order. Marc has the ability to both draw you in and annoy you in the same sentence. Gregory House couldn't do this any better. But that is his real life. What might seem like a tense moment for some, as Marc often confronts those friends (and enemies) he has on his podcast, is simply his bread and butter. He operates in a world of bitterness, jealousy, and chaos. He openly admits his frustrations with life and the decisions he makes, yet recognizes his unhealthy habits. Much of this comes through on the show but in a far less depressing manor. What some may consider as "Hollywooding" (odd thing to say about IFC) Marc's life, I would say is a necessity to making this story watchable. The cameos (especially for fans of comedians) are another part of the show that lifts what could have been dark and depressing sitcom, into a competent story of a neurotic entertainer. And while this fictional world parallels Marc's life in some ways, it manages to keep it's distance at times.This is no Louie. It does not try to be. Both shows are very different. Surprisingly, Maron would seem to me more appealing to a broader audience than Louie, though I hate to compare them. Louie's show reaches a level of dark that I think most people will not appreciate, though it obviously has a large following (and yes, I am a fan).For now, this show belongs on IFC. If Marc's acting continues to improve, Maron could really benefit from a network change. I would encourage everyone to give it a shot (It's on Netflix!), to see if it's right for you.