Simply A Masterpiece

Clever, believable, and super fun to watch. It totally has replay value.

The movie is surprisingly subdued in its pacing, its characterizations, and its go-for-broke sensibilities.

This film is so real. It treats its characters with so much care and sensitivity.

I picked up a DVD of this British series from the National Gallery of Art in Washington, DC and it's fitting that a filmmaker be featured prominently in an art gallery--especially since this film isn't a biography of Chaplin, but a step-by-step analysis of his working style. They did this by collecting outtakes that had been saved by Mutual Studios as well as through photos and even home movies. At first, I thought this all sounded very dry but as the film continued I realized what a great treasure this is. What I liked in particular was how they took two of his earlier non-Keystone comedies and analyzed the many, many changes the film underwent thanks to Chaplin's obsessive-compulsive film style. Considering what a gift he had for making films, this lengthy style of constructing films is forgivable and even understandable.In addition to analyzing his shorts, the documentary also chooses to analyze CITY LIGHTS as well as THE GOLD RUSH and provides many behind the scenes insights. I really liked this, since GOLD RUSH might just be my very favorite silent film (though it's hard to say for sure, considering some of the great films of Lloyd and Keaton).All-in-all, this is an absolute must for serious film students, historians and lovers of silent comedy. Considering all the pain and trouble they went to in making this film, it's no surprise that it earns a 10 of 10.FYI--Fortunately, while this is a nearly perfect film about Chaplin, there are also two wonderful similar documentaries about Harold Lloyd ("American Masters", Harold Lloyd: The Third Genius) and Buster Keaton (Buster Keaton: A Hard Act to Follow)--both written by the same two writers who made this wonderful film. See them all if you get a chance!!Also FYI--On the DVD is a 12 minute segment on how they assembled all the footage for the documentaries. It's worth a look to give you insight into this very laborious process.

Charles Chaplin was truly the first independent filmmaker - with the exception perhaps of Georges Melies. Chaplin wrote, directed, starred in and scored nearly all of his films. No one understood the craft of film-making (silent or otherwise) better than Chaplin. He never compromised his artistic vision, perfectionism, or his integrity. Charlie literally made his films up as he went along, rehearsing on film and discarding whatever didn't work. Such techniques would prove too costly and time consuming today. This documentary consists of some of Chaplin's best experiments - some of which he re-shot and much of which he ordered burned. Like many a magician, Chaplin didn't want his secrets getting out. Luckily, many of his best tricks are revealed here for posterity. It's all lovingly narrated by James Mason. And the scenes that were cut from THE CIRCUS, CITY LIGHTS and MODERN TIMES are as good as anything that ended up in the final releases. I wish this was available on DVD, as my tapes are beginning to wear out.

When the series Hollywood was made in the late 1970s, it's producers had more than enough material for a series of over 10 episodes (as it was shown). Especially the material dealing with interviews of silent film period survivors. The producers decided to do several follow-up documentaries. Three eventually were made, about Chaplin, Keaton, and Lloyd. This was the first. Taken from the Chaplin family film vaults, it showed (in three episodes) scenes that were filmed by Chaplin from movies that were actually finished but re-cut (like CITY LIGHTS, THE CIRCUS, and THE CURE), as well as films that were made for private viewing (a film with visitor Sir Harry Lauder), and film that was created for projects that did not work out. It was a wonderful series, and all too brief - mostly due to the tragic fact that Chaplin did not save all the cut material from all his projects and films. Try to catch this on DVD.

This delightful documentary shows the secrets of many clever tricks that were a mystery until two film historians studied Charles Chaplin's works. Highly recommended to any serious fan of Chaplin. The backwards hat trick alone is worth viewing the whole series.