All Superheroes Must Die
All Superheroes Must Die
NR | 04 January 2013 (USA)
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Masked vigilantes Charge (Jason Trost), Cutthroat (Lucas Till), The Wall (Lee Valmassy), and Shadow (Sophie Merkley) are rendered powerless by their archenemy (James Remar) and are forced to complete a series of deadly tasks in order to save the lives of more than 100 innocent civilians. Should they fail or refuse to cooperate, the entire town will be destroyed. ~ Jason Buchanan, Rovi

Reviews
TrueHello

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

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Catangro

After playing with our expectations, this turns out to be a very different sort of film.

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Arianna Moses

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

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Deanna

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

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Jonathon Natsis

What looks like a fascinating concept on paper is executed in villainously poor fashion in All Superheroes Must Die, a micro-budget thriller that twists almost every convention of the oversaturated genre, but is drastically let down by innumerable plot holes, a jagged script and empty performances all round. Sick to death of playing the speed bump to the good guys and their well-meaning plans, supervillian Rickshaw (James Remar) has knocked out and stolen the powers of Charge (Jason Trost), Shadow (Sophie Merkley), Cutthroat (X-Men First Class' Lucas Till) and The Wall (Lee Valmassy), the town's four resident superheroes. Meanwhile, he has rigged several town landmarks – and many more innocent civilians – to explosives, meaning the heroes have no choice but to play by his wicked rules.Directed and written by lead actor Trost, the film can never seem to decide between being a serious look at the sacrifices made to be a hero, or a tongue-in-cheek satire of the suspension of disbelief required by the genre. It constantly flexes between sharp, intimate flashbacks showing the closeness of the group before becoming superheroes, and incredulously over-the- top delivery from Remar and Sean Whalen – as side villain Manpower – none of which hit their mark.The rest of All Superheroes Must Die is a mish-mash of unexplained plot points and unprovoked character turns. The story jumps regularly, giving the impression that a short shoot forced pages to be ripped out of the script at will. And while some films of this nature do a fantastic job of stretching the production value, Superheroes looks every bit like a low budget cellar dweller, doing little to mitigate a collection of lacklustre individual parts, forming an utterly forgettable shell of an intriguing idea. *There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review. If you're looking for a writer for your movie website or other publication, I'd also love to hear from you.*

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Nicholas Lee Morine

This movie was always going to be polarizing -- it is not a movie made for the masses or really the general viewing public writ large. It is obviously a love letter to the darker and more dystopian themes of exploitation films, 80s action films, and cult horror. There is also plenty of self awareness present here, which is subtle and well played.All Superheroes Must Die is a fantastic little film that, in my opinion, is capably acted. Rickshaw is hilarious and competent. Charge is vulnerable yet determined. Shadow is particularly well acted.The camera shots are inventive, the film pacing is quick and fairly exciting. Not much wasted time here -- much like another personal favourite, Showdown in Little Tokyo (though other than the running time, little else is similar).This is also a deeply thematic film. Issues surrounding friendship and particularly "what it means to be heroic" are on display. Nonetheless, it's not very heavy handed, and most people will be more interested to see the creativity on display.Not for conservatives or the rigid.

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Boris Rechlebic

I felt compelled to register just to review this "film" This is the lamest film ever. The actors are so bad, its like watching your friends make a lame movie, really its that bad. Plot is ridiculous, actors are terrible, the film has no redeeming qualities. Absolute garbage...... Why do people feel compelled to make movie like this, this is not art, its not entertaining of engaging in any way. These actors are straight out of college drama class. So apparently this review needs to be 10 lines long for me to submit it, so just to recap this film is in an insult to film makers all round the world, its played out and predictable, the actors are terrible the plot is a joke, i feel angry for watching this pathetic movie.

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poyrazbaklan

When a movie is small budget, it doesn't automatically make it bad, on the contrary I have seen a lot of movies which were fairly successful in their own ways no matter what they cost the filmmakers. It just takes a fair amount of creativity,imagination and quick thinking that usually overcomes the obstructions it brings. Unfortunately these are the skills the director lacks here. The idea is fairly good. Four heroes, stripped of their powers, must play a deadly game in a town under siege by a maniacal man, played by James Remar no less. Think of Saw meets the Avengers, I heard. The end result is far, far from what I had hoped though. The heroes origins are never explained, instead using some flashbacks about their past which amount to nothing at all. The director says he made this to trick the viewer into becoming a fish-out-of-water, just like the heroes, but then why are the flashbacks there? Other than Charge, the heroes barely get screen time and the deadly games they play is all the same, just kill one another. There is a small twist near the end about Charge's origins but it really doesn't make a lot of sense. And the plot holes are a plenty. How can he triangulate Rickshaw's signal by just marking the map? Why does the villain have goons in animal costumes? What's with the two villains and the inability to cut a fuse? How come the whole town is rigged with cameras and Rickshaw doesn't see Charge approach him? There are many like this, and the worst is the suddenly- cut-to-black ending, which no wonder will make you disappointed. I really wanted to like this film but viewers need and deserve more, it is commendable to shoot a movie with little money and time. But at least it could have a decent script.

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