one of my absolute favorites!

Absolutely the worst movie.

Although it has its amusing moments, in eneral the plot does not convince.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

The Invaders is more of a mini-series than a movie but I will treat it as one. I saw it over two nights and thought that it was okay. The Invaders has many echos of the Charlie Sheen movie The Arrival. The plot is almost exactly the same. Aliens have landed on Earth and have established themselves. They are now infiltrating the world and slowly terraforming it so that they may be able to survive on what is to them a hostile environment. The movie ends in a way that the battle is won but the war is far from over.Compared to the Arrival, I found The Invaders to be a much more subtle and horrific movie. Though both movies had a hidden alien agenda, the Invaders deals with the aliens using humans to destroy the world for them while the Arrival has the aliens destroying the world themselves. Though both movies have aliens disguised as humans, the aliens in The Invaders use controlled humans to execute their plans while they just stand by and watch. These aliens are far more intelligent than they are in the Arrival.I find that the Invaders is by far a better movie. The actors are unknown which brings the focus more onto what is happening than onto the star whom most people go to see. The plot is very much in the vain of an X-file, with the truth not being exposed to the viewer until near the end. The hero (or more of an anti-hero in the case of the Invaders) is alone in his fight against the aliens. The victory that was won was a very small one, much smaller than the victory in the arrival. At the end the audience is left with the wondering of whether the victory really did something at all. The aliens are entrenched and there is no realistic way that they are going to be removed quickly. I liked this movie. The characters were reasonable and non-stereotypical. Some might find aspects of this unrealistic but I feel that this leads to a new level in characterisation. There is no true pure hero. The setting is very dark and gloomy and so are the characters. There is a huge amount of futility for though the aliens are known the evidence just does not exist. The ending does not offer a solution either for the hero does not become a hero in the Hollywood sense of the word.This movie is spooky and well thought out. It is one that brings out thoughts and really entertains the audience. Though it is long, one does not worry about this for the suspense brings it quickly to the end – and the end leaves you wondering; which to me is the sign of a very good movie.

Give the producers of this movie credit for making one smart decision, and that is to make it a continuation of the classic 1960s TV show, and not a complete from-the-beginning remake.Give the writers credit also for the very subtle subtext which equates the invading aliens with their more human counterparts who still don't believe in environmentalism or global warming. Never actually said outright, it's kind of implied that those who knowingly promote more and more pollution are not only anti-American, but anti-Earth. That said, there's plenty in this four-hour pilot that gets an E for effort but a C- for execution.The plot is familiar territory, even those not familiar with the TV series. Earth is being secretly invaded by aliens who look like us, and we follow the adventures of one man who knows the truth. Sci-fi fans old enough to remember the classic show, as well as any number of similarly- plotted motion pictures, will instantly spot some problems with this film.Possibly the goofiest is Richard Belzer as a Rush Limbaugh clone who vents his warped thoughts across the Los Angeles airwaves every morning. I suppose he's supposed to bolster the subtext I mentioned above, but in point of fact he has no actual impact on the story and never connects with the other characters, leaving us with the impression that this movie ran fifteen minutes short and that they shot the Belzer footage as filler.Equally disappointing though is the lethargic pacing. "The Invaders" is really a decent two-and-a-half to three hour movie (with commercials) in a four-hour slot. There's little sense of urgency to the proceedings, a situation not helped by keeping star Scott Bakula in a passive mode for much of the show.Too, there is a little bit too much modification of the "Invaders" canon. We see the aliens' true form, and frankly, it's nothing more gruesome than you've seen in other sci-fi/horror shows. We DON'T get to see what was a favorite moment in the old series: an alien burning up as it died. Nor do we get to see their spaceship. A more ornate version of the saucer from the old TV show would have been welcome, but here we get little more than "Close Encounters"-style bright lights coming out of clouds.They've also muddied the whole idea of "regeneration". As originally conceived, the aliens had to return to "regeneration stations" regularly, to be placed in glass tubes and processed so that they could appear human and continue to breathe our atmosphere. Here the "tubes" appear to be used to suck the life out of humans so that it can be infused into their identical-looking alien impostors. And the new regeneration consists of things like inhaling truck fumes.This also introduces an "Invasion of the Body Snatchers" aspect that, unless I'm wrong, was not a part of the original series. In the TV show, aliens (in human form) appeared to have been always "there", in the same way a mole infiltrates a spy organization and lays low for years. There was none of this "yesterday Person X was a human, and today he's been replaced by an identical- looking alien" stuff -- again, at least as far as I recall.Then, those neat little discs that induced apparent coronaries in human beings are gone. Pity, because they were a handy way for the aliens to get rid of eyewitnesses. On the other hand, introduced is some kind of telepathic ability the aliens have to control certain people, which I don't recall being a part of the show either. Not that I'm against entertaining new facets of the aliens' "lore", but it would have been nice to have more stuff from the original TV series to get a handle on, before introducing new ideas.Returning back to things which are gone, however...if you're waiting to hear the familiar theme music from the TV series, you're waiting in vain. Surely it wouldn't have been hard to get some composer to re-orchestrate some of that classic Dominic Frontiere music. It doesn't sound like an important thing, but just the music alone could have been enough to give this production more of the feel of the classic show.One welcome spark of life comes from the all-too-brief appearance of David Vincent (Roy Thinnes, as the same character he played in the 1960s TV show). The manner in which he's woven into the plot is fine, and I suppose it makes sense to have an aging Vincent "pass the baton" to someone younger, but that facet is never explored, and Vincent is gone from the story all too soon, leaving us wondering what he's been up to for the last twenty years anyway.

I am a huge fan of "evil aliens" movies, plus I absolutely loved the original TV series from back in the day. So of course I was ready to really enjoy this flick. Egad! What a woofer! Nothing you haven't seen numerous times before -- hey, the premise works! it's entertaining in theory! -- but when you've got such low-quality acting, cheesy effects, a meandering script ... blah! The only thing it had going for it was Richard Belzer practically in a reprise of his "cigarette-smoking man" role in "Puppet Masters." It takes a real conspiracy of incompetence to make a "body-snatchers" themed movie utterly fail, but they managed to achieve it with this one. No surprise they never revived the TV series if this piece of dreck was the pilot.

Quinn Martin had scored in the mid-sixties with a show starring David Jaansan about a man running for his life from the relentless pursuit of a law officer (Barry Morse). "The Fugitive" was also seeking to find the murderer of his wife: the elusive "one-armed man." This cat-and-mouse drama played out for five successful years.Martin revamped the concept by having architect David Vincent (Roy Thinnes), after discovering aliens on this planet, starts his own quest to bring them down, traveling, a la fugitive, throughout the country.This TV-movie tries to update the classic series by having a popular sci-fi star ("Quantum Leap's" Scott Bakula), a popular family show star ("The Walton's" Richard Thomas), and having Roy Thinnes, himself, appear as protagonists.Well, the plot is basically the same, with updated effects, and "contemporary" political and military intrigue. Unfortunately, the characters and the situations are not very involving and the movie only "gains steam," literally when Bakula is aboard an out-of-control subway train.That's when Jon Politto (late of NBC's "Homicide") does the most credible acting as the subway supervisor who must figure out a way to stop the speeding transport. His nail-biting performance is a feat of intensity, unmatched by anyone else in the cast.'Too bad the rest of the film isn't as good as he is.