Good start, but then it gets ruined

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Spending your time spotting actors you've seen in other stuff may hold the key to making it through this rather lifeless adaptation of A Christmas Carol.Michael Horden makes a reasonable Scrooge but the surrounding production lets him down as it's clear that this suffers from a thin budget. Using drawings rather than actual sets may have a quaint charm in children's television, but here it just draws attention to how Scrooge-like the BBC must have been when they commissioned it.There are plenty of Christmas Carols on IMDb. This one isn't horrendous, but it's certainly forgettable.

This was at least the 14th screen adaptation of the classic Charles Dickens tale that I have watched (the others being those made in 1935, 1938, 1951, 1962, 1964, 1969, 1970, 1971, 1983, 1984, 1988, 1992 and 2006) with another (dating from 2009) following only 2 days later! While the 1951 version is universally acknowledged as the finest rendition (though one cannot really put a finger on why it works so well, given its modest credentials!), a few of the rest (including the 1983 animated Disney short!) are well enough regarded as well. Incidentally, while several actors have attempted to give life to the miserly Ebenezer Scrooge, Alastair Sim's portrayal was so vivid and perfectly-realized (he would also voice the character in the 1971 animated version by Richard Williams) that all later remakes would have to be judged against it, and this is were the film under review decidedly comes up lacking! Ironically, the otherwise reliable character actor involved – Michael Hordern – had played Scrooge's partner Jacob Marley in both adaptations involving Sim (Marley, then, is here incarnated by John LeMesurier, another welcome presence), but his contribution in this case comes across as no more than workmanlike. The main reason for this, I guess, also has to do with the script's scrupulous adhering to the letter of the original source which, again, was superbly-delivered – in his inimitable fashion – by Sim! I am sure it is not necessary for me to relate the plot line: with this in mind, the many familiar characters are adequately-filled (most impressively perhaps by Patricia Quinn – fresh from THE ROCKY HORROR PICTURE SHOW {1975}! – as the Ghost Of Christmas Past, with Bernard Lee – 'M' in the first 11 instalments of the James Bond franchise – also on hand as the Ghost Of Christmas Present). Besides, the eerie elements of the narrative (which, admittedly, is what really draws me to this piece, as opposed to the sentimental subplot involving the fate of Tiny Tim!) are given their due…but, all in all, the film merely sticks to the standard of British TV productions of the era i.e. generally tasteful in approach and undeniably practised in execution, it is also inherently dull!

This classic is probably the most ever adapted story by anyone to the silver screen or the TV screen. It has become like a universal reference, and not only because of Mickey Mouse. It is the reference to expose misers and their miserable little and at times enormous narrow-minded selfish sins. This particular adaptation is trying to make the story not too frightening, just weird enough to seem marvelous and fantastic. The ghosts are nearly friendly in a way, both in their voices and their appearances. The stories they tell are just simple stories of simple people who just try to survive in a harsh world with hard work and a lot of determination to live on and bring more life to the world. Scrooge is in many ways odious and yet he is repentant so fast that we could even believe he was touched by some kind of grace and he became nice for the sake of being nice, though he does it because he is afraid, and nothing but afraid of what may happen to him after his death. That's the very contradiction of this man becoming converted to doing good after a life of doing evil. He is moved by fear. Approaching death is a great teacher of manners and kindness. The film yet remains magic and the sudden conversion is quite pleasant. I could yet have preferred Scrooge to be a lot more inhumane, a lot more vicious, because misers are basically not human. They only exploit the others and never share.Dr Jacques COULARDEAU

In comparison to longer, more showy versions of Dickens' classic novella, this version from 1977 with Michael Hordern as Scrooge can look a bit underfunded - however, I think that its short length and the quality of its cast outweigh these concerns.The key of adapting a familiar story is to meet expectations in many ways, and this version does succeed. The visitations of the four spirits (including Jacob Marley), are well done, Bernard Lee as Christmas Present, John Le Mesurier as Marley amongst them. Hordern himself makes a good Scrooge, grey, morose and menacing at the start, and gentle and reformed at the end.Alongside versions with Alistair Sim, George C Scott, Patrick Stewart, and others, this version more than holds its own.