Overrated and overhyped

Fantastic!

Excellent, Without a doubt!!

The film never slows down or bores, plunging from one harrowing sequence to the next.

There were so many westerns on TV in 1960 that you could almost smell the phony gunsmoke. Most were forgettably simple-minded tales of good vs.evil, with cardboard characters, predictable outcomes, and no hint of real world complexity. Then along came an anonymous entry on Friday night without the big name stars or glamour of a Wagon Train, Bonanza, or Big Valley and long before the movie-going public had heard of Sam Peckinpah. You had to stumble across the show to even know it was there-- (what little publicity it got dwelled on a gimmick, Keith's 'scoped rifle', which Peckinpah ditched as soon as possible.). Nonetheless, The Westerner, as other reviewers point out, was ground-breaking in its willingness to explore nuance, and bring some realism to that most heavily fictionalized of American genres-- The Cowboy Movie. Instead of the usual cowboy hero as an unbeatable force for good, Bryan Keith's Dave Blassingame is a recognizable human being. He's a cowpoke drifter-- dusty from the trail, who befriends dogs, hookers, and lowlifes, can't read or write, likes to drink and brawl win or lose, and is obviously going nowhere in life. But he has an innate sense of honor that occasionally lifts him above the ordinary. In short, he's one of those rare characters who stands for the rest of us, not as a god, but as a real recognizable human being. It would be a mistake to read too much into the show-- it only lasted 13 weeks. But Peckinpah's willingness to challenge conventions is clearly evident, while the episode titled The Line Camp is as good as any show from that era. In this post-Vietnam period, it may be harder to see what was so special about the series. Still, the episodes wear well and the best are dramas as good now as they were then. I never thought I'd have a chance to share a public salute to what Peckinpah was trying to do, and was never even sure anyone else was watching. The series was simply there one week and gone the next as though it had never existed-- and I never knew why. I think now that the plots and characters were simply too offbeat for the time, and the sponsors and network lost their nerve. But I've never forgotten Dave Blassingame and his big scruffy dog. Thank you, Sam Peckinpah for trying to do something special, and thanks to The Western Channel for reviving this obscure but outstanding series.

A series of shows with Brian Keith being the constant lead actor and hero with various guest stars appearing in the different episodes. Very well acted and interesting to watch, especially if future star spotting is one of the viewers hobbies. Very realistic approach to the western not normally used by directors of the late 1950s and early 60s T. V. shows. The series has Dave Blassingame (Brian Keith) appearing in various situations over the course of the shows usually as a combination drifter turned hero that saves the day or the lady in distress from the villain or villains. Brian Keith plays the part in a very down to earth low key approach that is very refreshing and realistic.

A few of the episodes were weak, yes, but the over-all concept and execution of this show was brilliant. I have always thought that Peckinpah was an extremely erratic director.I am in the minority, but he was at his purest and best early in his career. Ride the High Country, for example, is one of the supreme masterpieces of the western genre.Peckinpah made an well acted, philosophical western, with little violence, and displayed care and craftsmanship making it. True afficionados of the western genre recognize it as one of the few truly original or interesting Television Westerns ever made. It is a shame that no network exists where shows like this can be re-run. Instead we get TV land showing endless reruns of Bewitched and I Dream of Jeannie.

This show was nothing less than brilliant. I saw it when it was first out, when I was in my last year of high school. I knew it was too good to be true then, and, sure enough, I was right.It is to westerns on television what Fawlty Towers was to comedy. Yes, it was that good...