Simple and well acted, it has tension enough to knot the stomach.

Clever and entertaining enough to recommend even to members of the 1%

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

The Wilder/Pryor comedy team made some really amazing, pretty much perfect comedies in their time... and even though this movie does not hold a candle to their best (See No Evil Hear No Evil, Silver Streak, Stir Crazy) it is still a really funny movie. Any scene with either of them is already funny, but putting them both together always results in some magic. It's not the best script they've ever had to work with but they still have a lot of funny scenes and like most of their movies it still has a surprising amount of heart underneath all the slapstick type comedy. I highly recommend all their movies and RIP to both of them!

After 3 successful collaborations together, Gene Wilder and Richard Pryor came together for the final time in Maurice Phillips's 1991 film Another You. The two definitely did not save the best for last in this story of mistaken identity. Maybe it was a case of wearing out a good thing, or poor directing, or something else entirely; whatever it was, Another You didn't work. After being in a mental hospital for 3 years, for his pathological lying, it is believed that George (Gene Wilder) is ready to be re- introduced to the world again. Eddie Dash (Richard Pryor) is a con- man trying to stay on the rehabilitated side of life when he is assigned to community service for the remainder of his probation. He is assigned to spend time with George, helping him find an apartment and aid him on his re-introduction to life outside of the mental hospital. On the way to the museum, George bumps into a man who mistakenly believes he is a millionaire to whom he owes a lot of money. George is wholeheartedly against going on with this lie as he is trying to rehabilitate himself from lying. Eddie, however, has no interest in becoming a better person and leaving the con game behind. Seeing this as a great opportunity for getting a lot of money, Eddie urges George to go along with the charade. George then meets the real Abe Fielding's wife and sees the beautiful mansion that he is supposed to live in. Going along with the charade proves difficult when it is revealed that the real Abe Fielding is missing and believed to be murdered. Everything about this film was disjointed. It's hard to believe, by watching this film alone, that there were 3 other film collaborations of the two principles. Another You is completely missable, likewise, miserable. A flat storyline that never fully develops or works enough to engage the audience, even my intense love of Gene Wilder's work wasn't enough to save this picture for me.

Unpleasant final teaming of Gene Wilder and Richard Pryor. Mr. Wilder (as George) and Mr. Pryor (as Eddie) had to have already been contracted and paid for this film to see completion. Otherwise, there are no credible responses to the remarks, "You guys are awful!" and "This is NOT working!" The most jaw-dropping unfunny moments involve yodeling. Mercedes Ruehl (as Elaine aka Mimi) has an sexy and effective black underwear scene. Pryor has a good sequence, upon arriving at the Fielding mansion. Wilder impersonates Cary Grant and Desi Arnaz. If you don't count Lucy, Ethel, and Elvia Allman working in the candy factory (on the Fielding's TV), the early 1990s Hollywood location footage is the film's only real strength.** Another You (1991) Maurine Phillips ~ Gene Wilder, Richard Pryor, Mercedes Ruehl

This being the last of the Pryor/Wilder Partnership, was a commercial and critical failure, However that said, it was always going be tough as Pryor's multiple sclerosis illness had become more serious and is very evident in the film. His usual fast and erratic luney behaviour is reduced to a very frail skinny man who is obviously in pain and trying very hard just to walk.This would of also have reduced the creative input that Pryor contributed to his films. All this aside, Wilder is actually very funny in the movie, his timing is excellent(especially the restaurant scene) and he carries the film well. Pryor is still funny at times but understandably has more of a supporting role. A fan of the Pryor Wilder films should still definitely see this, there are many laughs,with some funny impersonation scenes with Kevin Pollack, but its one for people with a love for their comedy partnership. As a film on its own to an outsider it will more than likely disappoint.It is available on DVD